In 2021, writer/director Jean Luc Herbulot released his supernatural thriller Saloum, and it made a mark on anyone who saw it. The story is of three mercs whose plan goes awry, yet places them exactly where they need to be… Read More ›
French
Sci-fi romance “You Are Not Alone” is a unique study of characters, alienation, redemption, and hope. [TIFF]
Science fiction comes in a variety of subgenres and the first feature from Philippe Lupien and Marie-Hélène Viens breaks into the subgenre of science fiction romance, creating an other-worldly experience for the audience. While the end result may be something… Read More ›
Claude Schmitz’s “The Other Laurens (L’autre Laurens)” offers a stunning visual genre mashup, but sacrifices plot for tone and style.
The Other Laurens is a movie that’s all dressed up with everywhere to go. But after it gets one foot out the door, it can’t seem to go any further. With a nostalgic neo-noir/grunge visual style that’s sprinkled with touches… Read More ›
All the leverage in action comedy “Kidnapping Inc.” is in the performances of the cast. [Fantasia International Film Festival]
I am not one for political movies as I don’t follow political landscapes in any way shape or form. I follow enough to understand North American landscapes, but anything past that and I am a deer in headlights when it… Read More ›
After multiple paused release dates, Hüller and Wolff make “Sisi & I (Sisi & Ich)” worth the wait.
Frauke Finsterwalder’s Sisi & I (Sisi & Ich) sat completed on the shelf for nearly two years after its initial shooting dates, and was even further delayed for release in America by almost an entire other year following its premiere… Read More ›
With “Chicken for Linda!” arriving on digital, you can serve your whole family a delicious bite of whimsy.
There’s not enough whimsy in the world. Instead, we’ve got extremes. Something is either “the greatest,” “a masterpiece,” “the best it’s ever been,” or “it’s the worst,” “mediocre,” “a blight upon our collective existence.” There’s no space, it seems, for… Read More ›
“The Vourdalak” sets a new standard for the genre with Adrien Beau’s fresh take on vampire movies.
If you watched The Vourdalak with no background information, you might think you’d discovered a lost made-for-TV gem from 1980-something. With its grainy appearance, humble sets, and Jim-Henson-esque puppet villain, how could this dark yet charming vampire fantasy not be… Read More ›
Schedule your own journey on Jérémie Périn’s “Mars Express” anytime via the Shout! Studios/GKIDS Films home release.
A vicious murder, a private detective, a thread-pull revealing a larger conspiracy, and a question of robotic sentience — all the makings of a cyberpunk neo-noir. We’ve seen it before with the Blade Runner and The Matrix series, as well… Read More ›
“She Loved Blossoms More” is a welcomed head trip about grief. [Tribeca Film Festival]
Yannis Veslemes’s (The Field Guide to Evil) newest film, She Loved Blossoms More, has the aesthetic of what I assume being on acid would be like, however the come down from it is devastating and beautiful, making this psychedelic journey… Read More ›
Sex comedy “Frivolous Lola” is the second Tinto Brass 4K UHD restoration home release by Cult Epics.
In April 2024, physical media boutique Cult Epics released a first-time world premiere 4K UHD of filmmaker Tinto Brass’s erotic dramedy All Ladies Do It (1992). This would be the first of several restorations the boutique would release in the… Read More ›
“Anatomy of a Fall (Anatomie d’une chute)” releases a beautiful Criterion Blu-ray with special features.
Awards season has come and gone once again, like another overblown, overwrought, overlong thief in the night, spanning an impressive seven months from the beginning of the Venice Film Festival to that of the Academy Awards. Though, unlike other years,… Read More ›
Macabre fantasy “Pandemonium” makes its streaming debut on Arrow Player, offering a mixed bag of dark delights and dreadful disappointments.
The cult cinema streaming service Arrow Player is no stranger to the grotesque, the bizarre, and the gloriously macabre, making it the perfect home for the French dark fantasy film, Pandemonium. This visceral and nightmarish flick, which made the rounds… Read More ›
Bertrand Mandico’s “She Is Conann” questions whether or not crushing your enemies is truly what’s best in life.
Photosensitivity Warning: There are multiple scenes in which either a character is using a camera with flash or a strobe is used (often at length). Proceed with absolute caution. In the realm of action fantasy, John Milius’s 1982 sword and… Read More ›
Director Martin Bourboulon sticks the landing in the concluding portion of his “The Three Musketeers” adaptation – “Part II: Milady.”
As satisfying as it can be to view one whole story when you sit down to enjoy a film, there are exceptions where a second (or more) is needed to really make it satiating. Especially when it comes to adaptations,… Read More ›
“Red Rooms” takes audiences on a frightfully intense rollercoaster of court proceedings. [The Overlook Film Festival]
There are movies that focus on courtroom procedurals and the drama that comes from the hearing itself that either are so effective they’re traumatizing or so dull they entirely lose the audience. Pascal Plante’s Red Rooms (Les chambres rouges) thankfully… Read More ›
“Infested” grants audiences a parting gift of a life-long phobia. [The Overlook Film Festival]
Horror movies usually tend to fixate on fears to engage their audience or do something truly horrifying and disturbing. The latter are typically easier to digest since they’re easier to shake off as they’re not exploiting something the audience may… Read More ›
Ariane Louis-Seize’s “Humanist Vampire Seeking Consenting Suicidal Person” blends melancholic drama and teenage angst in an exploration of the human condition through a vampiric lens. [The Overlook Film Festival]
Photosensitivity Warning: In several key sequences, flickering lights are used to convey enhanced emotions which may prove problematic for sensitive viewers. In undergrad at UNC at Asheville, during a lower-level English course, Bram Stoker’s Dracula was read and discussed as… Read More ›
Director Raymond St-Jean tackles the story of Canadian hitman Donald Lavoie in “Dusk for a Hitman (Crépuscule pour un tueur).”
Real life is often fodder for storytelling. Typically, one will take an experience or emotion and transcribe that into something unique. However, fiction isn’t always as compelling as reality, which is why we get stories like Dumb Money (2023) detailing… Read More ›
Despite elements which reduce the effectiveness, the poignantly crafted “The Animal Kingdom (Le Règne Animal)” remains an affecting watch.
With the Oscars now firmly behind us, for better or for worse, one might technically believe that the season of awards films are also behind us, too, at least for the next few months before Cannes gives us some early… Read More ›
Open Dialogue with “The Taste of Things” filmmaker Tran Anh Hung.
In this edition of Meet Me at the Movies: Open Dialogue, Thomas Manning talks with filmmaker Tran Anh Hung about The Taste of Things. Hung was recognized with the Best Director honor at the 76th Cannes Film Festival for his… Read More ›