When Stephen King published his novel The Running Man under the name Richard Bachman in 1982, the book must’ve been seen like a piece of cynical dystopian fiction. Instead, like Jules Verne with the submarine and space shuttles, it turned… Read More ›
Colman Domingo
“Dead Man’s Wire” is a well-rounded film that elevates the real-life event it’s based on. [TIFF]
If you were to say there was a new movie from Gus Van Sant (Good Will Hunting) about a real-life story of an armed kidnapping that is arguably justified with Colman Domingo (Sing Sing), an insane Al Pacino (Heat), and… Read More ›
“Wicked: For Good” stays too close to the source material to gain any real altitude.
It’s common wisdom that all the good songs of Wicked (2003) are in the first half. But if the majority of songs in the anti-fascist melodrama of Act 2 were as silly and energetic as “Dancing Through Life,” the whole… Read More ›
“The Running Man” — Darkly comic bombastic actioner or prescient thriller for the times? YOU DECIDE.
The year is 2025 and corporations own everything including the United States government. The populace does their best to survive on the scraps provided by their network masters, but a massive class divide has arisen, creating strife and distrust amongst… Read More ›
“Sing Sing” delivers Grade-A performances in a story capturing the significant rehabilitative properties of art.
Writer and producer Greg Kwedar (Transpecos) returns to the director chair for his sophomore feature film debut with Sing Sing, a prison drama following John “Divine G” Whitfield (Colman Domingo), imprisoned for a crime he didn’t commit. While incarcerated, he… Read More ›
Blitz Bazawule’s bold, beautiful reimagining of “The Color Purple” comes home in 4K with lean features and an average presentation.
How could one describe the timeless story of The Color Purple? A story about struggles, adversities, power, love and, ultimately, forgiveness? A story about a marginalized and abused woman gaining her voice and learning to enjoy life? Three women sharing… Read More ›
Director Blitz Bazawule’s “The Color Purple” is a melodramatic, phenomenally acted, and joyous musical.
1985’s The Color Purple is a film beloved by many over the years. Its themes of identity resonated with audiences over time. With the original being nominated for 11 Academy Awards, it was a matter of time before it was… Read More ›
Bring home the aquatic coming-of-age adventure “Ruby Gillman, Teenage Kraken” from DreamWorks now.
DreamWorks Animation has a stable of productions that range from the wildly entertaining (The Bad Guys) to the grossly moving (Shrek series) to the emotionally thrilling (How to Train Your Dragon series). Each one of them was a showcase in… Read More ›
“Ruby Gillman, Teenage Kraken” Digital Code Giveaway
Earlier this year, DreamWorks Animation invited audiences to change their perception of the legendary kraken via director Kirk DeMicco’s coming-of-age tale Ruby Gillman, Teenage Kraken. Now, you can go on this adventure at home via the digital release (available now)… Read More ›
“Transformers: Rise of the Beasts” does more world building than character building.
I was almost 11 years old when Michael Bay’s first Transformers film came out in the summer of 2007, and while I was never a fan of the toys (I was severely gay, and therefore loved my sister’s Barbies), I… Read More ›
You don’t need to say his name to bring him home. Nia DaCosta’s “Candyman” is available on home video now.
In horror, there are far more stories of unrelenting evil than there are tales of vengeance. Look at the pantheon of horror elite and you’ve got Michael Myers, Freddy Krueger, Leatherface, and Pennywise. There are plenty more, for sure, but… Read More ›
Twitter thread-turned-movie “Zola” is available on home video from Lionsgate.
“Y’all wanna hear a story about why me & this bitch here feel out???????? It’s kind of long but full of suspense” This is the tweet that kicked off a 148-tweet thread detailing the heart-pounding adventure A’Ziah “Zola” Wells King… Read More ›
Director Nia DaCosta’s “Candyman” recontextualizes the mythos in a way that’ll excite some and frustrate others.
The stories we tell matter. They carry weight with every word. They are derived from their individual meanings as well as the histories accompanying them. Stories keep people and events alive long after their physical forms are gone, enabling those… Read More ›