Few storytellers can jump back-and-forth between genres with such ease, yet George Miller is the mind equally responsible for the Mad Max films and Babe. This year, Miller went to a particularly fascinating place by examining the significance of stories in… Read More ›
Cue up director Antoine Fuqua’s sci-fi actioner “Infinite” without a subscription and with all the snacks you can manage.
If there’s one thing that’s been an improvement for movie fans since the start of the pandemic, it’s been the increased access to new films. With the theaters all but shut down, films whose releases weren’t moved over and over… Read More ›
“Fear Street Part 1: 1994” may be a YA adaptation at its core, but that doesn’t stop it from getting buckwild.
There are some things that just work better on Netflix. For as much as some films like The Old Guard and The Midnight Sky practically beg to be seen on a big screen, the streaming giant does offer films and… Read More ›
Saint Maud is one of my favorite films I’ve seen this year, and I think it’s a damn shame how A24 treated it by hocking it to EPIX, of all streamers, for its tiny release. It represents the best that… Read More ›
Beware the traps laid within Arrow Video’s restoration of “Irezumi” as the path made lead to your peril.
In the opening moments of Yasuzô Masumura’s Irezumi (1966), we witness a man drug a woman, then design and ink a spider tattoo on her back. As he works on the floor, bent over her, her only reaction is to… Read More ›
Joining the long list of films receiving 4K UHD restorations is the Mel Stuart classic Willy Wonka & the Chocolate Factory as it celebrates its 50th anniversary. Of all author Roald Dahl’s books to receive adaptations, this is the one… Read More ›
The candyman isn’t the only one capable of bringing you treats. Thanks to Warner Bros. Home Entertainment, EoM can offer you a most dazzling, charming, and, yes, even horrifying adventure via the 4K UHD restoration of Willy Wonka & the… Read More ›
Enjoy the summer blockbuster feeling at home with director Antoine Fuqua’s “Infinite” on Paramount+.
In 2009, author D. Eric Maikranz self-published his book, The Reincarnationist Papers, with a message inside, a “request for help,” offering an agent’s commission (roughly $10K) if someone in his readerships could help get the book noticed by a Hollywood… Read More ›
In the spirit of past Walt Disney live action remakes or reimaginations such as Maleficent or Dumbo, comes Cruella, directed by Craig Gillespie (I, Tonya) and starring the talented Emma Stone (The Favourite), Emma Thompson (Love Actually), Mark Strong (Sherlock… Read More ›
Director Dorothy Arzner’s second Criterion release “Merrily We Go To Hell” is a prime example of the impact of politics on art.
In her 21-year career, director Dorothy Arzner directed 16 films, with three others uncredited, and one in which she served as a sequence director. In the history of filmmaking, a career like Arzner’s is largely forgotten between the capitalist and… Read More ›
Kevin Macdonald is a documentarian, a feature filmmaker, and a master storyteller. Known for projects like The Last King of Scotland, State of Play, and documentaries on Mick Jagger, Bob Marley and Whitney Houston – Macdonald appreciates all aspects of… Read More ›
Even in the Before Times, it was nearly impossible to see every film that was released in a given year. You can certainly try, but there’re bound to be a few that you miss either by choice or circumstance. This… Read More ›
A true story, “The Mauritanian” presents the moral failings of a country who mistakes vengeance for justice.
… We think of justice as a quality that may exist in a whole community as well as in an individual, and the community is the bigger of the two. Possibly, then, we may find justice there in larger proportions,… Read More ›
Take the brilliant stunt choreography of Indonesian action film The Night Comes for Us (2018), the intrigue of Indonesian thriller The Raid: Berandal (2014), and mix with superhero elements you know from various Marvel and DC storylines and you’ll get… Read More ›
Novel adaptation “The Goldfinch” is beautifully constructed and executed, yet feels somehow disconnected.
Published in 2013, Donna Tartt’s The Goldfinch went on to earn best-selling status, along with the coveted Pulitzer Prize for Fiction in 2014. It’s a book that — it seems — entranced readers, including future cast member Sarah Paulson (Ocean’s… Read More ›
In his recent years, and more specifically in recent months, Martin Scorsese has really stepped away from the spotlight…oh my god, could you imagine if I was serious with that? The argument has been made that Scorsese made the controversial… Read More ›
Note: Saving Zoë deals with some dark elements that might trigger some, specifically in regards to sexual violence and/or violence against women. The concept of the “teen movie” has evolved over the years. Initially used as a rebellion against the… Read More ›
Book adaptations are tricky beasts. Take the Game of Thrones series. Beloved by fans, readers, and television watchers alike, the finale season is drawing ire for a perceived underdevelopment of one of the lead characters. In the books by George… Read More ›
February is becoming a strange month. Like January, February tends to be a dumping ground for films not likely to find an audience or for films leaning into Hallmark’s notion of love. While some aspects of this remain true (markets… Read More ›
When anyone mentions the name Errol Flynn, those familiar likely think of the 1938 film The Adventures of Robin Hood, a portrayal of the infamous bandit to which every future performance has been compared. Working in Hollywood for 26 years,… Read More ›