“Quis custodiet ipsos custodes?” – Roman poet Juvenal in Satires. So often, the general public takes it for granted that someone will protect them. With stories featuring The Phantom and The Shadow as preludes to the birth of Superman and… Read More ›
“I hate Mondays.” As a child of the 1980s, I felt this phrase deep in my bones, which is likely why I owned several of the Jim Davis-created Garfield book collections so that I could revisit the three-to-four panel adventures… Read More ›
Truth is a matter of perspective. We know this, but we tend to forget it during the daily moments of our lives. What we see, what we hear, and how we react is all sifted through our experience, so, often,… Read More ›
1968: director Franklin J. Schaffner releases his feature-length cinematic adaptation of author Pierre Boulle’s short story, Planet of the Apes. Since then, it’s spawned five canonical films, a television show, and a Tim Burton-directed remake — not to mention countless… Read More ›
Sometimes a film ends up at a boutique Blu-ray distributor because the conditions of its theatrical run rendered it forgotten and misunderstood. Other times, it’s because the film is an odious facsimile of a good film, and it tricks a… Read More ›
The world of Twisters swept up cineplexes barely one month ago. The latest disaster epic tells the story of Kate Carter (Daisy Edgar-Jones), now working as a meteorologist, when a friend from her storm-chasing past named Javi (Anthony Ramos) comes… Read More ›
The phrase “style over substance” is a common complaint regarding certain films. In these instances, some films can be so aesthetically pleasing that they lose sight of the story. Such films can craft well-drawn characters and a richly detailed sense… Read More ›
No one really knows when from where inspiration will strike. An innocuous action, a stray thought, a random observation — anything is ripe for seeding a new concept or approach. For writer/director/actor John Krasinski (A Quiet Place), inspiration for his… Read More ›
Filmmaker Dr. George Miller’s been entertaining audiences for nearly 40 years, either with tales of desperation (Mad Max (1979)), tales of greed (The Witches of Eastwick (1987)), or tales of hope (Happy Feet Two (2011)), to name a few. In… Read More ›
Within the home release of Justice League: Crisis on Infinite Earths – Part One, the featurette “Crisis Prime(r)” lays out how just how long the plan for Crisis on Infinite Earths had been in the works, detailing that each film… Read More ›
In the months since the winter release of The Boy and the Heron (2023), the following events have clarified the meaning and depth of this inscrutable film in my mind: The Megalopolis (2024) trailer, the Supreme Court’s sweeping theft of… Read More ›
There are movies out there that don’t get their fair shake, and there are directors who fall under the same category. What happens when you end up with both? You get, arguably, a fantastic movie that somehow underperformed and is… Read More ›
Longing for something you can never have is perhaps one of the cruelest forms of emotional torture a person can put themselves through, and it’s an experience all too familiar within queer communities. Every queer person has had the one… Read More ›
In 1968, Mart Crowley’s The Boys in the Band premiered Off-Broadway and shocked audiences with its candid portrayal of homosexual men. The story of getting the play written and on stage is lengthy, including Mart (Fade-In) being hired as actor… Read More ›
When I was just a wee lad, 11 years old to be precise, I had two fears: frogs (still do to this day) and home invasion. For some reason, I figured that I was a special enough little boy to… Read More ›
Prequels seem like a good idea on paper as they often seek to answer questions impossible to explore in initial outings. Through prequel stories, we can discover how Han Solo (Harrison Ford) came to own the Millennium Falcon (Solo: A… Read More ›
I have a friend who is witchy in that they love to imbibe tarot readings and other spiritual practices of the same ilk, and when I sent them the trailer for the new home media release from Sony Pictures, Tarot… Read More ›
Perfect Days (2023) is the title of Wim Wender’s (Paris, Texas) newest film, which has entered the illustrious Criterion Collection, but, at the same time, it almost perfectly describes the ambiance and sentiments of the movie, as well. Perfection is… Read More ›
It’s really hard to be a physical media advocate and supporter, and I know how that sentence sounds. We’re a dying breed of collectors, but we still exist and wanting the crème of the crop is becoming harder and harder… Read More ›
I am not going to pretend I understand how licensing works, because I simply don’t. It would be an incredibly silly thing to pretend I know a singular thing about how movie licensing works and why X licenses out to… Read More ›