November 2007 saw the release of game developer Naughty Dog’s action/adventure third-person perspective game Uncharted: Drake’s Fortune. Since then, the series has developed six more titles that function as either sequels or spin-offs, tracking the adventures of Nathan Drake, Vincent… Read More ›
Antonio Banderas
“Hitman’s Wife’s Bodyguard” comes home with nearly 30 minutes of bonus materials to extend the experience.
2017’s The Hitman’s Bodyguard is a solid action-comedy/road trip hybrid that uses the absolute best of its talented cast to craft a highly rewatchable story. Leads Ryan Reynolds (Free Guy) and Samuel L. Jackson (Basic) have the kind of chemistry… Read More ›
More ≠ better for “Hitman’s Wife’s Bodyguard.”
When I left the Patrick Hughes-directed The Hitman’s Bodyguard (2017), the first thought I had was “Looney Tunes.” The way in which the narrative exploits the chemistry between its leads, Ryan Reynolds (Waiting…) and Samuel L. Jackson (Formula 51), the… Read More ›
The Cine-Men, Episode 48 – Favorite Diegetic Music in Film.
Whether it’s a score, licensed tunes, or original material created for a film, the use of music can make or break a scene. Just imagine how less dreadful the opening moments of Jaws would be without John Williams’s score. Or how… Read More ›
The Cine-Men, Special Episode: 92nd Academy Awards – Part II
As we near the 92nd Academy Awards, The Cine-Men co-hosts brave to discuss the big six categories: Supporting Actor/Actress, Lead Actor/Actress, Directing, and Best Picture. To tackle this mighty feat, the duo broke each category into its own minisode with… Read More ›
Pedro Almodóvar’s “Pain and Glory (Dolor y gloria)” is a quiet, intimate, and retrospective piece. [Film Fest 919]
There are certain filmmakers who simply embody the essence of what their country, culture, and style are at their core; that the sheer mention of their name conjures a body of work worthy of showing off as the crème de… Read More ›