School days offer bored kids the opportunity to imagine wild scenarios about notable teachers. Students love to speculate on the personal lives of their instructors and wonder what goes on after the bell. What if the rumors turn out to… Read More ›
comedy
A Conversation with “7 Days” actor and co-writer Karan Soni.
EoM contributor Thomas Manning speaks with actor and co-writer Karan Soni about his work on the indie film 7 Days. During this conversation, Soni speaks about collaborating with his co-star Geraldine Viswanathan in this romantic comedy, his development of the… Read More ›
Return to Woodsboro in the latest entry of the beloved “Scream” franchise, now on home video.
Legacy — those who create it rarely live to see it last. Lin-Manuel Miranda’s Hamilton has a line in which legacy is described as “planting seeds in a garden you never get to see grow.” In 1996, master filmmaker Wes… Read More ›
“Win a Trip to Browntown!” isn’t the prize it intends to be.
There is something to admire about someone who chooses to write, star, and direct a project they are passionate about. However, there is also some level of humility and knowledge about committing to something that daunting. Win a Trip to… Read More ›
Pete Ohs’s “Jethica” offers an approach to forgiveness and grief we’d all be better to consider. [SXSW Film Festival]
Jethica is a film that wastes no time in laying its narrative out on the table with a refreshing efficiency. No padding, no filler, no three hour runtime, just a film that has a statement to make, makes it, and… Read More ›
Aisha Dee slays in Australian horror comedy “Sissy.” [SXSW Film Festival]
We’ve all had our experiences with bullies. Some more than others, certainly, but looking back on the pitfalls of adolescence in the light of adulthood, there’s always that nagging voice in the back of your head telling you “If you… Read More ›
The supporting cast steals the show in comedy “Spin Me Round.” [SXSW Film Festival]
Jeff Baena has written a lot of things over the last few years that have broken the mold and done something new for the comedy genre by not delivered the typical trope movies. He and his now wife, Aubrey Plaza,… Read More ›
“A Lot of Nothing” delivers on a whole lot of something. [SXSW Film Festival]
“Messy” defined by Mirriam-Webster’s Dictionary is as follows: “marked by confusion, disorder, or dirt.” Mo McRae’s feature debut A Lot of Nothing is absolutely messy, but in the best way possible. The movie starts off being one thing and then,… Read More ›
30 Helens agree: “Kids in the Hall: Comedy Punks” is a hilarious and heartfelt tribute to comedy legends who’re still at it. [SXSW Film Festival]
You can get a sense of a person by the comedy they ingest or reference. Often, their humor is shaped by those they enjoy or admire, so you can tell what they find sacred or profane. It’s the same thing… Read More ›
Mishandled situational comedy “Millie Lies Low” results in audience frustration. [SXSW Film Festival]
There are movies that lend themselves to the elements and take advantage of them to their benefit. Then there are movies that ignore what the story lays out for them and try to become something they really aren’t. Unfortunately, in… Read More ›
Colin West’s “Linoleum” is a frustrating yet rewarding watch. [SXSW Film Festival]
There are rare instances in films where casting decisions are made that are uncharacteristic to the lead’s background, such as casting comedians in very dramatic roles. Linoleum does that feat very well, giving us a very uncharacteristic character for Jim… Read More ›
Writer/director Reggie Yates’s “Pirates” is a jam and a half, filled with youthful energy, positivity, and hope for the future. [SXSW Film Festival]
In my lifetime, no New Year’s Eve has felt more enormous, more life-changing, more open to possibilities than NYE 1999. Take out the fact that it was a tumultuous time for me personally, the whole world was unsure if all… Read More ›
“I Love My Dad” is cringeworthy in the worst ways and worth it in the best ways. [SXSW Film Festival]
Writer, director, and actor James Morosini delivers one of the strongest movies of 2022 thus far that will certainly be a conversation starter for award season. I Love My Dad is one of the most uncomfortable viewings audiences will experience… Read More ›
“Seriously Red” is a love letter to impersonators and the celebrities they embody. [SXSW Film Festival]
There is something truly magical about movies that are just effortlessly charming, endearing, and whimsical. Then there is something extraordinary when one writes and stars in the feature and pulls off that ever so delicate balance of amazement. In Gracie… Read More ›
Cringe and comedy more than pay off in “Pretty Problems.” [SXSW Film Festival]
There is nothing particularly fun about watching a couple who’s on the rocks try to break free of their mold and cannot fathom why or how they’ve been invited to an extravagant weekend. Well, there is nothing fun about that… Read More ›
Even newbies will get into dark fantasy manga adaptation “Jujutsu Kaisen 0.”
Started by creator Gege Akutami in March 2018, Weekly Shōnen Jump series Jujutsu Kaisen is a supernatural horror/comedy action series involving sorcerers who protect the world’s population by destroying or controlling curses (primarily sentient monster-like creatures) that come to being… Read More ›
Documentary “Crows are White” is a surprising exploration of the intersection of faith and truth. [SXSW Film Festival]
On Mt. Hiei in Japan lives a secretive sect of Buddhists who push their bodies to their limits in order to achieve enlightenment. Seeking guidance, documentarian Ashen Nadeem travels to the monastery in hopes of chatting with Kamahori, a monk… Read More ›
Exploring emotions and interpersonal relationships, Domee Shi’s “Turning Red” adds another top release to Pixar’s catalogue.
In front of Pixar’s Incredibles 2 (2018) was writer/director Domee Shi’s directorial debut Bao, a bittersweet story of parenthood and letting go. It’s not too surprising that Shi’s feature-length debut, Turning Red, follows a similar trajectory, just from a different… Read More ›
Explore Zamunda a bit more with the home release of “Coming 2 America.”
When it came to film releases in 2020, the modus operandi was “make it work.” Sometimes that meant stalling until a theatrical release was possible and sometimes that meant selling to a streamer. In the case of Eddie Murphy’s Coming… Read More ›
The answers offered within the bonus features for Camille Griffin’s “Silent Night” home release create more questions.
According to the 2021 TIFF Q&A with Silent Night writer/director Camille Griffin and cast members Keira Knightly (Atonement), Matthew Goode (The King’s Man), and Roman Griffin Davis (Jojo Rabbit), their film was one of the last to wrap production in… Read More ›