No one says that what scares you is limited to the month of October. EoM can offer to extend the frightful delights into November with the upcoming physical release of The Banishing thanks to RLJE Films who’ve given us two… Read More ›
horror
There’s Nothing to fear in “The Night House.”
Loss hits us all differently and unexpectedly. We can *know* that someone is no longer with us, yet feel them, as though they are lingering in the air. We can *know* that they may not see them again, yet we… Read More ›
“Halloween Kills” turns its attention from Laurie Strode to Haddonfield with mixed results.
The Boogeyman. The Shape. Michael Myers. Whatever name you call him, wherever he goes, death follows. Just as simple as that. But what’s left in his wake besides dead bodies? In Halloween (2018), director/writer David Gordon Green and cowriters Jeff… Read More ›
“Knocking” takes its time building suspense, but Cecilia Milocco’s steady performance will keep you hooked.
If you’ve spent any time living in an apartment building or a dorm, you’ve probably had a few run-ins with noisy neighbors. It takes guts to knock on a stranger’s door and ask them to keep it down. Depending on… Read More ›
“LandLocked” offers an intriguing exploration of the dangers of nostalgia, but little else. [Nightstream]
There’s something truly arresting about grief. It impacts us all differently: some a little bit at a time, while others feel upended by a sledgehammer. There’s no real right or wrong way to grieve unless you lose yourself entirely to… Read More ›
Writer/director Carlos Conceição’s “Name Above Title (Um Fio de Baba Escarlate)” explores the symbiotic duality of celebrity through the lens of a serial killer. [Nightstream]
The spotlight isn’t for everyone. Some people thrive in it, while others freeze up. Others are a mixture of the two. You might not know which one you are until opportunity knocks. In an always-on world where anyone can post… Read More ›
Nothing is as it seems when “Cosmic Dawn” arrives. [Nightstream]
Nightstream returns in its second year with a lineup of films from all around the world, each vying for a different part of your imagination. Whether they titillate or terrify has more to do with the audience than the material… Read More ›
Enigmatic fairytale “Lamb” contains a warning for how far you should allow grief to carry you.
Despite all intents and purposes, director Valdimar Jóhannsson’s Lamb is not a horror film. Not in any kind of traditional sense. On the surface, it’s barely unsettling and this is both a benefit and a detriment to its overall reception…. Read More ›
“Night of the Animated Dead” offers little new in its adaptation of the zombie classic beyond blood and gore.
**Warner Bros. Home Entertainment provided me with a free copy of the DVD I reviewed in this Post. The opinions I share are my own.** Horror changed in 1968 when a small indie picture directed by George A. Romero from… Read More ›
A Conversation with “The Manor” actor Barbara Hershey.
EoM contributor Thomas Manning recently had the opportunity to interview Oscar-nominated actress Barbara Hershey about her role in the new film The Manor, a Blumhouse production distributed through Amazon Studios. Throughout their conversation, Hershey discusses her experiences working with director… Read More ›
Midnight movie “The Murder Podcast” may require a specific frame of mind to appreciate fully. [Nashville Film Festival]
Podcasting is older than most think. With the birth of digital audio playback technology in the late 1990s and early 2000s, most think of podcasts as coming up with those devices, but they really started well before that in the… Read More ›
One-woman show “Faye” finds hope in the horror. [Nashville Film Festival]
It’s confounding the lengths people will go to denigrate or dismiss the horror genre in favor of more populist genres like action, drama, or comedy. For generations, horror stories have been used as social warnings, explorations of loss, and even… Read More ›
Writer/director Jean Luc Herbulot’s “Saloum” will make you believe in legends. [Fantastic Fest]
The premise is a simple one: three hired guns extract and protect a druglord but find themselves seeking shelter in a remote village in Saloum, Senegal, when their transport malfunctions, landing them in a situation they could never predict. With… Read More ›
Despite being smart and compelling on its own merits, there’s little original within “No One Gets Out Alive.”
As a writer, you have to have some insane measure of confidence to title a horror novel No One Gets Out Alive and still purport to have something up your sleeve as a storyteller. Adam Nevill’s 2014 novel seemingly did… Read More ›
A Conversation with “Fried Barry” director Ryan Kruger.
In this interview, EoM contributor Thomas Manning speaks with director Ryan Kruger about his new psychological horror film Fried Barry. Over the course of their conversation, Kruger talks about the journey of this film from its origins as 3-minute-short to… Read More ›
A Conversation with “Bingo Hell” director/co-writer Gigi Saul Guerero.
In this conversation, EoM contributor Thomas Manning speaks with director Gigi Saul Guerreo about her new horror film Bingo Hell, a Blumhouse production distributed through Amazon Studios. Over the course of their discussion, Guerrero speaks about her creative partnership with… Read More ›
Arrow Video releases a fourth Yasuzô Masumura remaster, 1969’s “Blind Beast.”
As with previously reviewed films Giants and Toys (1958) and Irezumi (1966), Arrow Video is restoring and offering up to audiences outside of Japan another Yasuzô Masumura film: Blind Beast. Arrow Video provides an opportunity to expand what viewers may… Read More ›
“The Last Matinee” satisfies with thrills and kills.
The great debate of the importance of the “theatrical experience” has been run into the ground as streaming services continue to expand and movie theater attendance becomes increasingly inconsistent. The industry was headed in this direction even before March 2020,… Read More ›
Russian comedy “Sweetie, You Won’t Believe It” is a road trip horror comedy you’ve just gotta see. [Fantasia International Film Festival]
Everyone has a thing that they look for before deciding if they want to engage with a piece of art. It could be the cover of an album that lures them in, the style of brush strokes crafting a painting,… Read More ›
Director Nia DaCosta’s “Candyman” recontextualizes the mythos in a way that’ll excite some and frustrate others.
The stories we tell matter. They carry weight with every word. They are derived from their individual meanings as well as the histories accompanying them. Stories keep people and events alive long after their physical forms are gone, enabling those… Read More ›