Fabrice du Welz’s Calvaire (titled The Ordeal in some English-speaking regions, but not here), premiering at Cannes in 2004, is a strange, but valid entry into the canon of “New French Extremity” that gripped French-language horror/thrillers from the mid-‘90s to… Read More ›
Yellow Veil Pictures
With trademark winking humor amongst the terror, “Lux Æterna” is a Gaspar Noé vehicle through-and-through.
How does one describe Gaspar Noé and his films to the uninitiated? “Unconventional” barely scratches the surface of what covers the vast swath of aggressive, assaulting, psychedelic, hypersexual, ultra-violent, anxiety-ridden, nihilistic, and overwhelming trademarks that pervade Noé’s body of work…. Read More ›
Deceptively simple sci-fi dramatic thriller “Bor Mi Vanh Chark (The Long Walk)” will terrify you while drawing you in.
Since its initial release in September 2019, director Mattie Do’s (Dearest Sister) dramatic sci-fi thriller Bor Mi Vanh Chark (The Long Walk) has seen either additional festival screenings or limited releases across the globe. Now, with distribution from Yellow Veil… Read More ›
“Knocking” takes its time building suspense, but Cecilia Milocco’s steady performance will keep you hooked.
If you’ve spent any time living in an apartment building or a dorm, you’ve probably had a few run-ins with noisy neighbors. It takes guts to knock on a stranger’s door and ask them to keep it down. Depending on… Read More ›
“Hellbender” shows off one family’s filmmaking talents but falls flat under the weight of its poorly developed plot and dialogue. [Fantasia International Film Festival]
From Rosemary’s Baby to False Positive, Psycho to Mommie Dearest, motherhood and the horror genre are a match made in heaven. The labyrinth of psycho-socio-political issues surrounding motherhood, pregnancy, and the mother-child relationship has truly found its home in horror… Read More ›
Writer/director Patrick Picard’s “The Bloodhound” is the best unfaithful adaptation of Edgar Allen Poe you can experience at home.
“During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heaves, I had been passing alone, on horseback, through a singularly dreary tract of country; and… Read More ›
The unique benefits of “The Spine of Night” outweigh its sometimes impenetrable downsides. [SXSW Film Festival]
Of the nominations for Best Animated Film at this year’s Academy Awards, Onward, Over the Moon, Shaun The Sheep: Farmageddon, Soul, and Wolfwalkers, not a single one of them was made for anything but family audiences in mind. It’s a… Read More ›
“Luz” is a strong first-go for director Tilman Singer, keeping audiences anticipating every move.
When you think of horror films, what names come to mind? If you’re going old school, you’ll get John Carpenter, Wes Craven, George A. Romero, Mary Lambert, Sam Raimi, Tobe Hooper, Takashi, Miike, Lucio Fulci, Dario Argento, and David Cronenberg…. Read More ›