Director Jeremy Sims brings together the talents of Sam Neill, Michael Caton, and Miranda Richardson in Rams, his English-language remake of the 2015 Icelandic film, Hrútar. Rams centers around feuding brothers Colin and Les Grimurson (Neill and Caton, respectively), who… Read More ›
Samuel Goldwyn Films
Come for the story, stay for the music of “Fisherman’s Friends.”
Before the written word, one of the main ways of passing down stories from one generation to another was through song. Considering that music is currently showing no signs of slowing down, it should surprise no one that telling the… Read More ›
“Mr. Jones” wonderfully captures a journalist’s perspective pre-WWII.
World War II movies are Hollywood’s chance to tell something bold, but to also provide a history lesson that audiences might not have been aware of when they were in history class. There’s been a great list of World War… Read More ›
Mirrah Foulkes’s “Judy & Punch” is a brilliant dark meta-comedy exploring the accepted horrors of the patriarchy.
In recent memory, there are few films that have made me quite as angry as Mirrah Foulkes’s feature-length directorial debut Judy & Punch. Debuting at Sundance in 2019 before a long theatrical release, the film itself is a brilliant dark… Read More ›
When these “Debt Collectors” come ‘round, pay fast or get knocked down quick.
There are certain director-actor pairings that just excite audiences when they hear about them. Mel Brooks and Gene Wilder. Martin Scorsese and Robert De Niro. Sam Rami and Bruce Campbell. Jesse V. Johnson and Scott Adkins. Johnson and Adkins first… Read More ›
Shailene Woodley’s performance in “Endings, Beginnings” is really what makes this movie strong.
Romance movies typically skew for a certain instead of appealing to all audiences. The great ones (The Fault in Our Stars, Titanic, and The Big Sick) are the ones that can resonate and move a wide variety of people, both male… Read More ›
Just keep telling yourself “Daniel Isn’t Real.”
For as big as the waves that SpectreVision is making in the indie horror scene with cult hits like The Greasy Strangler and Mandy, it’s a real wonder why a major distributor hasn’t taken a bigger chance putting their films… Read More ›
Alice Waddington’s “Paradise Hills” uses a fairytale motif to demolish the chains of the patriarchy.
Throughout the centuries there’s been one constant: women get the short-end of everything. They’re expected to be virginal, yet sexual; wise, yet naïve; knowledgeable, yet silent. They are instructed through social norms on how to comport themselves publicly and privately…. Read More ›
Existential dread only gets you so far in “Head Count”.
We’ve seen so many horror movies where the central focus is on a group of people in their 20s who go out in the middle of nowhere and are then stalked by a bunch of murderous psychopaths. While the story… Read More ›
Coming To Theaters: June 2019
Summer may not officially kick off until June 21st, but the movies hitting theaters don’t know that. June brings with it films small (actor Seth Green’s directorial feature debut Changeland) and large (Men in Black: International), each competing for your… Read More ›
Bone-crunching crime drama “Avengement” breaks expectations by defying conventions.
One of the biggest travesties during the annual Oscars celebration is the continued disregard for stunt work. Sure, studios and talent will rave about the incredible, death-defying work that Tom Cruise attempts in the latest Mission: Impossible film and franchises… Read More ›
“Saturday Church” is a quasi-musical journey of self-acceptance.
Audiences will quickly compare Saturday Church to Moonlight, the 2017 Best Picture Oscar winner which also tells a personal, character-driven story about a boy’s search for self at the intersection of sexual identity and race. While both excel at telling… Read More ›