Led by Johnny Pemberton and featuring Robert Patrick, Kevin Nealon, and Avery Potemri, writer/director Tyler Cornack’s horror comedy Mermaid is an ode to Florida Man. In a brief five-minute conversation for EoM Presents, EoM Contributor AJ Friar chats with Cornack… Read More ›
Utopia
“Megadoc” brings the long messy tale of the making of “Megalopolis” to the big screen.
Megalopolis is a film about Great Debates by Great Men. It has inescapable original sins for which the public will not even grant it the graceful reputation of “fine.” It debuted in a time when the efficacy of debates is… Read More ›
Julie Pacino’s psychological thriller “I Live Here Now” draws you in and never lets you escape. [Fantasia]
Thinking you cannot get have a child conventionally due to something out of your control leads to making different choices, but when you’re proven wrong, everything turns your world upside down. However, in Julie Pacino’s feature debut, I Live Here… Read More ›
Dark comedy creature feature “Mermaid” is an ode to Florida Man. [SXSW]
Perfect people make for boring stories. The outcomes are expected because there’s no drama, no challenge, no antagonist. Imperfect people, however, are not only more interesting, they’re more accessible. So much so that it doesn’t matter how shitty their behavior,… Read More ›
A strong cast cannot lift “The Last Showgirl” above its mundane tropes. [TIFF]
Movies are like baseball, three strikes and you’re out. Every artist has a bad outing or something that gets lost along the way, not communicated as intended to their audience, so benefit of the doubt has to be instilled. However,… Read More ›
A Conversation with “The Good Half” director Robert Schwartzman.
On this latest episode of EoM Presents, EoM Contributor Joel Winstead sits down with director Robert Schwartzman to discuss his latest project, The Good Half. They talked about finding a tonal balance in a film about grief with many comedic… Read More ›
The home release of “Holy Spider” ensnares with rich bonus features.
If, in the year 2022, you didn’t see Ali Abbasi’s Holy Spider, then you simply missed one of the best movies to come out of that year. However, it is with fair warning that this movie is an incredibly tough… Read More ›
Remarkable performances and unique direction will wrap you up in Gaspar Noé’s “Vortex.”
Gaspar Noé is known for making films that sit with audiences for a very long time, and not in the conventional way one would think. His films are downright gruesome, disturbing, and, more often than not, hard to watch, almost… Read More ›
“We’re All Going to the World’s Fair” but should we?
Before anyone asks: no, this is not a spiritual musical successor to Rodgers and Hammerstein’s 1945 musical State Fair, so don’t get your hopes up like I did. The internet — a beacon of hope and knowledge in modern human… Read More ›
After several festival premieres, Emma Seligman’s “Shiva Baby” gets the wide release it deserves.
There are a few moments in life where the dichotomy of promise and pressure collide as they do with family. Ideally, family are the folks who love and support you “no matter what,” yet, along with that, they also are… Read More ›