Movies are designed to teach audiences about themselves and each other. In certain cases, that could be about something as simple as common interests. For others, it could be something more interpersonal, like relationships, or being able to find your… Read More ›
foreign film
Brett Morgen’s exciting and cerebral journey with the Star Man, David Bowie, “Moonage Daydream,” joins The Criterion Collection.
David Bowie was one of the music industry’s most eclectic voices. Songs such as “Life on Mars,” “Starman,” and the classic “Moonage Daydream,” let the musician craft a unique voice for himself. His unique style would prove challenging to adapt… Read More ›
Filmmaker Kurando Mitsutake first studio project, “Lion-Girl,” roars onto home video with robust bonus features fans can dive into.
Trigger Warning: The fighting in Lion-Girl is often accompanied by stylized lighting that strobes. As such, photosensitive viewers should take caution before watching. It’s not frequent enough to be problematic, but present enough that it could disturb sensitive viewers. These… Read More ›
Writer/director Pierre Creton’s “A Prince (Un prince)” utilizes an observatory documentary-like approach that disconnects the audience from his coming-of-age tale. [New York Film Festival]
When we think of coming-of-age tales, there are certain staples that come to mind: youth, love, introspection, heartbreak, and maybe a little absolution. Writer/director Pierre Creton (A Beautiful Summer (Le bel été)) disregards almost all of these in his recent… Read More ›
Filmmaker Miko Revereza’s “Nowhere Near” is an experimental documentary capturing the scars of a life lived in waiting. [New York Film Festival]
There’s a strange hypocrisy to the American Dream. Citizens of the United States of America have called their country the greatest in the world, touting its various freedoms (perceived or law-based), all while going to other countries to spread their… Read More ›
Filmmaker Alejandro Amenábar’s “The Others” is the latest horror thriller to join The Criterion Collection.
In 2023, The Academy is still struggling to rock with horror in any major sense beyond a few lucky takers in titles like Misery (1990), Rosemary’s Baby (1968), Get Out (2017), and The Silence of the Lambs (1991), but rarely… Read More ›
“Ride On” Blu-ray Giveaway
This year, filmmaker Larry Yang released the charming Jackie Chan-led action dramedy Ride On, a story involving family and loyalty with an unexpectedly unique approach. Doesn’t hurt that the film works as both a Chan original and a tribute thanks… Read More ›
Stepping down doesn’t mean it’s over, especially when you can “Ride On.”
“Jumping down is easy. Stepping down is hard.” The stuntperson mantra, Ride On. In the featurette “Behind the Scenes,” writer/director Larry Yang (Adoring) discusses how his first thought went to Jackie Chan when the concept for Ride On arose. The… Read More ›
The Criterion Collection adds Nicolas Roeg’s “Don’t Look Now,” an affecting, spooky, and atmospheric meditation on grief.
The horror genre has had an interesting trajectory over the course of cinema. The 1970s was one of its most interesting periods. Films like Halloween (1978), The Wicker Man (1973), and The Exorcist (1973) helped define the genre. There was… Read More ›
Cult Epics releases Marleen Gorris’s “The Last Island” on home video with a first-time 2K HD restoration.
It’s the hope that kills you. – Mae Green, Ted Lasso In her debut feature film, writer/director Marleen Gorris confronted gender expectations and equity with psychological crime thriller A Question of Silence (1982), only to follow it up with a… Read More ›
“Suburra” Blu-ray Giveaway
Last month, Unearthed Films released both a Blu-ray and DVD edition of Stefano Sollima’s 2015 crime drama Suburra. Now, thanks to MVD Entertainment Group, EoM is delighted to give away one (1) Blu-ray edition of Suburra to one lucky individual. Full details… Read More ›
Congratulations! Shout! Studios and GKids Films offer three ways to enjoy the official end of “Evangelion” with “3.0+1.11 Thrice Upon a Time.”
From October 1995 to March 1996, dystopian mech anime Neon Genesis Evangelion, the brainchild of filmmaker Hideaki Anno (Shin Godzilla), broadcast in Japan, eventually coming available elsewhere in the world. It told the story of an alt-Earth in which the… Read More ›
David Cronenberg’s “Videodrome” gets a fresh 4K UHD edition via The Criterion Collection.
Before diving into one of October’s 4K Criterion releases, I want to acknowledge that this is not a never-before-seen 4K as Arrow in the UK has released Videodrome previously. Now, I do not know, with any form of certainty, if… Read More ›
Rosine Mbakam’s “Mambar Pierrette” elevates with an observation approach over tropes. [New York Film Festival]
Despite what stories tell us, our lives don’t end when we achieve the dream, overcome the adversity, or, worse yet, get taken down by the corporate monster trying to rip down the community center. Until we cease to function, the… Read More ›
Intriguing concepts are diluted by abandoned threads in Paul Duane’s folklore horror “All You Need is Death.” [Beyond Fest]
Before the written word carried the words of the present into the future, the oral tradition was used to safeguard family and cultural histories. This method, though reliant on the memory of the custodian, still remains a valued part of… Read More ›
88 Films offers a first-time high-definition release of writer/director Wong Jing’s heroic bloodshed gunplay actioner “The Last Blood.”
Though one might think that physical media desire is waning with Walt Disney no longer shipping new discs to sell in Australia, cinephiles and genre fans aren’t going to stop buying discs anytime soon with boutiques like 88 Films putting… Read More ›
In concert with variant animation, the music of Hiromi Uehara helps Yuzuru Tachikawa’s “BLUE GIANT” adaptation transcend to a cinematic experience.
Despite what one might think when it comes to anime, the adventures aren’t just about super-powered beings fighting one another (My Hero Academia), gifted individuals trying to protect the world from curses (Jujutsu Kaisen), or maybe that time you came… Read More ›
88 Films offers a 2K restoration of writer/director Ronny Yu’s dramatic actioner “The Postman Fights Back.”
Before writer/director Ronny Yu would direct the extraordinary Fearless (2006), the hilarious Freddy vs. Jason (2003), and (arguably) franchise rejuvenating Bride of Chucky (1998), Yu released various Hong Kong (HK) pictures, including The Postman Fights Back for Golden Harvest in… Read More ›
John Curran’s “Mercy Road” is a 160km/h philosophical horror show that won’t be for everyone.
There’s a common joke these days that the same people who warned their children not to believe everything they see on television are the same ones quoting a random internet user’s philosophy or anecdotal experience as fact. While there’s a… Read More ›
Cinematographer Baatar Batsukh showcases his unique visual style in his directorial debut, “Aberrance.”
The most memorable and interesting part of Baatar Batsukh’s directorial debut, Aberrance, isn’t the plot, performances, or script, but the cinematography. And, considering the director’s resume, his masterful camera work is no surprise. While Aberrance is the first feature film… Read More ›