The New Hollywood movement (or “period”, depending on who you ask) was a defining moment in cinema where the film director was the “end-all/be-all” authority rather than the film studio. It’s a movement (generally from the mid-‘60s to early ‘80s)… Read More ›
In Keishi Kondo’s 2022 directorial debut New Religion, communal memory and grief intertwine in photographs to illustrate a haunted post-COVID world. The surrealist Japanese art house thriller follows Kaho Seto (My Identity; Beyond the Blue) as Miyabi, a prostitute trying… Read More ›
Whether you’ve been a fan of the kaiju-destroying Godzilla from its initial creation in 1954 from Toho, or your first introduction to the gigantic destructive beast was Legendary’s Godzilla from 2014 or 2023’s spectacular Godzilla Minus One, there is one… Read More ›
In another reality, modern audiences would be elbow-deep in the modern monsterverse Universal Pictures dubbed the “Dark Universe,” which kicked off with the release of 2017’s The Mummy. It was all in place with cast and concept, but the failed… Read More ›
Trigger Warning: There are several sequences involving flashing lights (especially in the climax) which may be difficult for photosensitive viewers. One cannot deny the infectious nature of co-director John Musker and Ron Clements’s 2016 animated adventure Moana. Between the culturally-specific-yet-universal… Read More ›
We are gathered here, today, to acknowledge the end of the Sony’s Spider-Man Universe (SSU) with the home release of the J.C. Chandor-directed Kraven the Hunter (2024), the latest attempt of taking an absolute bastard villain and turning him into… Read More ›
By 2000, actor Russell Crowe had made a name for himself in the U.S. through work in The Quick and the Dead (1994), Virtuosity (1995), L.A. Confidential (1997), and The Insider (1999). It would be his turn as Maximus Decimus… Read More ›
“I don’t understand you. But I love you.” These are key words said towards the climax of Mike Leigh’s Hard Truths, a somber slice-of-life film about two disparate sisters in a Black British family. Mike Leigh, a veteran indie darling… Read More ›
The ‘80s were a decade of decadence. Whimsical fashion, music, and media reigned pop culture. This was especially true with the films of the era. The year 1984 saw Warner Bros. release both Purple Rain, a semi-biographical concert film starring… Read More ›
Content Warning: This film contains sexual violence and semi-explicit sex acts that may be unnerving for sensitive viewers. Mermaid Legend (1984) is the prize film in Third Window Film’s newest wave of their Blu-ray releases of The Directors Company movies…. Read More ›
When creating a film about the morality and ethics of journalism, centering a story around the Munich massacre of 1972 is an inspired choice. September 5 (2024), co-written and directed by Tim Fehlbaum (The Colony), is a film about an… Read More ›
Trigger Warning: There are several sequences involving protracted strobing or flashing lights, so photosensitive viewers should take precautions before queuing up the film. According to Kenta Fukasaku, son of Kinji Fukasaku, the filmmaker’s 1983 action fantasy Legend of the Eight… Read More ›
Jean-Luc Goddard’s King Lear (1987) is a great movie for nobody and is available on Blu-ray through Criterion on February 11th, 2025. Almost nobody, actually. It’s certainly a film for me, and for legendary film critic Richard Brody of the… Read More ›
For audiences of a certain age, writer Shane Black is an instrumental figure in their cinematic development. In the same year (1987) that taught us that “Wolfman’s got nards” (Monster Squad), he let us know that it’s ok to say… Read More ›
Back in 2003, I had the pleasure (much like the rest of New York) of getting to see a new musical called Wicked. In the mind of this then-13-year-old, seeing a story about a misunderstood witch from the land of… Read More ›
There’s this strange compulsion by many to respond to someone’s discomfort with “everyone has problems.” Whatever the intention, all it ever does is minimize what a person is feeling with the implication that “why should someone be feeling badly about… Read More ›
It’s an important rite of passage for each generation to mourn the loss of the cultural norms and trends that defined its youth. Unfortunately, this mourning usually manifests as some iteration of the tone-deaf and demeaning phrase, “Kids today will… Read More ›
“You can’t take anything with you when you die, except your deeds.” – Lee Fun Yee (Cecilla Cheung) in Running on Karma Established in 1996 by director Johnnie To and frequent collaborator Wai Ka-Fai, production house Milkyway Image Ltd. would… Read More ›
When the trailers first dropped for director Ruben Fleischer’s Venom (2018), audiences got a taste of something truly exciting as it looked like Sony Pictures might take the Marvel Comics villain-turned-anti-hero and introduce him through a body horror-like science fiction… Read More ›
Contrary to what some American politicians (and some of their base) would tell you, having children isn’t a cure-all. In the same way that pets for the holidays are a great idea filled with visions of beautiful smiles and joyous… Read More ›