Author Archives
My escape has been a movie theatre for as long as I can quite frankly remember. My dad swears by the fact that I saw Aladdin in theatres (despite it being in theatres 13 months before I was born, but hey movie magic I guess?). Growing up I was incredibly fortunate to have a projector room in my childhood home with surround sound where I would spend my formative years, watching absolutely anything I could get my eyes on. There was never a movie that I didn't at least try to watch, as being young only certain things captured my attention. I would get lost in that room for hours, sometimes even days. As well I lived down the street from my local multiplex so anytime a new movie would come out whether it be the newest superhero movie, James Bond movie, Scary Movie or anything that captured my interest I was there Friday at 5pm seeing the newest thing and if it was good, most likely revisiting with friends that weekend. I grew up in front of the silver screen, graduated University from the film studies program, and have been writing for numerous publications for the past decade. I look forward to continuing to write, explore new films, and indulge in all the offerings the movies have to bring to us. As Vin Diesel said in the welcome back advertisement, "For more than a hundred years there's one place where we all came together to be entertained, to escape, to escape, to go somewhere new -- the movies"
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“Infirmary” masterfully wields found footage to a terrifying degree. [DWFNY]
First time feature director Nicholas Pineda (Disquiet) and screenwriter Katy Krauland (A NoHo Heist) create an intense, eerie, horror drama, Infirmary. It utilizes found security camera and bodycam footage to infest its way into the brains of audiences and send… Read More ›
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Did you see a first-time 4K UHD edition of “Minority Report” coming? Now you can.
Back in early 2025, I saw a 35 mm print of Minority Report and it was my first time revisiting the film in probably a decade. To say it is forgotten how absolutely sublime the movie is, how wrong it… Read More ›
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“Tuner” expertly uses all the right tools to fine-tune a pitch-perfect crime-thriller rom-com. [TIFF]
What does one expect when a documentarian partners with a co-writer to write and direct his first feature? If you guessed a riveting, pulse-setting, sensational thriller about a heist and love and the chaos that unfolds, then you’d be right… Read More ›
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Samara Weaving and Kyle Gallner burn up the screen in the Bonnie and Clyde-inspired “Carolina Caroline.” [TIFF]
If you’ve never heard of Adam Rehmeier, you’re doing yourself a great disservice. The indie gem Dinner in America (2020) is a completely underrated, under-the-radar gem that deserves to be seen by all audiences. Rehmeier’s newest, Carolina Caroline, has him… Read More ›
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“Rent” gets a shiny boost to 4K UHD but no new special features for its 20th anniversary.
In the year 2005, when I was just a young lad (12, I know I am dating myself here), I was at the theater and experienced the closest thing to a proshot I would have encountered up to that point…. Read More ›
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Documentary “Nosferatu: The Real Story” voyages home with little in the cargo hold.
There is a ton of history behind Nosferatu and Dracula, from the 100-year-old classic and Bram Stoker to Robert Eggers, Robin Bextor’s new documentary focuses on everything from the legacy Nosferatu has created to the challenges the movie faced at… Read More ›
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Kenji Tanigaki’s “The Furious” delivers action, violence, chaos, story, and heart in well-balanced cinematic experience. [TIFF]
If you didn’t know who director Kenji Tanigaki (Enter the Fat Dragon) was before, then after you see his explosive newest feature, The Furious, you’ll know he is one to look out for if you’re a fan of movies like… Read More ›
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“Dead Man’s Wire” is a well-rounded film that elevates the real-life event it’s based on. [TIFF]
If you were to say there was a new movie from Gus Van Sant (Good Will Hunting) about a real-life story of an armed kidnapping that is arguably justified with Colman Domingo (Sing Sing), an insane Al Pacino (Heat), and… Read More ›
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“The Conjuring: Last Rites” scares its way to home video.
If back in 2013 someone were to tell audiences that there would be NINE Conjuring universe movies within 12 years, no one would truly believe it, but the Warrens and their cases and stories happened to just be that captivating… Read More ›
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“Wake Up Dead Man: A Knives Out Mystery” hosts another stellar cast with a less luminous mystery. [TIFF]
Rian Johnson is back with Benoit Blanc for a new mystery that is coming for a short theatrical window before hitting Netflix. His third entry in his murder mystery franchise is arguably the worst one unfortunately. This is not to… Read More ›
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“The Curse of Frankenstein” terrorizes home viewers in glorious 4K UHD with an extensive amount of special features.
How many Frankensteins are too many Frankensteins, you may ask. The answer is there is never too much Frankenstein. Instead of having Oprah give everyone in the audience a car, everyone gets a Frankenstein movie. This release from Warner Brothers… Read More ›
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“Karmadonna” delivers dark delights, but that may not be enough. [TIFF]
Trigger Warning: The content of the film and supportive images within this review may be disturbing to sensitive individuals. Sometimes boasting about the director/writer’s previous work is a detriment to a film, and that is the biggest issue with Alexsandar… Read More ›
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Guillermo del Toro’s black and white vision of “Nightmare Alley” finally gets a physical release thanks to The Criterion Collection.
In 2021, the world got to see Guillermo del Toro’s (Frankenstein) newest feature, Nightmare Alley, which he co-wrote with Kim Morgan (Seances) and adapted from William Lindsay Gresham’s novel of the same name. While there was some divide on this… Read More ›
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“Steal Away” with actors Mallori Johnson and Angourie Rice. [TIFF]
Clement Virgo (Brother) is back with another powerful drama while, again, pulling double duty as director and as part of the co-writing team with newcomer Tamara Berger. Steal Away balances a multitude of themes, ensuring that the film cannot get… Read More ›
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The inherent whimsy of “Egghead Republic” overshadows the narrative within. [TIFF]
Egghead Republic, the newest movie from the pair of writer/directors Pella Kågerman (Aniara) and Hugo Lilja (Aniara), teases an interesting premise that is excelled by some terrific performance, but ultimately suffocates from its own ideas and on-the-nose reveal. While failing… Read More ›
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“Wasteman” squanders nothing in its 90-minute run time. [TIFF]
First-time feature screenwriters Hunter Andrews (short Sunny Life Farms) and Eoin Doran (short Perched) along with first-time-ever director Cal McMau pull off maybe the definition of an impossible feat — they craft a perfect film. It’s something that doesn’t get… Read More ›
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Bobby Farrelly’s “Driver’s Ed” forgets to disengage the brakes on the comedy. [TIFF]
The Farrelly brothers should be rather synonymous with crude, hilarious, and downright ingenious comedy, but something between the late ‘80s to early ‘00s and now has changed and that brand of sexualized, crude, frankly dumb comedy no longer is what… Read More ›
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Mac Eldridge and Tom Dean’s “Charlie Harper” is a volatile romance that hits like a truck. [TIFF]
Tom Dean (writer for short Photo of the Day and Carolina Caroline, another TIFF 25 title) and Mac Eldridge co-direct their second project and first feature together, the heart-breaking, gut-punching young romance Charlie Harper. The film is a fly-on-the-wall story… Read More ›

