Angela Dodson: Well, this has been real educational, but … I don’t believe in the devil. John Constantine: You should. He believes in you. – Constantine (2005) Unlike now, comic book adaptations used to be far less prevalent and didn’t… Read More ›
Tilda Swinton
Pedro Almodóvar’s first English language film, “The Room Next Door,” is an ode to a life lived and what comes next.
As painful as it can be for everyone involved, death is inevitable. You might be able to delay its arrival, but ultimately, death comes for all of us, and we will all leave someone behind to grieve our passing. Grieving… Read More ›
Apocalyptic musical “The End” is both chaotic and balanced to mixed results. [TIFF]
Musicals about the apocalypse or the end of the world are certainly not new territory, but they all succeed to various mileage. While there is no world where a Mad Max-type movie is going to put to song, Joshua Oppenheimer’s… Read More ›
The Criterion Collection releases a fifth Guillermo del Toro edition with his co-directed adaptation of “Pinocchio.”
In a world in which streamers rarely release their films on physical formats and legacy studios are beginning to delete finished films (either for tax purposes or to just remove from servers), there’s something truly wonderful about the relationship developed… Read More ›
David Fincher’s comic adaptation, “The Killer,” struggles to balance psychological discord with physical action to deliver on expectations.
Director David Fincher isn’t afraid to take on adapting other people’s worlds to create his own. He got his start directing music videos for the likes of Paula Abdul, Rick Springfield, Aerosmith, and A Perfect Circle, before tackling films like… Read More ›
Explore Wes Anderson’s “Asteroid City,” a film that is more than meets the eye, on home video now.
The stories of Wes Anderson’s films can be best compared to Russian nesting dolls. Throughout their running time, the layers and deeper meanings begin to present themselves. Films like Fantastic Mr. Fox (2009), Moonrise Kingdom (2012), The Grand Budapest Hotel… Read More ›
“Guillermo del Toro’s Pinocchio” may not have you wishing upon a star, but it’s exploration of identity and love will resonate nonetheless.
Since its publication in 1883, Italian author Carlo Collodi’s The Adventures of Pinocchio has been adapted on paper and for stage and screen many times. The most well-known, of course, being the 1940 Walt Disney animated adaptation. It’s a story… Read More ›
The third installment of “The Souvenir” trilogy lacks depth as a standalone.
I am a sucker when it comes to some people’s bodies of work and usually, when I’m made aware they’re in something that even vaguely catches my eye, I will watch it without any further knowledge as to what the… Read More ›
George Miller’s “Three Thousand Years of Longing” may find the audience it deserves on home video.
If the story of your life was told by another, would it be a great tale involving the taming of wild beasts and passionate love affairs, would it rattle off the far-flung places you’ve explored, or would it be a… Read More ›
Depending on your expectations, “Three Thousand Years of Longing” will either leave you satisfied or pining.
No matter what, all things end. What remains in their wake are the stories of their existence. With those tales, anything can live forever. Before the written word, the oral tradition kept histories alive and, now, with media channels that… Read More ›
Writer/director Bong Joon Ho’s Netflix Original “Okja” receives a Criterion home release worthy of the Best Superpig.
Before writer/director Bong Joon Ho would go on to win Best International Feature, Best Director, and Best Picture for his film Parasite (2019) at the 92nd Academy Awards, Bong Joon Ho was awarded Best Motion Picture in the Foreign Language… Read More ›
Own the final issue of “The French Dispatch” on home video.
Wes Anderson’s 10th film is about as Wes Andersony as it gets. To this point in his career, I’d argue that it’s also the *most* Wes Andersony, for good or for bad. This has delighted his fans (many of whom… Read More ›
“The French Dispatch” is Wes Anderson undiluted and bound to delight fans of the acclaimed creative. [Film Fest 919]
There’s been a whole hullabaloo on social media regarding The French Dispatch, with disgruntled Twitter account owners accusing Wes Anderson of relying on the laurels of being Wes Anderson, and like…yeah dude…what do you expect? There’s this expectation in the… Read More ›
Relive the emotional conclusion to the MCU’s Infinity Saga – “Avengers: Endgame” – on home video now.
Quantifying the significance of Avengers: Endgame is a lofty task. For some, the 22-film collection Marvel Studios crafted is an exercise in inconsequential extravagance which has shifted how studios make movies for the worse. These films have even been described… Read More ›
“Avengers: Endgame” is here and it’s the perfect end to the MCU’s Infinity Saga.
After an unprecedented 21-film lead-up, Avengers: Endgame, the culminating moment in what’s now been dubbed “The Infinity Saga,” is finally here. Audiences are coming to this film with a hope of closure after an emotionally devastating end to 2018’s Anthony… Read More ›
“Suspiria” utilizes dance as a conduit for horror in ways not yet seen on screen before.
Let’s talk about the 1977 Suspiria, shall we? In the grand scheme of 20th-century horror, it doesn’t really get much finer than Suspiria. Sure, it’s pretty light on substance and heavy on style, much in the vein of other horror… Read More ›
“Okja” explores the best and worst of humanity in Bong Joon Ho’s Netflix Original feature.
Don’t let its fairytale premise of a girl and her mythical companion confuse you into thinking this is some carefree adventure. Channeling more Grimm than Disney, “Okja” explores the morals of man in a deeply compelling, utterly heart-wrenching way, all while managing to still uplift.
Truly a remarkable experience.