Actor Donnie Yen has an extensive filmography of dramas, actioners, comedies, fantasy titles, and thrillers, often overlapping the genres in the same film and delivering solid martial arts entertainment in the process. From In the Line of Duty 4 (1989)… Read More ›
Mr. K has a lot going for it and most of that energy comes from the always-captivating Crispin Glover (Back to the Future). In one of his most fascinating performances to date, Glover embodies a spiraling character trying desperately to… Read More ›
“Take the rod; and you and your brother Aaron assemble the congregation and speak to the rock before their eyes, that it may yield its water. You shall thus bring forth water for them out of the rock and let… Read More ›
Trigger Warning: The content of the film and supportive images within this review may be disturbing to sensitive individuals. Sometimes boasting about the director/writer’s previous work is a detriment to a film, and that is the biggest issue with Alexsandar… Read More ›
There’s nothing wrong with a safe space. There’s nothing wrong at all with wrapping yourself in the things that make you feel at peace and serene; unless, of course, the energy spent maintaining said serenity comes at the cost of… Read More ›
Clement Virgo (Brother) is back with another powerful drama while, again, pulling double duty as director and as part of the co-writing team with newcomer Tamara Berger. Steal Away balances a multitude of themes, ensuring that the film cannot get… Read More ›
Egghead Republic, the newest movie from the pair of writer/directors Pella Kågerman (Aniara) and Hugo Lilja (Aniara), teases an interesting premise that is excelled by some terrific performance, but ultimately suffocates from its own ideas and on-the-nose reveal. While failing… Read More ›
“Our love is like a red, red rose … and I am a little thorny.” – The Mask in The Mask (1994). The manga series Chainsaw Man created by Tatsuki Fujimoto began publishing as part of Weekly Shōnen Jump in… Read More ›
While filmmaker Nobuhiko Obayashi is known for horror comedy House (1977), it’s not the only work Obayashi released nor the only genre he stuck to. In 1981, Obayashi released sci-fi comedy School in the Crosshairs and, in 1986, released romantic drama… Read More ›
Photosensitivity Warning: The scenes involving Angels and/or Angels battling EVA Units, which make up a significant portion of the films, almost always involve flashing lights. Be prepared before watching. GKIDS Films gained home release control of Hideaki Anno’s polarizing and… Read More ›
First-time feature screenwriters Hunter Andrews (short Sunny Life Farms) and Eoin Doran (short Perched) along with first-time-ever director Cal McMau pull off maybe the definition of an impossible feat — they craft a perfect film. It’s something that doesn’t get… Read More ›
“We are the weirdos, mister.” – Nancy (Fairuza Balk) in The Craft (1996) These five lines are iconic for a number of reasons, many of them quite personal to the individuals who recall and restate them nearly 30 years later;… Read More ›
Chandler Levack (I Like Movies) is back with her sophomore feature and Mile End Kicks makes one wonder what horrible tragedies and injustices Chandler went through herself or if there are a lot of creative liberties being taken in her… Read More ›
Since 2004, actor Don Lee (also known as Ma Dong-seok) has worked his way up from small supporting player (The Good, The Bad, The Weird) to scene-stealing supporting player (Train to Busan) to MCU hero (Eternals) to monster cop (Crime… Read More ›
Nothing is valuable until someone says it is. This may seem obvious, but entire systems are built around what society (locally or globally) deems as worthy of monetary value. It’s why everything from the obvious (gold and jewels) to the… Read More ›
EoM Senior Interviewer Thomas Manning recently spent time talking with writer and director Ken’ichi Ugana about his film The Curse, which screened at Fantastic Fest 2025. This gnarly, supernatural thriller comments on the increasingly dangerous potential of the digital world… Read More ›
There’s a school of thought that implies a person’s value only exists if they are a productive member of society. This, of course, correlates one’s existence to what they can produce versus what they can contribute, which are two drastically… Read More ›
Before he brought us the polarizing 2024 crime musical Emilia Pérez, the Palme d’Or winning 2015 Dheepan, and the 2009 critically acclaimed gangster film A Prophet, director Jacques Audiard brought us the complex romance thriller Read My Lips in 2001…. Read More ›
The western is primarily an American genre with its focus on remote areas with unfriendly individuals, typically involving conflict between those enforcing and those outside the law. Though rooted in the period of expansion west in the United States and… Read More ›
Writers and directors Dusty Mancinelli and Madeline Sims-Fewer are back with another movie entrenched in trauma and decision-making. After their last outing, Violation (2020), which is a much more difficult watch content-wise, they deliver Honey Bunch which focuses on the… Read More ›