After an already extensive career, Justine Bateman proves she’s nowhere close to done with her feature-length directorial debut, Violet, a film which is as easily an exploration of gender politics as it is of mental health. In the press notes,… Read More ›
On paper, a film like Language Lessons sounds like your typical love story waiting to happen. Two people (Natalie Morales, Mark Duplass) find the thing they’ve been looking for over the confines of a weekly Zoom call. The catch is… Read More ›
Before the Fengshen Cinematic Universe, the modern Monster Universe, the DCEU, or the MCU, there was the View Askewinverse. Before there was Kevin Feige (Marvel Studios) or Jon Favreau (The Mandalorian) as the pinnacles of geekdom, there was writer/director Kevin… Read More ›
Andrea Riseborough. That’s it; that’s the review. …okay fine, I’ll say more. If there’s anyone who has been a film festival genre darling in the past couple years, it’s been Andrea Riseborough. Her transformation from British prestige drama actress to… Read More ›
On paper, Alex Noyer’s Sound of Violence has all the building blocks needed to succeed as a dark and twisted indie horror. The concept and synopsis sound fascinating, and the film expands upon themes Noyer has already explored for years…. Read More ›
Being gay is one of the biggest gifts life has granted me, and the fact I’m able to sit here and say that shows just how far we’ve come as a society to where I, and so many other people,… Read More ›
“Necessity is the mother of invention.” — a proverb whose origin is unknown, though is believed to have evolved from a statement within Plato’s Republic, “our need will be the real creator.” True or not, when times get tough, when… Read More ›
The dinner table is a universal symbol of community, nourishment, and respite, but directors of horror movies often repurpose the place where people come together for a meal to create some of the most awkward and unsettling cinematic moments of… Read More ›
Three years after her directorial debut Head Count, Elle Callahan returns with the allegorical Witch Hunt. A mixture of YA tropes, fantasy, and horror, Witch Hunt imagines an alternate Earth wherein witch craft is illegal in America to the point… Read More ›
Ambient music is one of those things that pervades your life in the basest of forms, but when you learn the depths of the genre within the modern music scene, it kind of blows your mind. This was my experience… Read More ›
Folk horror is something that, for a while, I didn’t know was genuinely one of my favorite forms in the horror genre. It’s difficult to categorize it as its own separate sub-genre as its products can be widespread and incredibly… Read More ›
Prescription drugs have become a dangerous enterprise encompassing our world today. Dealing drugs has become a business that isn’t what shows like “Breaking Bad” makes you think it is. In actuality, it resides in the category of being an industry… Read More ›
If you were to presume that co-directors Paola Calvo and Patrick Jasim’s documentary Luchadoras (Female Fighters) is about female wrestlers in Mexico, you’d only be about a quarter correct. While their film does follow four wrestlers — Lady Candy, Baby… Read More ›
Have you ever become instantly smitten with a film from the first few moments when it just felt like you’re vibing on the same level? With the rhythmic sounds of Oskar Cartaya’s “Get Up (Muévete)”, the audience is treated to… Read More ›
NBC sitcom Parks and Recreation has a running gag about “Ice Town,” the winter sports complex that series regular Ben Wyatt (Adam Scott) tried to build when he was miraculously elected mayor of his hometown at the age of 18…. Read More ›
There have been stories of gods and monsters for as long as there have been oral traditions in communities — stories of creation, stories of destruction, which warn of great evil or encourage altruism. Some of these stories turned into… Read More ›
In 1968, you couldn’t turn on the television, listen to the radio, or read something in print without seeing a White face. Even during the Civil Rights Movement, any presentation of the Black experience was almost always presented through a… Read More ›
I’m a recent convert, but I love me some Monster Hunter videogames. They’re simple on the surface, but nearly impossible to truly master without pouring countless hours grinding and studying the habits and weaknesses of each bit of prey assigned… Read More ›
When one looks back on a director’s early works, you can usually see the beginnings of whatever will become their signature POV or narrative approach. In The Land of Lost Angels is the first feature film from writer/director Bishrel Mashbat,… Read More ›
To paraphrase a line from director Craig Brewer’s (Dolemite Is My Name) Coming 2 America, Hollywood is nothing but superhero films, remakes, and sequels no one asked for. Without getting into the numerous ways that’s an oversimplification that ignores the… Read More ›