“The more things change, the more they stay the same.” No matter how much we rely on technology to do things for us, we often lose a little piece of ourselves in the process. Sure, we may remember things more… Read More ›
comedy
Dark comedy “Pescador” uses comedic bait to explore dark thematic waters.
The fun thing about cinema is its ability to explore aspects of humanity without necessarily making judgements on it. This, of course, can back-fire if the audience doesn’t receive the film, or moments within it, as intended (see: Shannon Lee’s… Read More ›
Be prepared for the dark harvest by picking up “The Mitchells vs. The Machines” on home video.
In March 2020, Sony Animation released a trailer for Connected, a film centered on a family attempting to survive a robot apocalypse. It mostly focused on the relationship between the luddite dad and techno daughter before shifting gears to revealing… Read More ›
Just because you “Don’t Look Up,” doesn’t mean it’s not happening.
Don’t Look Up is, by far, the strongest, most searing piece of cinema writer/director Adam McKay (The Big Short; Vice) has put before us. Unlike his last two films which presented real-world events through a comedic lens, Don’t Look Up… Read More ›
Writer/director Camille Griffin’s directorial debut “Silent Night” is a hilariously dark and downright torturous microcosmic exploration of living on Earth.
The holidays are always rife with possibilities. They are an opportunity to gather together, to rekindle connections or foster already burgeoning affections. They are also an opportunity to air grievances, the energy of renewal spurning some to unleash that which’s… Read More ›
Celebrate director Barry Sonnenfeld’s “The Addams Family” 30th anniversary with a brand-new 4K UHD edition.
Artist Charles Addams is most widely known for his cartoon series “The Addams Family” which ran in The New Yorker, which then became the even more popular ABC television program which ran for two seasons between 1964 and 1966. While… Read More ›
Enjoy all the horror and humor of “Black Friday” without setting your alarm for 3am.
The moment the clock hit 12:01am, most of my social media had flipped from Halloween content to Christmas. Out with the spooky and in with the jolly! Skipping over the fact that Hanukkah starts sundown November 28th this year (slow… Read More ›
Sean Baker’s “Red Rocket” is not without his signature style or flourish, but it’s missing that emotional connection found in past works. [Film Fest 919]
Sean Baker does good white trash. I really don’t know how to put it in any less crude terms than that. Even when his films don’t necessarily focus on low-income white people, the air of that world lingers in the… Read More ›
“The French Dispatch” is Wes Anderson undiluted and bound to delight fans of the acclaimed creative. [Film Fest 919]
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
“The Suicide Squad” Blu-ray Giveaway
If you need someone taken out and don’t care if your team comes back alive, you call in Task Force X. This time around, the team is pulled together under the supervision of writer/director James Gunn, an individual who knows… Read More ›
The earnestness of “Breaking Them Up” creates an opportunity for connection.
Relationships, whether platonic, romantic, or familial, are always going to be tested. Some last forever, even through the challenges, while others are cut short by complications. Some people stay in an unhealthy relationship forever, while on other occasions, both parties… Read More ›
We are all just “Bloody Oranges (Oranges sanguines)” and we’d be better served to remember it. [Nightstream]
Director Jean-Christophe Meurisse’s (Apnée) Bloody Oranges (Oranges sanguines) mixes truth with fiction to create a concoction that’s as eager to amuse as it is to profoundly unsettle. Its premise is of three interwoven stories involving a dance competition, a finance… Read More ›
With “Free Guy” out on home video, you can change a good day into a great day.
How did your day go? Did you wake up, get out of bed, have some food, do some work, eat more food, do more work, eat even more food, engage in some mindless entertainment, and then go to bed? Does… Read More ›
Midnight movie “The Murder Podcast” may require a specific frame of mind to appreciate fully. [Nashville Film Festival]
Podcasting is older than most think. With the birth of digital audio playback technology in the late 1990s and early 2000s, most think of podcasts as coming up with those devices, but they really started well before that in the… Read More ›
A road trip with the Addams Family shouldn’t be so unexpectedly disastrous.
They’re creepy, kooky, mysterious, spooky, and are back for a second animated film from returning directors Greg Tiernan (Sausage Party) and Conrad Vernon (Monsters vs. Aliens). Where the first film explored assimilation versus individuality, the second outing is more interested… Read More ›
“Baby Assassins” is a bubbly action crime comedy that’s not afraid to kick a lot of ass. [Fantastic Fest]
If you’ve ever sat absorbing something for the first time — a song, a book, a play, a movie — and thought to yourself, “I can’t wait to revisit this,” then you’ll have some sense of what will await you… Read More ›
Beloved Hong Kong director Johnnie To joins The Criterion Collection with 2004 genre-hybrid “Throw Down.”
If you’re well-versed in Hong Kong cinema, then the name Johnnie To will carry a great deal of weight. Among those who know, his films like A Hero Never Dies (1998), PTU (2003), and Election (2005) exemplify the Kong Kong… Read More ›
“Lady of the Manor” possesses the potential for a high-spirited comedy but tumbles in the execution.
Comedy is one of the most subjective forms of art. What one viewer finds to be right up their alley might completely turn another viewer off. When a film plays around with a blend of comedy subgenres, it is even… Read More ›
Go on a swashbuckling animated macabre adventure in the adaptation of “Petite Vampire.”
There are many things about cinema that The Cine-Men co-host Darryl Mansel laments, but the one that he laments the most is the lack of swashbuckler films. Disney’s recent Jungle Cruise possesses traits of these films, though mostly due to… Read More ›
Guy Noland’s “Stage Managed” offers a pilot that raises the kinds of questions only a full season can answer. [Dances With Films Festival]
Making a movie or television show in the style of a mockumentary can be very challenging. It takes the right combination of a sharp script, talent behind the camera, an editor who knows exactly what they’re doing, and pinpoint precision… Read More ›