At a point in the director interview for their film, Little Amélie or the Character of Rain (Amélie et la métaphysique des tubes), co-directors Maïlys Vallade (The Lighthouse Keeper) and Liane-Cho Han (Voodoo) discuss the Japanese belief that children under… Read More ›
Photosensitivity Warning: The scenes involving Angels and/or Angels battling EVA Units, which make up a significant portion of the films, almost always involve flashing lights. Be prepared before watching. GKIDS Films gained home release control of Hideaki Anno’s polarizing and… Read More ›
Photosensitivity Warning: There is a brief flashback sequence near the start of the film and a longer sequence during the climax wherein lights flash quite frequently. There’s no strobing and it’s somewhat predictable, but may still be triggering for photosensitive… Read More ›
Warning: The following review will include discussion of violent imagery, infanticide, and genocide. If you read my piece last year on Hayao Miyazaki’s modern masterpiece The Boy and the Heron (君たちはどう生きるか) (2023), then you know that the Ghibli studio head… Read More ›
In honor of actor Liam Neeson’s birthday on June 7th, Shout! TV is planning a celebratory stream of films on the channel including: K-19: The Widowmaker, Honest Thief, The Grey, and The Marksman. But should only the birthday boy get… Read More ›
Before writer/director Naoko Yamada created The Colors Within (2024), she released Garden of Remembrance, a 2022 short film in which remembrance gives way to healing from grief, the presentation of which involved toying with colors, specifically the way in which… Read More ›
“This is the nature of war: By protecting others, you save yourselves. If you only think of yourself, you’ll only destroy yourself.” – Seven Samurai (1954) One never knows what their introduction to a filmmaker’s filmography will be. Someone could… Read More ›
Published from 2006 – 2007, manga creator Imashiro Takashi’s series Bakeneko Anzu-chan followed a ghost cat, a bakeneko type of kaibyō (a cat with supernatural properties), and its relationship with the people who lived in the town surrounding the temple… Read More ›
In this conversation, EoM Senior Interviewer Thomas Manning chats with writer Chuck Hayward about the remake of Don’t Tell Mom the Babysitter’s Dead. Hayward discusses director Wade Allain-Marcus’ reimagining of Stephen Herek’s 1991 film (written by Neil Landau and Tara… Read More ›
There are fables that challenge children (The NeverEnding Story), that push children (Labyrinth), and that are not safe for children (Pan’s Labyrinth). In each instance, no matter their differences, the perspective of the child is the focal point through their… Read More ›
Frankie Freako and his freaks are ready to dominate your television sets, so don’t adjust the motion smoothing (actually turn it right off), kick your feet up and get ready to get lost in this absolute maddening blast-from-the-past nostalgia kick… Read More ›
On this new episode of EoM Presents, EoM Contributor Joel Winstead sits down with Magpie actor Shazad Latif. Among the many things they discuss in this brief conversation, they chat about how Shazad became attached to Magpie, how he approached the… Read More ›
On this new episode of EoM Presents, EoM Contributor Joel Winstead sits down with Magpie director Sam Yates. In discussing the film, they cover elements such as the process for Yates joining the production, his directorial inspiration, Laura Bellingham’s cinematography, and… Read More ›
From the director of “The Veggie Masher” from V/H/S/94 (2021), Canadian sci-fi horror The Void (2016), and one of the best campy monster movies, PG: Psycho Goreman (2020), comes a movie that feels directly ripped out of the 1980s in… Read More ›
It’s been quite a year for the franchise of horror films known as The Strangers as not only do we get this new home media release, we are also being treated to three new films in the franchise courtesy of… Read More ›
Originally published in 1968, author Peter S. Beagle’s adventure fantasy The Last Unicorn would be tapped by The Hobbit (1977) co-directors Jules Bass and Arthur Rankin, Jr. for adaptation. Their theatrical release of the same name, The Last Unicorn (1982),… Read More ›
In the months since the winter release of The Boy and the Heron (2023), the following events have clarified the meaning and depth of this inscrutable film in my mind: The Megalopolis (2024) trailer, the Supreme Court’s sweeping theft of… Read More ›
Sometimes there are movies that are so niche you wonder how and why they ever got made. Not to say that there isn’t merit, but most of the time people don’t go out of their way to make a cult… Read More ›
There’s not enough whimsy in the world. Instead, we’ve got extremes. Something is either “the greatest,” “a masterpiece,” “the best it’s ever been,” or “it’s the worst,” “mediocre,” “a blight upon our collective existence.” There’s no space, it seems, for… Read More ›
Sports films are often used as a metaphor for something else. The grit, the determination required to succeed either as a team or an individual being a symbol for some other kind of battle. In the feature film directorial debut… Read More ›