Having 35 acting credits to her name already and having not yet turned 30, Emily Robinson (Saturday Night Live; Edge of Everything) is no stranger to the Hollywood machine. Having landed her first role when she was just nine years… Read More ›
Yellow Veil Pictures
Realities collide in Lucile Hadžihalilović’s fantastical drama “The Ice Tower.” [Fantastic Fest]
Danish author Hans Christian Andersen is known for many a tale from The Emperor’s New Clothes, The Princess and the Pea, The Ugly Duckling, Thumbelina, and, of course, The Little Mermaid. One title that’s well-known in the U.S. is his… Read More ›
“Mother of Flies” is a poetic and unsettling horror tale from one of indie cinema’s most distinctive filmmaking families. [Fantasia]
Mother of Flies is another remarkable entry from this year’s Fantasia International Film Festival, and a testament to the uniquely haunting and heartfelt filmmaking voice of The Adams Family — the indie horror power trio made up of Zelda Adams,… Read More ›
“Buffet Infinity” is the full experience, pulling you in with curiosity and excitement and leaving you feeling over-stuffed. [Fantasia]
Trigger Warning: Viewers with audiovisual sensitivities may find elements of the film disconcerting or triggering due to various auditory elements. If you’ve seen some of the more recent V/H/S anthology movies, then you know their stories focus around a central… Read More ›
Beware the creature of the night who promises peace in “Touch Me.” [Sundance]
Trigger Warning: The narrative of Touch Me grapples with difficult topics involving sexual abuse and addiction. Additionally, there are a few brief sequences of light-strobing that might be difficult for photosensitive viewers. “And crawling on the planet’s face, some insects,… Read More ›
Claude Schmitz’s “The Other Laurens (L’autre Laurens)” offers a stunning visual genre mashup, but sacrifices plot for tone and style.
The Other Laurens is a movie that’s all dressed up with everywhere to go. But after it gets one foot out the door, it can’t seem to go any further. With a nostalgic neo-noir/grunge visual style that’s sprinkled with touches… Read More ›
“The Dead Thing” is pitch-perfect horror set in the world of online dating. [Fantasia International Film Festival]
The dating scene has always been rather bleak. This is not news. With the creation of “dating” apps, the odds of meeting someone this way and it working were always slim and bleak. I haven’t had to be out there… Read More ›
“She Loved Blossoms More” is a welcomed head trip about grief. [Tribeca Film Festival]
Yannis Veslemes’s (The Field Guide to Evil) newest film, She Loved Blossoms More, has the aesthetic of what I assume being on acid would be like, however the come down from it is devastating and beautiful, making this psychedelic journey… Read More ›
The site and sounds of horror thriller “A Desert” will chill you to your bones. [Tribeca Film Festival]
Joshua Erkman (director and co-writer) and Bossi Baker (co-writer) are certainly going to be names to look out for in the future. Both of them have teamed together to direct and co-write their first feature, A Desert, which focuses on… Read More ›
Fresh out of the oven, “Riddle of Fire” serves up a unique, grand adventure.
There is something inherently special about writing and directing your first feature film, I would have to assume. Having never crossed that bridge myself, but consuming a plethora of films throughout my life, there is always something special, at least… Read More ›
Larry Fessenden’s “Blackout” seeks to eviscerate more than tender flesh. [Fantasia International Film Festival]
Monster stories, creature features, if you will, generally are tales of outsiders. Dracula is but a lone survivor of a people trying to rekindle his species, Frankenstein’s creation is but a homemade newborn trying to find a place in a… Read More ›
For better or worse, doc “We Kill for Love” explores every nook and cranny of the erotic thriller cinematic genre. [The Overlook Film Festival]
I am all for documentaries that decide to explore every single facet of their and refuse to leave anything unturned as long as there are two caveats followed: the subject matter at hand is interesting and the way it is… Read More ›
Restoration of extreme film “Calvaire” offers little more than access to the film.
Fabrice du Welz’s Calvaire (titled The Ordeal in some English-speaking regions, but not here), premiering at Cannes in 2004, is a strange, but valid entry into the canon of “New French Extremity” that gripped French-language horror/thrillers from the mid-‘90s to… Read More ›
With trademark winking humor amongst the terror, “Lux Æterna” is a Gaspar Noé vehicle through-and-through.
How does one describe Gaspar Noé and his films to the uninitiated? “Unconventional” barely scratches the surface of what covers the vast swath of aggressive, assaulting, psychedelic, hypersexual, ultra-violent, anxiety-ridden, nihilistic, and overwhelming trademarks that pervade Noé’s body of work…. Read More ›
Deceptively simple sci-fi dramatic thriller “Bor Mi Vanh Chark (The Long Walk)” will terrify you while drawing you in.
Since its initial release in September 2019, director Mattie Do’s (Dearest Sister) dramatic sci-fi thriller Bor Mi Vanh Chark (The Long Walk) has seen either additional festival screenings or limited releases across the globe. Now, with distribution from Yellow Veil… Read More ›
“Knocking” takes its time building suspense, but Cecilia Milocco’s steady performance will keep you hooked.
If you’ve spent any time living in an apartment building or a dorm, you’ve probably had a few run-ins with noisy neighbors. It takes guts to knock on a stranger’s door and ask them to keep it down. Depending on… Read More ›
“Hellbender” shows off one family’s filmmaking talents but falls flat under the weight of its poorly developed plot and dialogue. [Fantasia International Film Festival]
From Rosemary’s Baby to False Positive, Psycho to Mommie Dearest, motherhood and the horror genre are a match made in heaven. The labyrinth of psycho-socio-political issues surrounding motherhood, pregnancy, and the mother-child relationship has truly found its home in horror… Read More ›
Writer/director Patrick Picard’s “The Bloodhound” is the best unfaithful adaptation of Edgar Allen Poe you can experience at home.
“During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heaves, I had been passing alone, on horseback, through a singularly dreary tract of country; and… Read More ›
The unique benefits of “The Spine of Night” outweigh its sometimes impenetrable downsides. [SXSW Film Festival]
Of the nominations for Best Animated Film at this year’s Academy Awards, Onward, Over the Moon, Shaun The Sheep: Farmageddon, Soul, and Wolfwalkers, not a single one of them was made for anything but family audiences in mind. It’s a… Read More ›
“Luz” is a strong first-go for director Tilman Singer, keeping audiences anticipating every move.
When you think of horror films, what names come to mind? If you’re going old school, you’ll get John Carpenter, Wes Craven, George A. Romero, Mary Lambert, Sam Raimi, Tobe Hooper, Takashi, Miike, Lucio Fulci, Dario Argento, and David Cronenberg…. Read More ›