A great time watching something can come in a 90-minute, 120-minute, 180-minute format, or any format in between. Sometimes you get really lucky and a hilarious, awkward, heartfelt great time comes in a 13-minute format. Thankfully, Blake Winston Rice’s DISC,… Read More ›
When word came down that Jessica Chastain (Crimson Peak) was making an erotic thriller, it was an announcement that felt both intriguing and out of left field. An acclaimed character actress taking on a risky role that requires both physical… Read More ›
In the era of BookTok, many fans find themselves drawn to stories fueled by yearning. Some might want to step into a romantasy, where bat-winged boys sweep their powerful protagonists off their feet, while others prefer a more real-world scenario… Read More ›
Trigger Warning: The Bride! incorporates several instances of violence against women that may be triggering for individuals who’ve experienced sexual assault. Additionally, there’s a scene in a club that utilizes flashing lights which may induce a reaction for those with… Read More ›
Writer/actor/director Larry Fessenden has been a steady presence in filmmaking for several decades now. Whether appearing in other people’s projects (Bringing Out the Dead; Good Boy), writing them (Until Dawn), or making them himself (Wendigo; The ABCs of Death 2),… Read More ›
Music is a significant part of the oral tradition. Even if we lack words for our feelings or experiences, we can always chant, using the power of our lungs to vibrate our breath into song and story. This is why… Read More ›
When a storyteller — whether writer, director, actor, etc. — becomes known for something, they very often get pigeon-holed and face difficulty escaping that perception. People known for westerns do westerns, for action do action, for horror do horror, and… Read More ›
Despite all the arguments for America First ideology as a way to preserve the United States with the ideology formed on a basis of Christian Nationalism, it’s a belief system that cannot stand in the wake of actual data and… Read More ›
Over the last few years, physical media boutique Cult Epics has released a series of restorations of filmmaker Tinto Brass’s catalogue, the latest of which is his 1983 erotic romance The Key. Courtesy of Cult Epics, EoM is giving away… Read More ›
Last month, Cult Epics released another restoration from Japanese filmmaker Nobuhiko Ôbayashi’s catalogue of titles, the sci-fi romance The Girl Who Leapt Through Time. Courtesy of Cult Epics, we reviewed the standard edition of their new 4K UHD restoration and, now,… Read More ›
Reminders of Him is a needlessly self-conscious film. Like the Nicholas Sparks canon before this Colleen Hoover wave (It Ends with Us; Forgetting You), the film plays melodrama as grounded drama, which often drives stray target-audience members, like unaware boyfriends,… Read More ›
Oscar-winning director Chloé Zhao (The Eternals; Nomadland; The Rider) is a singular voice in filmmaking. Her work focuses on a naturalistic approach, making her films’ environments characters in their own rights. Some viewers could find that as nothing more than… Read More ›
By the time of his passing in 2020, filmmaker Nobuhiko Ôbayashi had directed nearly 80 films, features and shorts, with his most recent, Labyrinth of Cinema, released in 2019. It would be his feature debut, House (1977), that would make… Read More ›
Song Sung Blue stands as one of the most grounded and quietly affecting performances in Hugh Jackman’s career, a surprising turn for an actor often associated with larger-than-life characters and blockbuster spectacle. Here, he strips away the bravado and theatricality… Read More ›
There are many ways to process grief. Some of them are beneficial, accompanied by a sense of healing and the ability to move on from the pain and loss, while others are like an anchor, prohibiting one from moving on… Read More ›
Hamnet, the new feature and novel adaptation from Oscar-winning filmmaker Chloé Zhao (Nomadland), is coming available on home video in both digital and physical formats. Starring Jessie Buckley (Women Talking) and Paul Mescal (Aftersun) as Agnes and William Shakespeare, respectively,… Read More ›
Asking me to describe my relationship with the Silent Hill franchise is opening a Pandora’s Box of epic proportions. The series, centered around a cursed ghost town in rural Maine, has haunted, compelled, comforted, entertained, frightened, and shaped me in… Read More ›
Congratulations. For a certain set of people, this singular word carries weight. This isn’t to say that it doesn’t for the general populous as receiving accolades or cheers often makes one feel elated, but, for a specific set, “Congratulations” correlates… Read More ›
What does one expect when a documentarian partners with a co-writer to write and direct his first feature? If you guessed a riveting, pulse-setting, sensational thriller about a heist and love and the chaos that unfolds, then you’d be right… Read More ›
If you’ve never heard of Adam Rehmeier, you’re doing yourself a great disservice. The indie gem Dinner in America (2020) is a completely underrated, under-the-radar gem that deserves to be seen by all audiences. Rehmeier’s newest, Carolina Caroline, has him… Read More ›