In this edition of EoM Presents, Senior Interviewer Thomas Manning sits down with Hayley Erin and Sonya Walger, the stars of the thriller film New Life, directed by John Rosman. Erin and Walger speak about the directorial vision of Rosman,… Read More ›
Since 2017’s The Outlaws, actor Ma Dong-seok (a.k.a. and credited here as Don Lee) has led what would become the Crime City series, an action crime series that borrows from Korean headlines for the foundation of each film. Each film… Read More ›
Remakes are almost always met with the same reaction upon announcement: “why?”. To many, remakes are a sign of laziness on the part of studios, opting to lean-in on what audiences know or have a relationship with rather than taking… Read More ›
The word on everyone’s lips in the entertainment industry these days is “nepotism,” and in turn, the term “nepo baby,” used to describe those with immense parental connections within the industry which give them a springboard into their own careers,… Read More ›
When one thinks of the filmography of actor Jason Statham, films typically feature him in one of two roles: quiet badass or loudmouth badass. He’s certainly done more with turns in Snatch (2000) and London (2005) demonstrating his versatility, but… Read More ›
Caitlin Cronenberg is set to make her feature-length directorial debut with Humane, a horror thriller releasing in theaters April 26th via IFC Films and Shudder. Ahead of its public debut, Cronenberg and two of the film’s actors, Jay Baruchel and… Read More ›
Guy Ritchie has become something of a young Ridley Scott lately, not in any stylistic choices he’s making as a filmmaker, not at all, but merely in the sheer quantity of his output. In the past five years alone, Ritchie… Read More ›
After spending time on the festival circuit, Matt Vesely’s feature-length directorial debut, Monolith, starring Evil Dead Rise‘s Lily Sullivan, released into U.S. theaters February 2024. Now the science fiction thriller is set to come home on physical formats via Well Go… Read More ›
In the most Abed Nadir voice possible — “Nicolas Cage maaaaaaaaan” — and that alone should either have an audience immediately ready to dive into what absolute madness whether good, bad, or Cage, they’re about to get into. While the… Read More ›
When movies come out in January, there is an inherent idea about the quality of the movie, unless it’s a late release of an Oscar title. These are sometimes unfair assumptions, especially when it comes to horror movies — horror… Read More ›
Noel and Thomas Manning travel back in time and explore what may have happened to the lost 18 1/2 minutes of Richard Nixon tapes with director Dan Mirvish. Mirvish brings a “what-if story” to life, and on Meet me at… Read More ›
2023 provided a proper glut of delicious action flicks. In addition to the obvious theatrical blockbusters like John Wick: Chapter 4, Mission: Impossible – Dead Reckoning, Spider-Man: Across the Spider-Verse, and Teenage Mutant Turtles: Mutant Mayhem, we also got Sisu,… Read More ›
There are movies that focus on courtroom procedurals and the drama that comes from the hearing itself that either are so effective they’re traumatizing or so dull they entirely lose the audience. Pascal Plante’s Red Rooms (Les chambres rouges) thankfully… Read More ›
There are so many ways that a film can get under an audience’s skin, whether that be intentional or not, but beating the proverbial dead horse with a children’s bat is certainly not the way to get things going in… Read More ›
Real life is often fodder for storytelling. Typically, one will take an experience or emotion and transcribe that into something unique. However, fiction isn’t always as compelling as reality, which is why we get stories like Dumb Money (2023) detailing… Read More ›
“For want of a nail …” Choices upon choices upon choices are what bring you to this review at this moment in your life. Maybe you signed up for notices when a new one publishes from EoM, maybe you follow… Read More ›
Capitalism is great when you’re rich and the worst when you’re poor. Or, in the case of current economic insecurities in the U.S., middle class. Capitalism functions off the premise that trade and industry are better off when private owners… Read More ›
Episode 51 of EoM Presents features EoM Contributor Joel Winstead sitting down with the directing duo brothers Colin and Cameron Cairnes about their new film Late Night with the Devil. They discuss creating characters in horror films that are more… Read More ›
If there’s one thing I’ve learned from horror films over the years, it’s to be cremated. I’m simply too tired and lazy to be an effective zombie, and I’m simply too apathetic to want to haunt anyone after my death…. Read More ›
Donnie Yen is a man of many genres – never settling to just work in action, drama, thrillers, or any of the sub-genres within. His latest project, Polar Rescue, is a dramatic adventure thriller as he takes on the role of… Read More ›