One of the most underrated horror/thrillers of the past decade was easily Fede Álvarez’s Don’t Breathe. The tense, heart-pounding suspense and brutal, but surprisingly pared back (at least compared to the absolute bloodbath that was Álvarez’s first feature 2013’s Evil… Read More ›
Wes Craven’s Scream premiered in December 1996, one day after I turned 16. For those who know me, horror is not my primary genre. Before I knew it had a name (hypnagogia), I would see things in the dark —… Read More ›
Writer/director Nia DaCosta’s Candyman released in theaters August 2021 and is now available for streaming ahead of its physical release on November 16th. Thanks to the generosity of Universal Pictures Home Entertainment, EoM is giving away two (2) digital codes for… Read More ›
Escape Room was a cute little Saw-esque surprise of January of 2019, and while there were certainly some struggles with the screenplay, as well as its PG-13 rating feeling as if it was holding itself back from its pure potential,… Read More ›
No one says that what scares you is limited to the month of October. EoM can offer to extend the frightful delights into November with the upcoming physical release of The Banishing thanks to RLJE Films who’ve given us two… Read More ›
Loss hits us all differently and unexpectedly. We can *know* that someone is no longer with us, yet feel them, as though they are lingering in the air. We can *know* that they may not see them again, yet we… Read More ›
The Boogeyman. The Shape. Michael Myers. Whatever name you call him, wherever he goes, death follows. Just as simple as that. But what’s left in his wake besides dead bodies? In Halloween (2018), director/writer David Gordon Green and cowriters Jeff… Read More ›
If you’ve spent any time living in an apartment building or a dorm, you’ve probably had a few run-ins with noisy neighbors. It takes guts to knock on a stranger’s door and ask them to keep it down. Depending on… Read More ›
There’s something truly arresting about grief. It impacts us all differently: some a little bit at a time, while others feel upended by a sledgehammer. There’s no real right or wrong way to grieve unless you lose yourself entirely to… Read More ›
The spotlight isn’t for everyone. Some people thrive in it, while others freeze up. Others are a mixture of the two. You might not know which one you are until opportunity knocks. In an always-on world where anyone can post… Read More ›
Nightstream returns in its second year with a lineup of films from all around the world, each vying for a different part of your imagination. Whether they titillate or terrify has more to do with the audience than the material… Read More ›
Despite all intents and purposes, director Valdimar Jóhannsson’s Lamb is not a horror film. Not in any kind of traditional sense. On the surface, it’s barely unsettling and this is both a benefit and a detriment to its overall reception…. Read More ›
**Warner Bros. Home Entertainment provided me with a free copy of the DVD I reviewed in this Post. The opinions I share are my own.** Horror changed in 1968 when a small indie picture directed by George A. Romero from… Read More ›
EoM contributor Thomas Manning recently had the opportunity to interview Oscar-nominated actress Barbara Hershey about her role in the new film The Manor, a Blumhouse production distributed through Amazon Studios. Throughout their conversation, Hershey discusses her experiences working with director… Read More ›
Podcasting is older than most think. With the birth of digital audio playback technology in the late 1990s and early 2000s, most think of podcasts as coming up with those devices, but they really started well before that in the… Read More ›
It’s confounding the lengths people will go to denigrate or dismiss the horror genre in favor of more populist genres like action, drama, or comedy. For generations, horror stories have been used as social warnings, explorations of loss, and even… Read More ›
The premise is a simple one: three hired guns extract and protect a druglord but find themselves seeking shelter in a remote village in Saloum, Senegal, when their transport malfunctions, landing them in a situation they could never predict. With… Read More ›
As a writer, you have to have some insane measure of confidence to title a horror novel No One Gets Out Alive and still purport to have something up your sleeve as a storyteller. Adam Nevill’s 2014 novel seemingly did… Read More ›
In this interview, EoM contributor Thomas Manning speaks with director Ryan Kruger about his new psychological horror film Fried Barry. Over the course of their conversation, Kruger talks about the journey of this film from its origins as 3-minute-short to… Read More ›
In this conversation, EoM contributor Thomas Manning speaks with director Gigi Saul Guerreo about her new horror film Bingo Hell, a Blumhouse production distributed through Amazon Studios. Over the course of their discussion, Guerrero speaks about her creative partnership with… Read More ›