There are some things that just work better on Netflix. For as much as some films like The Old Guard and The Midnight Sky practically beg to be seen on a big screen, the streaming giant does offer films and… Read More ›
horror
“The Unholy” is a painful, sacrilegious experience.
Saint Maud is one of my favorite films I’ve seen this year, and I think it’s a damn shame how A24 treated it by hocking it to EPIX, of all streamers, for its tiny release. It represents the best that… Read More ›
Tragically haunting, “My Heart Can’t Beat Unless You Tell It To” forces the audience to consider difficult questions.
Quiet horror is not a particularly marketable asset to a major studio, and it’s because of that that we just don’t see much of it in the immediate landscape of the genre today. Audiences demand bigger thrills, louder jump-scares, and… Read More ›
Everyone’s a little suss when there are “Werewolves Within.”
When it comes to adapting games, especially video games, for cinema, the track record is low for success. While there’s some fun to be had in Doom (2005) or Mortal Kombat (1995), it’s best not to mention any appreciation for… Read More ›
Deeply unpleasant and horrifying, one visit to George A. Romero’s “The Amusement Park” is all you need.
When you have done great work in life, your work will speak for your legacy long after you are gone. If you’re George A. Romero, you know how to do that while also staying on-brand and releasing a new film… Read More ›
Let the spectral agents in: Bring home independent gem “A Ghost Waits” on Blu-ray from Arrow Video.
With limited resources at hand, the incredible cast and crew of A Ghost Waits truly came through with teamwork and creativity. Making the most of what they had and pooling resources from family and friends, the team shot the movie… Read More ›
Open Dialogue with “A Quiet Place Part II” composer Marco Beltrami.
For over two and half decades award-winning composer Marco Beltrami has offered his evolving approach to scoring for feature film, documentary and episodic television. His projects and styles vary; from westerns like 3:10 to Yuma to docs like Free Solo… Read More ›
Simon Barrett’s feature directorial debut “Séance” is a first class experience.
As someone who, like many, spent the entirety of their education in public schools, I’ve always had a sick fascination with the mystique of the private school experience, particularly that of the private boarding school experience. There’s something so strangely… Read More ›
Bodies will hit the floor and rise again when the “Army of the Dead” mobilizes.
Zack Snyder’s latest film, zombie/heist flick Army of the Dead, represents the best and worst of the auteur. It’s bombastic with copious amounts of gore while also containing heartrending philosophical notions regarding survival amidst nihilistic horror; however, it’s also a… Read More ›
“Spiral: From The Book of Saw” is not a game you want to play.
As a child, I truly believed the pinnacle of horror was the Saw series. As someone who feared horror films up until age 13-ish, it was difficult for me to distinguish between something that was actually scary, and something that… Read More ›
Though magnetic and fascinating, “Things Heard & Seen” is ultimately a harmless a slow-burn haunted house tale.
Horror films are like snowflakes. Some may look incredibly similar to each other, but at their heart, each one has something unique and new to bring to the table different than anything before (unless you’re Gus Van Sant remaking Psycho…that… Read More ›
Open Dialogue with “Them” cinematographer Checco Varese.
Checco Varese has worked in nearly every aspect of cinematography. He’s been a news photo journalist; he’s shot major music videos, he’s worked for NatGeo; he’s worked on indie and feature films (It: Chapter 2, The 33, Pacific Rim) and… Read More ›
“The Banishing” ultimately leaves viewers with a bunch of delicious ingredients that just refuse to mix together properly.
Rarely does it ever occur, but every now and then, my very public love of horror and my more privately held love of period dramas overlap, and these slower, quieter works of eerie horror almost always speak to me in… Read More ›
Trippy, manic, and violent only begins to describe Ben Wheatley’s “In The Earth.”
Off-the-bat: Major epilepsy/strobe warning in effect for In The Earth. Stay far away from this film if that concerns you in any way. Director Ben Wheatley is no stranger to putting on different filmmaking hats, from his takes on British… Read More ›
Hey, Birthday Boy! Bring home the party with “Willy’s Wonderland” on home video.
Sometimes, the movie experience you need most is the one with the least number of hurdles to get over. There’s a comfort that comes from a film that’s so straight-forward and streamlined that you can just kick back and enjoy… Read More ›
A Conversation with “Stuffed” co-creators Theo Rhys and Joss Holden-Rea. [SXSW Film Festival]
After watching the bittersweet and darkly humorous short musical Stuffed at SXSW Film Festival 2021, I just had to interview the creative team. It was truly the biggest surprise of the festival and won the special jury prize for Bold… Read More ›
Writer/director Patrick Picard’s “The Bloodhound” is the best unfaithful adaptation of Edgar Allen Poe you can experience at home.
“During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heaves, I had been passing alone, on horseback, through a singularly dreary tract of country; and… Read More ›
Two features and five shorts to keep an eye out for. [SXSW Film Festival]
SXSW 2021 has come and gone, offering accredited press a dizzying array of opportunities in which to indulge. While the Elements of Madness coverage team wrote a hearty portion of reviews, there were far more films worth seeing than we… Read More ›
“Leap of Faith: William Friedkin on ‘The Exorcist’” Blu-ray Giveaway
The Exorcist is the horror film that really showed a genre picture could transcend industry perception, going on to win two Academy Awards for Adapted Screenplay and Best Sound and earn eight nominations in other categories, including Best Picture and… Read More ›
Jacob Gentry’s jazzy tech noir “Broadcast Signal Intrusion” takes us down a rabbit hole. [SXSW Film Festival]
Imagine being in the middle of a favorite television program, only to have your television hijacked by unwanted and disturbing images. While the interruption doesn’t last long, what appeared on screen you can’t unsee. While this sounds like an old… Read More ›