I love a good romance. Perhaps because reality is unpredictable, often heart-wrenchingly so, there’s comfort in a romantic tale. The key in sticking the landing is the perspective of the creative team, as well as the talent in front of… Read More ›
SXSW Online
“Seriously Red” is a love letter to impersonators and the celebrities they embody. [SXSW Film Festival]
There is something truly magical about movies that are just effortlessly charming, endearing, and whimsical. Then there is something extraordinary when one writes and stars in the feature and pulls off that ever so delicate balance of amazement. In Gracie… Read More ›
The message of Augusto Sandino’s “A Vanishing Fog (Entre la niebla)” stays with you long after the credits roll. [SXSW Film Festival]
In recent years, Colombia has really begun to reveal itself as a very interesting home for strange, introspective indie cinema in a way I don’t think anyone expected. With global voices taking the mainstream stage and with storytellers unafraid to… Read More ›
Nyla Innuksuk’s humorous action horror “Slash/Back” tackles colonialization armed with heritage and the strength of community. [SXSW Film Festival]
Nyla Innuksuk tells a coming-of-age alien invasion story rooted in Inuit culture and legends in her debut feature film, Slash/Back. In Slash/Back, Innuksuk manages to knit together a movie that both pays homage to the “kids on bikes” movies she… Read More ›
Make room on your annual October watchlist for Bill Posley’s “Bitch Ass.” [SXSW Film Festival]
There are very few movies instantly recognized as a crowd favorite, but when they’re discovered in that sweet spot of magic, one would do quite literally anything to witness said film with a packed audience. Bitch Ass, the new horror… Read More ›
Short film “Everything Will Be All Right” packs a feature-length emotional punch. [SXSW Film Festival]
In the current circumstances we live in, and have lived in for the last two years, we sometimes have to remind ourselves that everything will, in fact, be all right. We need that deep breath, that reconciliation with ourselves that… Read More ›
Cringe and comedy more than pay off in “Pretty Problems.” [SXSW Film Festival]
There is nothing particularly fun about watching a couple who’s on the rocks try to break free of their mold and cannot fathom why or how they’ve been invited to an extravagant weekend. Well, there is nothing fun about that… Read More ›
A Conversation with “Slash/Back” director Nyla Innuksuk and actors Tasiana Shirley and Nalajoss Ellsworth. [SXSW Film Festival]
EoM contributor Lindsey Dunn speaks with Nyla Innuksuk, director of Slash/Back and two of the cast members Tasiana Shirley and Nalajoss Ellsworth. In this discussion, Innuksuk talks about why she wanted to tell the story, why she chose Pangnirtung as… Read More ›
Unravel a wild unknown mystery with Allison Otto’s documentary “The Thief Collector.” [SXSW Film Festival]
When I was a kid, I remember my paternal grandparents traveling constantly. They would bring back foreign currency, bobbles, and even stuffed animals from their adventures to give to me, my siblings, and cousins — mementos of their trips which… Read More ›
Your time is well invested in documentary “Diamond Hands: The Legend of WallStreetBets.” [SXSW Film Festival]
There are documentaries that expose some of the darkest parts of the world and then there are nature documentaries, but there is also literally everything else in between that one could possibly fathom. Shoes? You bet there’s a documentary. A… Read More ›
Documentary “Still Working 9 to 5” captures all the humor, real issues, and hard work surrounding the classic comedy. [SXSW Film Festival]
December 19th, 1980, is memorable for two reasons: it’s the day I was born and Colin Higgins’s 9 to 5 hit theaters. It, a workplace comedy featuring three female leads, went up against the likes of Robert Altman’s Popeye and… Read More ›
Documentary “Mama Bears” offers love and light for all who are lost: parents and children alike. [SXSW Film Festival]
Then God said, “Let us make mankind in our image, in our likeness, so that they may rule over the fish in the sea and the birds in the sky, over the livestock and all the wild animals, [a] and… Read More ›
A Conversation with “Split at the Root” producers Marti Noxon and Maria Grasso & Immigrant Families Together co-founder Julie Schwietert Collazo. [SXSW Film Festival]
EoM contributor Justin Waldman recently interviewed producers Marti Noxon and Maria Grasso and co-founder of Immigrant Families Together Julie Schwietert Collazo to discuss their work on the documentary Split at the Root, which is premiering at SXSW. During their conversation,… Read More ›
Documentary “Crows are White” is a surprising exploration of the intersection of faith and truth. [SXSW Film Festival]
On Mt. Hiei in Japan lives a secretive sect of Buddhists who push their bodies to their limits in order to achieve enlightenment. Seeking guidance, documentarian Ashen Nadeem travels to the monastery in hopes of chatting with Kamahori, a monk… Read More ›
A Conversation with “Women Do Cry” actor Maria Bakalova & co-directors Mina Mileva and Vesela Kazakova. [SXSW Film Festival]
In this conversation, EoM contributor Thomas Manning speaks with Academy Award nominee Maria Bakalova and co-directors Mina Mileva and Vesela Kazakova about their film Women Do Cry, which is screening at the 2022 SXSW Film Festival. During this discussion, the… Read More ›
Teemu Nikki’s dramatic thriller “The Blind Man Who Did Not Want to See Titanic” is storytelling on an elevated level. [SXSW Film Festival]
Art being subjective, the likelihood that each film released is going to be the latest masterpiece is small. Individuals may certainly feel that way, but, objectively, it’s far less likely. Odds are always on the side of familiar stories being… Read More ›
Allow the joy of documentary “Lily Topples the World” to knock you over. [SXSW Film Festival]
Documentaries that manage to introduce a new audience to something niche and relatively uncommon (while retaining entertainment value and artistic excellence) instantly earn my admiration. From director Jeremy Workman and executive producer Kelly Marie Tran, Lily Topples the World shows… Read More ›
A Conversation with “Stuffed” co-creators Theo Rhys and Joss Holden-Rea. [SXSW Film Festival]
After watching the bittersweet and darkly humorous short musical Stuffed at SXSW Film Festival 2021, I just had to interview the creative team. It was truly the biggest surprise of the festival and won the special jury prize for Bold… Read More ›
Director Mary Wharton’s documentary “Tom Petty, Somewhere You Feel Free” is good for the heart and soul. [SXSW Film Festival]
From director Mary Wharton, the documentary Tom Petty, Somewhere You Feel Free feels like a secret glimpse into a lost part of history. Considering that we are less than three decades removed from the time period of this film’s focus,… Read More ›
Two features and five shorts to keep an eye out for. [SXSW Film Festival]
SXSW 2021 has come and gone, offering accredited press a dizzying array of opportunities in which to indulge. While the Elements of Madness coverage team wrote a hearty portion of reviews, there were far more films worth seeing than we… Read More ›