In 2017, writer/director Shin’ichirô Ueda released unto the world One Cut of the Dead, his adaptation of Ryoichi Wada’s play “Ghost in the Box!”. If you haven’t seen the film, it’s an absolute marvel that’s an inventive lo-fi zombie film… Read More ›
foreign film
Turn down the lights, pop some corn, and snag your favorite candy to celebrate the home release of “Pompo: The Cinéphile” with a well-deserved movie night.
It all begins with three words: Lights. Camera. Action! Sure, with the changing of technology, the specific terms have changed, but they all go back to these three. Three words which, while not large, immediately call to mind tales of… Read More ›
Jamie Hooper’s “The Creeping” is good scary fun. [Chattanooga Film Festival]
“Dad, can you tell me a scary story?” This is not how most children ask to be put to bed, but brave young Anna (Taliyah Blair) isn’t afraid of a few ghosts and goblins. Plus, her dad, Harry (Jonathan Nyati),… Read More ›
Director Harry Cleven achieves something truly remarkable with his hypnotic experimental sci-fi film, “Zeria.” [Chattanooga Film Festival]
Harry Cleven’s Zeria is a wondrous and enlightening celebration of all the things that make us human. Using a combination of miniature sets, practical effects, and puppet-like masks, Cleven creates a breathtaking and unforgettable world that’s mesmerizing, comforting, and terrifying… Read More ›
Ukrainian war film “Sniper: The White Raven” makes a strong argument for the ouroboros nature of war.
Patience and endurance. According to a character in director Marian Bushan’s (Lucescu Phenomenon) Sniper: The White Raven, what separates snipers from soldiers is patience and endurance. Snipers don’t rush, they don’t preen, and they don’t attack unless the shot is… Read More ›
A Conversation with “Glasshouse” director Kelsey Egan and actor Anja Taljaard.
EoM contributor Justin Waldman speaks with Glasshouse director Kelsey Egan and actor Anja Talijaard Science-fiction dramatic thriller Glasshouse” first premiered at the 2021 Fantasia International Film Festival before going on to release in other parts of the world. Now, on July… Read More ›
Somewhere between myth and reality, there is “A Pure Place.” [Chattanooga Film Festival]
One of the scariest things about cults is that they can form right under our noses. Cult leaders need to psychologically isolate their followers in order to maintain control, but they don’t have to keep everyone on a remote island… Read More ›
The choiceless choice of survival easily leads one to presume that “We Might As Well Be Dead (Wir könnten genauso gut tot sein).” [Tribeca Film Festival]
Perspective is everything. Without it, we have no way to measure one experience against another. However, the limitation of perspective is that we, as individuals, tend to forget that what we perceive exists within a narrow scope defined by our… Read More ›
Part expressionist melodrama and part campy horror, “The Attachment Diaries (El Apego)” sends mixed messages about trauma and mental health issues. [Chattanooga Film Festival]
Content/trigger warning: The Attachment Diaries deals with sexual assault, self-harm, mental illness, and abortion. These subjects are also briefly discussed in the review below. The Attachment Diaries is a difficult movie for two reasons. First, it focuses on a handful… Read More ›
Dramedy “Pink Moon” may not grip you, but it’ll worm its way into your ear like a tune you can’t quite identify. [Tribeca Film Festival]
Astronomically speaking, a “Pink Moon” is the full moon of spring, appearing in April. The moon itself doesn’t change in color, but it gets its name from blooming phlox, a pinkish flower. Because of the period in which the Pink… Read More ›
Fantastical drama “Blaze” is the burning fire that rages at the audacity of humankind to take what isn’t theirs. [Tribeca Film Festival]
Trigger Warning: S/A is a central feature of the film, along with the trial and survival process. Additionally, those with photosensitivities should be aware of scenes with strobing. Every day, being a woman gets harder and harder. If their rights… Read More ›
Russian horror-thriller “Row 19” is a bumpy, albeit clever, ride.
More than any other form of storytelling, horror provides an opportunity of self-discovery through exploration of the darkest parts of ourselves. Sometimes this takes the form of a wordless, unstoppable shape, sometimes a clown with an acidic tongue, and other… Read More ›
For joy, for the love of music, for the Foo Fighters: “We Are The Thousand.”
July 30th, 2015: With little more than hope and a prayer, Fabio Zaffagnini uploaded a 7:28 minute video he and his friends had made to YouTube in hopes of getting the attention of rock band Foo Fighters. What did he… Read More ›
“Fortune Favors Lady Nikuko” with lots of love, and that’s all you need.
Author Kanako Nishi has written 22 novels, as well as assorted illustrated and nonfiction works. Five of her novels have been adapted for theaters with her 2011 novel, Fortune Favors Lady Nikuko, being the fifth. This adaption, a collaboration between… Read More ›
Jimmy Wang Yu’s 50-year-old film “One-Armed Boxer” gets rejuvenated with a brand-new 2K restoration from Arrow Video.
Beginning in 1965, actor Jimmy Wang Yu worked making films for the famous Shaw Brothers Studio operated by Run Run Shaw, making films like One-Armed Swordsman (1967) and Come Drink with Me (1966) sequel Golden Swallow (1968). It wasn’t until… Read More ›
The Criterion Collection offers a lovely restoration of director Jûzô Itami’s 1984 satirical comedy “The Funeral.”
It seems fair to say that we’ve all experienced a sense of loss in some form or another since March 2020. It may be literal in the form of a loved one passing or as an extended estrangement due to… Read More ›
Famed director Ang Lee’s first feature-length film, “Pushing Hands,” receives a lovely 2K restoration from Film Movement.
As an adolescent, I heard about director Ang Lee’s films — Eat Drink Man Woman (1994), Sense and Sensibility (1995), The Ice Storm (1997) — but it was Crouching Tiger, Hidden Dragon (2000) that would be my entry point into… Read More ›
The kids are so incredibly not alright in Eskil Vogt’s “The Innocents (De uskyldige).”
“I believe the children are our future Teach them well and let them lead the way” – Whitney Houston Is there anything more innocent than the joy of a child’s summer vacation? Playing with friends in the sun all day… Read More ›
Let the gales of song guide you to director Mamoru Hosoda’s “BELLE,” coming to home video from Shout! Factory and GKids Films.
One can never really predict what we’ll discover with art — what emotions, what memories, what reactions will be triggered through an artist’s work. When I first learned of writer/director Mamoru Hosoda’s BELLE, I presumed, like most, that it would… Read More ›
“Pushing Hands” Blu-ray Giveaway
Director Ang Lee’s filmography includes such greats as Eat Drink Man Woman (1994), Sense and Sensibility (1995), Crouching Tiger, Hidden Dragon (2000), and Brokeback Mountain (2005). Coming to home video from Film Movement on May 10th is a 2K restoration of Lee’s feature-length directorial… Read More ›