If you’ve never heard of Adam Rehmeier, you’re doing yourself a great disservice. The indie gem Dinner in America (2020) is a completely underrated, under-the-radar gem that deserves to be seen by all audiences. Rehmeier’s newest, Carolina Caroline, has him… Read More ›
romance
“Rent” gets a shiny boost to 4K UHD but no new special features for its 20th anniversary.
In the year 2005, when I was just a young lad (12, I know I am dating myself here), I was at the theater and experienced the closest thing to a proshot I would have encountered up to that point…. Read More ›
Say yes to taking “A Big Bold Beautiful Journey” from the comfort of home.
“I think all of us tend to act a lot, David. That we perform more than we think we do.” – Female Cashier (Phoebe Waller-Bridge) in A Big Bold Beautiful Journey In all three of filmmaker Kogonada’s feature films, a… Read More ›
“Withdrawal” takes the audience inside for a sincere look at two battles for sobriety.
It doesn’t particularly matter what your income level is when it comes to drug addiction. In fact, historically, there was a time in which using cocaine was not only viewed as safe and medicinal, it was a staple of high… Read More ›
88 Films releases another Yuen Biao 2K restoration with action comedy “Rosa.”
By the time 1986 arrived, Yuen Biao, one Hong Kong’s “Three Dragons,” had appeared in the Sammo Hung-co-directed Warrior’s Two (1978), lead Brandy Yuen Jan-Yeung’s The Champions (1983), and co-starred in Jackie Chan’s Project A (1983) and Sammo Hung’s My… Read More ›
Dark rom-com “Splitsville” follows a quartet of friends interlocked sexually, metaphysically, and legally.
From Lord Alfred Tennyson’s 1850 poem “In Memoriam A.H.H.,” the lovelorn often quote (or have quoted to them) “I hold it true, whate’er befall; I feel it, when I sorrow most; ‘Tis better to have loved and lost, Than never… Read More ›
“Edward Scissorhands” gets the Dolby treatment in a first-time 4K UHD restoration.
After releasing anniversary/first-time 4K UHD editions of the first two TRON films, Tombstone (1993), The Rocky Horror Picture Show (1975), and many others, 20th Century Studios offers audiences a chance to celebrate the 35th anniversary of filmmaker Tim Burton’s Edward… Read More ›
“Wicked: For Good” stays too close to the source material to gain any real altitude.
It’s common wisdom that all the good songs of Wicked (2003) are in the first half. But if the majority of songs in the anti-fascist melodrama of Act 2 were as silly and energetic as “Dancing Through Life,” the whole… Read More ›
Spend more time with “The Roses” via digital release with special features.
The Roses is a fine example of how two fantastic comedic leads can elevate material that might not fully deserve them and how a movie can still stumble when its supporting cast and pacing can’t keep up. Benedict Cumberbatch (The… Read More ›
“The Mask” first-time 4K UHD edition from Arrow Videos is S-ssss-ssss-sssss-smokin’!
It’s 2025 and comedian/actor Jim Carrey is a staple of pop culture. His take on the Grinch gets played by audiences looking to kick off the festive season (for those who celebrate) each winter; his version of Doctor Robotnik introduced… Read More ›
“31 Candles” illuminates male loneliness.
“Have you talked to [Redacted] lately” is a question that many mothers love to haunt their single children with. “What about [Redacted],” “I just ran into [Redacted] at the grocery store,” “[Redacted] was at church today,” or, as kicks off… Read More ›
“Materialists” struggles to reconcile its themes leading to an unsatisfyingly stereotypical plot.
As someone who once lived in The Big Apple, I know a thing or two about dating within its whimsical-yet-chaotic parameters. From trying to have smooches on the subway to debating your dinner on the busy sidewalks of St. Mark’s,… Read More ›
Bobby Farrelly’s “Driver’s Ed” forgets to disengage the brakes on the comedy. [TIFF]
The Farrelly brothers should be rather synonymous with crude, hilarious, and downright ingenious comedy, but something between the late ‘80s to early ‘00s and now has changed and that brand of sexualized, crude, frankly dumb comedy no longer is what… Read More ›
Mac Eldridge and Tom Dean’s “Charlie Harper” is a volatile romance that hits like a truck. [TIFF]
Tom Dean (writer for short Photo of the Day and Carolina Caroline, another TIFF 25 title) and Mac Eldridge co-direct their second project and first feature together, the heart-breaking, gut-punching young romance Charlie Harper. The film is a fly-on-the-wall story… Read More ›
Chandler Levack’s “Mile End Kicks” tangles with the struggles of early adulthood against the Montreal grunge scene of the 2010s. [TIFF]
Chandler Levack (I Like Movies) is back with her sophomore feature and Mile End Kicks makes one wonder what horrible tragedies and injustices Chandler went through herself or if there are a lot of creative liberties being taken in her… Read More ›
“Better Off Dead” has a first-time 4K UHD edition, so you better have your two dollars handy.
The cult classic Better Off Dead (1985) has finally received an upgrade with its new 4K release and for longtime fans as well as newcomers, the question naturally arises: is this new edition worth the jump from the previously available… Read More ›
Make plans for a “Future Date.”
Depending on who you ask, the answer to the question “what is best in life?” will range from inner peace to financial prosperity to crushing your enemies and hearing the lamentations of the women. The last one is more for… Read More ›
One of Jacques Audiard’s early hits, the unique romantic thriller “Read My Lips”, comes home to Blu-Ray, courtesy of The Criterion Collection.
Before he brought us the polarizing 2024 crime musical Emilia Pérez, the Palme d’Or winning 2015 Dheepan, and the 2009 critically acclaimed gangster film A Prophet, director Jacques Audiard brought us the complex romance thriller Read My Lips in 2001…. Read More ›
Stop-motion gothic romance “Corpse Bride” will have you saying “I do” to its first-time 4K UHD edition.
Filmmaker Tim Burton means different things to different people thanks to his varied career in live-action and stop-motion (sometimes in the same picture) spanning more than four decades. From his first feature, Pee-Wee’s Big Adventure (1985), to producing Henry Selick’s… Read More ›
Jack and Jill Went Up the Hill and Won’t Give Up the Ghost: Modern gothic drama “Went Up the Hill” explores grief and codependency.
The gothic ghost story subgenre explores new avenues in Went Up the Hill, a meditative and moody drama from director Samuel Van Grinsven. Set in New Zealand’s South Island, Went Up the Hill takes after its gothic predecessors by setting… Read More ›