Author Archives
My escape has been a movie theatre for as long as I can quite frankly remember. My dad swears by the fact that I saw Aladdin in theatres (despite it being in theatres 13 months before I was born, but hey movie magic I guess?). Growing up I was incredibly fortunate to have a projector room in my childhood home with surround sound where I would spend my formative years, watching absolutely anything I could get my eyes on. There was never a movie that I didn't at least try to watch, as being young only certain things captured my attention. I would get lost in that room for hours, sometimes even days. As well I lived down the street from my local multiplex so anytime a new movie would come out whether it be the newest superhero movie, James Bond movie, Scary Movie or anything that captured my interest I was there Friday at 5pm seeing the newest thing and if it was good, most likely revisiting with friends that weekend. I grew up in front of the silver screen, graduated University from the film studies program, and have been writing for numerous publications for the past decade. I look forward to continuing to write, explore new films, and indulge in all the offerings the movies have to bring to us. As Vin Diesel said in the welcome back advertisement, "For more than a hundred years there's one place where we all came together to be entertained, to escape, to escape, to go somewhere new -- the movies"
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“Seekers of Infinite Love” provides little payoff for enduring a road trip with an estranged family of adults. [SXSW]
What were to happen if someone took the concept of losing a loved one, made it a road trip family drama comedy about deprogramming them, and applied it to a suicide cult? Well, for starters, it would be a cringe-inducing… Read More ›
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“The Birthday” is a totally unhinged celebration of occult conspiracies, now on 4K UHD via Arrow Video.
If you were to take The Shining (1980) and replace the psychosis with a completely different trip of mental anguish, then you’d get Eugeino Mira’s The Birthday (2004). It focuses on Norman (Corey Feldman) who’s hopelessly in love with his… Read More ›
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Tobe Hooper’s Stephen King adaptation “Salem’s Lot” joins Arrow Video with a brand-new 4K UHD restoration.
Having *never* seen Tobe Hooper’s adaptation of Stephen King’s Salem’s Lot (1979) prior to the Arrow 4K UHD release, I was surprised to notice that disk 1 (disk A) featured the miniseries versus the movie itself, so I changed disks… Read More ›
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“Pizza Movie” satisfies as the next generational stoner comedy. [SXSW]
Every generation needs a stoner comedy that is so outlandishly insane and dumb yet brilliant that it stands the test of time by being ridiculous and entertaining. The early 2000s had both Dude, Where’s My Car? (2000) and Harold and… Read More ›
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“Mallory’s Ghost” fails to take full form past the trope of a haunting past. [SXSW]
There’re plenty of ideas and concepts that are intriguing and thought provoking in Mallory’s Ghost, having its world premiere in the Competition section of SXSW Film & TV Festival 2026, but not all of them land. Nick Canellakis (Talent Has… Read More ›
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“Sinner Supper Club” delivers exactly what it promises. [SXSW]
The logline for Sinner Supper Club gives a rough idea for the movie. It’s “an improvised gay mumblecore ghost story shot on an iPhone in six days,” and I think that prepares audiences for exactly what they’re getting themselves into…. Read More ›
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“Forbidden Fruits” tempts and delivers on thrills, comedy, and horror.
With two Gen Z female leads, the archetypes of Mean Girls (2004), similar plot points as The Craft (1996), and is not as sexually driven as Jennifer’s Body (2009), Forbidden Fruits is a powder keg ready to explode in epic… Read More ›
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Jenna MacMillan’s feature directorial debut “The Snake” is powered by the charismatic performance of its lead. [SXSW]
Have you ever watched It’s Always Sunny in Philadelphia and wondered to yourself what would happen to the gang if they didn’t have each other? Well, if you have, and your particular interest laid with what would happen to Sweet… Read More ›
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Horror dramedy “Bagworm” takes audiences into the perceptions of the infected and addled mind of a wayward man. [SXSW]
There are movies that try to bend reality and change the way we see the world, and director Oliver Bernsen (Connective Tissue) and writer Henry Bernsen (When We Get to Heaven) certainly try to hammer down that misconception and what… Read More ›
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“Phoenix Jones: The Rise and Fall of a Real Life Superhero” is a timeline of a vigilante from concept to present day. [SXSW]
If you’ve never heard of Phoenix Jones, there’re possibly two reasons as to why: you weren’t chronically online during his rise to fame and the timeline of events that followed, and you don’t know every MMA fighter to ever compete…. Read More ›
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Horror comedy “Fifteen” proudly owns its full identity as its leads attempt to find theirs. [SXSW]
Growing up is hell. I can only fathom being a girl is that much more hellacious as that’s an entirely different game and strategy on how to fit in, be popular, and make friends. None of it is easy, all… Read More ›
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Comedic horror thriller “Ugly Cry” explores the drive to obtain the unobtainable. [SXSW]
Having 35 acting credits to her name already and having not yet turned 30, Emily Robinson (Saturday Night Live; Edge of Everything) is no stranger to the Hollywood machine. Having landed her first role when she was just nine years… Read More ›
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“Hanky Panky” delivers a decent upconvert but nothing else in this Blu-ray home release.
What do Gilda Radner (Saturday Night Live), Gene Wilder (Young Frankenstein), and Sidney Poitier (Sneakers) have in common? Well, outside of arguably being three of the best to ever do it, Poitier directed the two aforementioned comedy legends (after directing… Read More ›
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Ms. Voorhees no more, Jason strikes in “Friday the 13th Part 2” slashing its way onto 4K in a singular edition for the first time!
Back in October of 2024 (what feels like a century ago now), audiences had their first look at a 4K of Friday the 13th Part 2 in the Paramount Scares Vol. 2 box set, so we will dive deeper into… Read More ›
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“The Mortuary Assistant” undercuts its audience experience by keeping us in the observation room instead of elbows-deep at the slab.
We’re only slightly over a month into 2026 and it has already been a *rough* year for video game adaptations. First we had Return to Silent Hill, which our very own EoM Senior Critic Hunter Heilman, fan of the franchise,… Read More ›
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“Birth” is given a second life on 4K from The Criterion Collection.
If you’ve never seen a Jonathan Glazer film before, his second feature may be his most accessible in terms of content and execution. Birth (2004) is weird and unsettling, but not in the same ways as Under the Skin (2013)… Read More ›
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“Vampire Zombies… from Space!” You read that right, now grab your popcorn!
There are movies you read the title for and think it’s something from Tropic Thunder (2008) (meaning a fake movie or a movie within another movie) and not something that could possibly exist. Then there are movies like Movie 43… Read More ›
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“Snakes on a Plane” in 4K lands safely on home video with new special features via Arrow Video.
The year was 2005, the summer was sweltering with sequels (Pirates of the Caribbean 3, X-Men 3, Mission: Impossible 3, Fast and Furious: Tokyo Drift), new superhero movies (Superman Returns), family fair (Over the Hedge, The Devil Wears Prada, Monster… Read More ›

