Last Stop Larrimah grabbed my attention right away from the description. It’s a stranger-than-fiction true crime documentary about the goings-on in Larrimah, a remote Australian town with only 10 residents. There were 11 until Paddy Moriarty went missing on December… Read More ›
SXSW
“Citizen Sleuth” is an interesting exploration of the lines between true crime investigation and exploitation. [SXSW]
True Crime podcasts are a dicey guilty pleasure: on one hand, the reinterpretation/summary of gruesome and/or strange murders can be enticing to delve into; on the other hand, you risk crashing into the space of exploiting the tragic lives in… Read More ›
“With Love and a Major Organ”: A Rare Science Fiction Gem. [SXSW]
In the surreal and quirky With Love and a Major Organ, director Kim Albright deftly examines the difficulty of finding love and connection inside a world ruled by the algorithm. Based on a play by Julia Lederer, who also wrote… Read More ›
Shake hands with Anna Zlokovic’s feature debut “Appendage.” [SXSW]
As I get older, I am finding more things about my body that make me feel genuinely decrepit and gross. Whether it’s my newfound back pain, a new mole somewhere unexpected, or simply coming to the conclusion that my acne… Read More ›
Explore every nook of “299 Queen Street West” with Sean Menard’s new documentary. [SXSW]
If you grew up in Canada, specifically Toronto, the address 299 Queen Street West most likely held a special place in your heart as more likely than not you either fought your way through the pandemonium of crowds OR you… Read More ›
EoM Presents: A Conversation with “Citizen Sleuth” director Chris Kasick. [SXSW]
In this conversation, EoM senior interviewer Thomas Manning speaks with filmmaker Chris Kasick about his feature documentary directorial debut Citizen Sleuth, an official selection at SXSW 2023. Kasick discusses the vast evolution of the project over a five year period… Read More ›
With a giggle and a wink, Tomas Gomez Bustillo’s “Chronicles of a Wandering Saint” asks audiences whether we notice that heaven is a place on earth. [SXSW]
How do you know if you’ve lived a good life? That’s a hard question to answer objectively because of the various cultural and social rules that come to define what “good” is. Do intentions really matter if someone gets hurt… Read More ›
Ally Pankiw’s “I Used to Be Funny” first feature is a provocative, intense, and deeply unsettling gut-punch. [SXSW]
In 2020, during the height of this pandemic were still finding ourselves in, I was sitting on my couch with my partner wondering what to do on the first night of TIFF (Toronto International Film Festival) and Twitter was recommending… Read More ›
The waiting room from immigration hell awaits “Upon Entry.” [SXSW]
Nobody enjoys a waiting room. In a world accustomed to instant gratification, the experience feels intolerable, even if you have an appointment or assurances that your stay in that space is only temporary. Co-directors Alejandro Rojas and Juan Sebastián Vásquez… Read More ›
“Black Barbie: A Documentary” is a frustrating, fascinating documentary centered around the marginalized, underrepresented toy product. [SXSW]
Representation is a big pain point with many products in today’s consumer market, specifically those aimed towards kids. In walks Barbie, the iconic, independent, tall white girl with blonde hair and blue eyes. The problem however lies with the young… Read More ›
“Pure O” stays raw in its showcasing of real-world impacts of mental health diagnoses. [SXSW]
Writing a screenplay is daunting in of itself; making it be semi-autobiographical is a whole other beast in of itself. Why make life easy though when you’ve decided to also direct your first feature while you’re the limelight of the… Read More ›
“Brooklyn 45” is a wonderful hybrid-genre film that brings war and trauma full circle. [SXSW]
The shadow of war, from the prehistoric days to the ultra-modern, technologically-advanced warfare of the present, has loomed large over the entirety of humanity. One could argue that war is the one thing seen consistently throughout history, seemingly touching every… Read More ›
Loevner and Kanter’s new romantic dramedy asks audiences if they plateau or keep rising when they hit “Peak Season.” [SXSW]
What is best in life? For some, it’s the ability to travel, to wear fine clothes, and eat exotic dishes. For others, to achieve greatness either professionally or personally. If one considers the ideas within filmmaking team Henry Loevner and… Read More ›
“The Long Game” falls short in its telling of an inspired by real life story. [SXSW]
To make a successful sports film, sometimes it’s better to have an exciting game in this film’s foreground. Of all the sports, golf is not the most exciting springboard to tell a story. However there have been good golf films… Read More ›
Documentarian Tracy Droz Tragos’s “Plan C” declares that there is no freedom when healthcare is criminalized. [SXSW]
One of the founding principles in the United States is the separation of Church and State. This concept is intended to ensure that the laws of the land are written without any one specific faith guiding how the country functions…. Read More ›
Tünde Skovrán’s pseudo-narrative documentary may not inform who you are, but it will strongly convey “Who I Am Not.” [SXSW]
So God created mankind in his own image, in the image of God He created them; male and female He created them. – Genesis 1:27 – New International Version There are many versions of Genesis 1:27. They each carry the… Read More ›
To destroy the systems that keep us in place, we may need “The Angry Black Girl and Her Monster.” [SXSW]
Content Warning: The Angry Black Girl and Her Monster feature several scenes involving flashing lights. Photosensitive audiences should take precautions before viewing. Those who proclaim that America isn’t racist or isn’t built upon racist structures is either profiting from it… Read More ›
Documentary “Pay or Die” ignites the passion to fight back against medical greed. [SXSW]
I always find it a little weird when I start off anything I write with a personal note, but there was something about this documentary that hit me hard. It might have something to do with the fact that I… Read More ›
Documentary “Another Body” explores the impacts of deepfake revenge porn. [SXSW]
There are a lot of things on the internet that are gross, and I don’t mean those weird videos of people popping pimples or anything like that. In the last 10 years or so, “revenge porn” became a thing, and… Read More ›
Michael Lukk Litwak’s “Molli and Max in the Future” is a hilarious satirical rom-com of the present. [SXSW]
Content Warning: Photosensitive viewers should be aware that Molli and Max in the Future contains a great deal of flashing lights and bright neon colors that may trigger issues. Though no migraine was caused by the end of the viewing… Read More ›