Coming of age stories come in all shapes and sizes. Sometimes they’re joyous, ridiculous tales like Weird Science (1985), dramatic like Baby, Don’t Cry (2021), or explorations of addiction and trauma like Trainspotting (1996). The story within writer/director Eoin Macken’s… Read More ›
The biggest reason to stop telling people what films they should love or hate is primarily due to its icky gatekeeping factor, but, secondarily, there’s no telling what people will connect to and when. There are as many people out… Read More ›
No country’s literature or filmography is short of romance stories. If a writer tells you they’re working on a piece about love, you’ll probably assume they’re talking about romantic love. We live in a culture that prioritizes romance and marriage,… Read More ›
The great debate of the importance of the “theatrical experience” has been run into the ground as streaming services continue to expand and movie theater attendance becomes increasingly inconsistent. The industry was headed in this direction even before March 2020,… Read More ›
For the last 15 years, LAIKA Studios has amused, entertained, amazed, and, in some cases, downright terrified audiences with their stop-motion animation tales that continually place children at the center, offering a chance for audiences old and young to see… Read More ›
For the last 15 years, LAIKA Studios has amused, entertained, amazed, and, in some cases, downright terrified audiences with their stop-motion animation tales that continually place children at the center, offering a chance for audiences old and young to see… Read More ›
Everyone has a thing that they look for before deciding if they want to engage with a piece of art. It could be the cover of an album that lures them in, the style of brush strokes crafting a painting,… Read More ›
I don’t mess with COVID-related content. I’ve lived it for the past 18 months and, when I watch a movie, I absolutely do not want to be reminded of it in any way. Locked Down? I refuse to watch it…. Read More ›
The stories we tell matter. They carry weight with every word. They are derived from their individual meanings as well as the histories accompanying them. Stories keep people and events alive long after their physical forms are gone, enabling those… Read More ›
When most people hear the term “coming of age” to describe a film, they might jump to something like The Breakfast Club (1985), Sixteen Candles (1984), Weird Science (1985) or some other John Hughes film. They’re often films of self-exploration… Read More ›
Fine, let’s just get it out of the way: I am not a very big fan of zombie films on the base level. There are many other things that can make a zombie film good, that I can identify with… Read More ›
Do your worst childhood fears ever come back to haunt you? Does it feel like the monsters in your closet never left? Most of us outgrow our fear of shadows, monsters, and the dark, and we can now keep the… Read More ›
The list of Yakuza-centric films runs the gamut from dramas like Lost Girls & Love Hotels (2020) to martial arts films like Chocolate (2008) to science-fiction horror like Versus (2000) to straight up thrillers like Black Rain (1989). What the… Read More ›
If you’re into Southern Gothic literature, you’ll go nuts over Mark O’Brien’s feature directorial debut, The Righteous, which screened at the Fantasia International Film Festival earlier this month. Granted, it was filmed in Canada and not the American South, but… Read More ›
There are many differences in American and Asian cinema, but none stand out as much as the way stunt sequences are used. More often than not, a stunt sequence in American-made films is more about wowing the audience than moving… Read More ›
There’s a demented fascination with nuns in modern society that I feel is worth examining. It’s an alien world of pious faith that most cannot even begin to understand, but we have taken many steps in trying to. From Black… Read More ›
What do you get when you utilize the talents of the director of Casino Royale (2006), the writer of the modern Equalizer films, Nick Fury his ownself, and the star of the Nikita live-action series? Some super-slick spy-like mayhem amid… Read More ›
From Rosemary’s Baby to False Positive, Psycho to Mommie Dearest, motherhood and the horror genre are a match made in heaven. The labyrinth of psycho-socio-political issues surrounding motherhood, pregnancy, and the mother-child relationship has truly found its home in horror… Read More ›
Japan is gonna Japan whether or not you want Japan to Japan, and when it Japans, it Japans hard. That in and of itself could be the singular tagline for Masashi Yamamoto’s Wonderful Paradise (脳天パラダイス), celebrating its North American premiere… Read More ›
Every now and then this gig, writing about movies, is an absolute godsend. It’s not that you get to travel the world from the safety of your couch, learning histories, seeing unimagined sights, but that there’s incredible opportunity to be… Read More ›