“The more things change, the more they stay the same.” No matter how much we rely on technology to do things for us, we often lose a little piece of ourselves in the process. Sure, we may remember things more… Read More ›
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Dark comedy “Pescador” uses comedic bait to explore dark thematic waters.
The fun thing about cinema is its ability to explore aspects of humanity without necessarily making judgements on it. This, of course, can back-fire if the audience doesn’t receive the film, or moments within it, as intended (see: Shannon Lee’s… Read More ›
Daniel Craig’s Era as James Bond comes to a satisfying conclusion in “No Time To Die.”
Allow me, first, to share a memory: November 2006. EoM editor Crystal Davidson and I journeyed to the Magic Johnson Capital Center 12 to see the latest James Bond film, Casino Royale. I was fan of the films (had even… Read More ›
Be prepared for the dark harvest by picking up “The Mitchells vs. The Machines” on home video.
In March 2020, Sony Animation released a trailer for Connected, a film centered on a family attempting to survive a robot apocalypse. It mostly focused on the relationship between the luddite dad and techno daughter before shifting gears to revealing… Read More ›
James Wan’s “Malignant” is the rollercoaster horror ride you didn’t know you wanted.
In September 2021, Warner Bros. dropped Malignant rather unceremoniously into theaters and on its streaming service HBO Max. I say “unceremoniously” because its story is co-developed by director James Wan who’s the co-writer of Saw (2004), who crafted the story… Read More ›
Just because you “Don’t Look Up,” doesn’t mean it’s not happening.
Don’t Look Up is, by far, the strongest, most searing piece of cinema writer/director Adam McKay (The Big Short; Vice) has put before us. Unlike his last two films which presented real-world events through a comedic lens, Don’t Look Up… Read More ›
The fantastic spectacle of animated adventure “The Monkey King: Reborn” almost makes up for the thin script.
Cultural legends and myths have been fodder for storytelling (books, music, video games, movies) since the birth of each of them. Why not take something that audiences are already familiar with and either retell or reform it in a way… Read More ›
Philip Barantini’s “Boiling Point” mixes technical prowess with dramatic tension for an all-too realistic look at the service industry.
There is nothing worse than dealing with hungry people. Except, maybe, perhaps, dealing with hungry people during a major holiday. I’m not talking about family gatherings around the home and hearth, I’m talking about going out to eat. You want… Read More ›
Paul Verhoeven’s “Benedetta” weaves luridity in with heavy, impenetrable narratives to create something with a surprising amount of emotional heft.
This is absolutely a safe space to admit that Paul Verhoeven is one of the most well-rounded, self-aware filmmakers to ever live. We’re all thinking it, so someone might as well say it. His filmography can sometimes read like a… Read More ›
“Two Yellow Lines” is a heartfelt tale of family in-front and behind the camera.
Stories that depict a road trip tend to connect with most audience members considering that we all commonly share in the ultimate extended road trip — that is, the journey of life. Sure, this is a clichéd metaphor that has… Read More ›
A Conversation with “Pig” actor Alex Wolff.
EoM contributor Thomas Manning recently took part in a virtual roundtable Q&A with actor Alex Wolff to discuss his performance in the NEON production Pig, written and directed by Michael Sarnoski. Wolff talks about working with Nicolas Cage and Adam… Read More ›
Wanna get weird? Take a trip to “Mondo Hollywoodland,” but make sure to book a return ticket.
One of the best things about exploring the arts is the ability to learn something new, often in unexpected ways. Sometimes it’s the little details in a film which, under examination, divulge some aspect or secret about the filmmaking process… Read More ›
Writer/director Camille Griffin’s directorial debut “Silent Night” is a hilariously dark and downright torturous microcosmic exploration of living on Earth.
The holidays are always rife with possibilities. They are an opportunity to gather together, to rekindle connections or foster already burgeoning affections. They are also an opportunity to air grievances, the energy of renewal spurning some to unleash that which’s… Read More ›
Bring the Ten Rings home as “Shang-Chi and the Legend of the Ten Rings” is available now.
While there’s a vocal contingent online citing MCU fatigue, I’m getting excited after the last two films — Shang-Chi and the Legend of the Ten Rings and Eternals — as things feel like they’re starting anew. We don’t know if… Read More ›
Celebrate director Barry Sonnenfeld’s “The Addams Family” 30th anniversary with a brand-new 4K UHD edition.
Artist Charles Addams is most widely known for his cartoon series “The Addams Family” which ran in The New Yorker, which then became the even more popular ABC television program which ran for two seasons between 1964 and 1966. While… Read More ›
“The Emperor’s Sword” seeks to immortalize the legends of Chinese lore, but fails on just about every level in its attempts to do so.
Ideas are often one thing, whereas execution is entirely another. There are plenty of films which sound incredible, but the finished product seems entirely devoid of the potential. This is the best way to describe the frustration that comes from… Read More ›
Lin-Manuel Miranda’s “tick, tick…BOOM!” adaptation is a love-letter to both a lost artist and the medium he so loved.
Your musical theater tastes are all but defined by when you were first introduced. It doesn’t mean that you can’t shift or grow in tastes, but there certainly comes a heavy influence or leaning based upon your start. While I,… Read More ›
Halle Berry’s directorial debut is “Bruised” but not broken.
It’s perfectly natural to want to find ways to grow in your craft. Someone who starts as an intern likely has their eyes on a manager’s seat, wanting to absorb as much as possible in order to get there faster…. Read More ›
You don’t need to say his name to bring him home. Nia DaCosta’s “Candyman” is available on home video now.
In horror, there are far more stories of unrelenting evil than there are tales of vengeance. Look at the pantheon of horror elite and you’ve got Michael Myers, Freddy Krueger, Leatherface, and Pennywise. There are plenty more, for sure, but… Read More ›
Don’t blink. Don’t move. Writer/director Jane Campion’s western thriller “The Power of the Dog” compels you to heel.
Director Jane Campion’s (The Piano) latest project is an adaptation of author Thomas Savage’s 1967 novel The Power of the Dog. Her film, a taunt western-drama, chronicles the intersecting lives of two families across several months in Montana 1925. Each… Read More ›