There’s no place like home. Except in horror films, in which case, there’s no place that’s safe. Part of the tension in a good horror film is the realization that danger lurks whether you’re in a cabin in the woods… Read More ›
horror
The Criterion Collection welcomes the iconic horror of 1960’s “Peeping Tom” with a brand-new 4K UHD edition.
Obsessively pursuing art is the focus of Michael Powell’s Peeping Tom (1960). The parallels to artistic pursuit as it pertains to a filmmaker are hard to miss, as are the Freudian psychoanalytics. Both of which are apt as Powell (The… Read More ›
A Conversation with “In a Violent Nature” actors Andrea Pavlovic and Ry Barrett.
Writer/director Chris Nash’s first feature-length film, In a Violent Nature, premiered during Sundance 2024 and left audiences stunned, a feat it’s continued to do through festival screenings leading up to the wide U.S. release on May 31st. Ahead of the… Read More ›
“In a Violent Nature” delivers on its name.
When you see a movie is a sponsorship of IFC Midnight and Shudder, there is a certain expectation for the film, an expectation that it is going to be something uneasy, disturbing, f-ked up, and downright gross. Now, with all… Read More ›
“Crimson Peak” revels in its full Gothic glory in 4K UHD and an abundance of bonus features.
Guillermo del Toro (Pacific Rim; The Shape of Water) calls Crimson Peak (2015) his most beautiful film, comparing this gothic romance to the works of Charles Dickens (Great Expectations; David Copperfield), Jane Austen (Pride and Prejudice; Emma), Emily Bronte (Wuthering… Read More ›
Macabre fantasy “Pandemonium” makes its streaming debut on Arrow Player, offering a mixed bag of dark delights and dreadful disappointments.
The cult cinema streaming service Arrow Player is no stranger to the grotesque, the bizarre, and the gloriously macabre, making it the perfect home for the French dark fantasy film, Pandemonium. This visceral and nightmarish flick, which made the rounds… Read More ›
Horror thriller “The Coffee Table” weaponizes intrusive thoughts and interpersonal tension to upend audiences from uncomfortable start to disquieting end.
“For want of a nail …” Requiem for a Dream (2000), The Fountain (2006), and Uncut Gems (2019) are examples of a type of film which is well-made, thoughtful, subject to acclaim, and less likely to be revisited, the latter… Read More ›
The Best and Worst “Scooby-Doo” films debut in HD on the same Blu-ray.
Most Scooby-Doo films are just alright. They are often glorified hour-long episodes of the series, or Archie Comics-style cameo machines. But starting in 1998 and ending in 2003, there was a run of good-to-great straight-to-VHS films, Scooby-Doo! On Zombie Island… Read More ›
“Faceless After Dark” is fury manifested on digital as it rages against parasocial relationships and the commodification of people. [Atlanta Film Festival]
Photosensitivity Warning: There are multiple sequences — some short, some prolonged — of intense strobing and glitching effects, which may trigger migraine or other neurological issues. In the age of digital media, developing parasocial relationships occurs before most even realize… Read More ›
With an amazing transfer and a ton of extra features, Arrow’s 4K UHD restoration of “Basket Case” is a must-own for horror fans.
Having only seen one Frank Henenlotter film, Brain Damage, prior, there was some idea of what to possibly expect from his directorial debut, Basket Case. However, even having seen Brain Damage, I don’t think anything could have properly prepared me… Read More ›
A Conversation with “New Life” actors Hayley Erin and Sonya Walger.
In this edition of EoM Presents, Senior Interviewer Thomas Manning sits down with Hayley Erin and Sonya Walger, the stars of the thriller film New Life, directed by John Rosman. Erin and Walger speak about the directorial vision of Rosman,… Read More ›
Caitlin Cronenberg’s “Humane” mixes the battle royale genre with a reverse whodunnit, creating an uncomfortably real-feeling fictional future.
The word on everyone’s lips in the entertainment industry these days is “nepotism,” and in turn, the term “nepo baby,” used to describe those with immense parental connections within the industry which give them a springboard into their own careers,… Read More ›
A Conversation with “Humane” director Caitlin Cronenberg and actors Jay Baruchel & Emily Hampshire.
Caitlin Cronenberg is set to make her feature-length directorial debut with Humane, a horror thriller releasing in theaters April 26th via IFC Films and Shudder. Ahead of its public debut, Cronenberg and two of the film’s actors, Jay Baruchel and… Read More ›
What harm could a little “Hanky Panky” do?
It all starts with an idea. Then, if you’re lucky, that idea blossoms into a complete story that can then be transformed from words on a page into a fully-staged production. For all the films released in a week every… Read More ›
Creature feature “Arcadian” has a fever and the only prescription is more Cage. [The Overlook Film Festival]
In the most Abed Nadir voice possible — “Nicolas Cage maaaaaaaaan” — and that alone should either have an audience immediately ready to dive into what absolute madness whether good, bad, or Cage, they’re about to get into. While the… Read More ›
Aquatic possession film “Night Swim” arrives on land via home video.
When movies come out in January, there is an inherent idea about the quality of the movie, unless it’s a late release of an Oscar title. These are sometimes unfair assumptions, especially when it comes to horror movies — horror… Read More ›
“Lisa Frankenstein” pieces together ‘80s teen comedy tropes to create something unholy original, now on home video.
1980s American cinema included some of the most influential teen comedies in cinema. So much so that filmmakers continue to take inspiration from them. The thing is that, while significant for their time, the majority of these films focused on… Read More ›
“Infested” grants audiences a parting gift of a life-long phobia. [The Overlook Film Festival]
Horror movies usually tend to fixate on fears to engage their audience or do something truly horrifying and disturbing. The latter are typically easier to digest since they’re easier to shake off as they’re not exploiting something the audience may… Read More ›
Filmmakers Clark and Weir show potential in their debut film “Birdeater.” [The Overlook Film Festival]
There are so many ways that a film can get under an audience’s skin, whether that be intentional or not, but beating the proverbial dead horse with a children’s bat is certainly not the way to get things going in… Read More ›
Ariane Louis-Seize’s “Humanist Vampire Seeking Consenting Suicidal Person” blends melancholic drama and teenage angst in an exploration of the human condition through a vampiric lens. [The Overlook Film Festival]
Photosensitivity Warning: In several key sequences, flickering lights are used to convey enhanced emotions which may prove problematic for sensitive viewers. In undergrad at UNC at Asheville, during a lower-level English course, Bram Stoker’s Dracula was read and discussed as… Read More ›