When we think of Bob Dylan, we often reflect on his profound impact on music, culture, and politics. Over the decades, he’s transcended the role of a mere musician, becoming a cultural icon whose voice and influence have defined multiple… Read More ›
Scoot McNairy
“A Complete Unknown” fails to define the undefinable.
Director James Mangold does not make bad movies. He makes good movies (The Wolverine; Indiana Jones and the Dial of Destiny) and great movies (Ford V. Ferrari; Copland; Logan). He’s a class-act craftsman but he’s no revolutionary, and neither is… Read More ›
“Speak No Evil” and the curse of the spineless American yuppies.
“It’s hard to say no, isn’t it?” – Paddy, played by James McAvoy in Speak No Evil (2024) Back in the early days of 2022, I sat down for my first (and only to-date) viewing of some Sundance Film Festival… Read More ›
The house on East 88th Street comes to you as “Lyle, Lyle, Crocodile” is now available at home.
In 1962, children’s book author Bernard Waber published The House on East 88th Street, a story in which the Primm family moved into a brownstone in New York City is surprised to discover a crocodile already living there. As if… Read More ›
Faux documentary “Taurus” lacks that “Behind the Music” magic.
Movies have been around since the late 1800s and music has been around even longer, so to have someone want to create something to be classified in either medium that is original or even inspired is a difficult task. I… Read More ›
Mike Mills’s “C’mon C’mon” meticulously delves into the subtleties and complications of human life. [Film Fest 919]
I’m not really sure at what point Joaquin Phoenix became a “weird” actor. My best guess lies in his strange publicity stunt of retiring from acting and becoming a rapper for the Casey Affleck “documentary” I’m Still Here, or maybe… Read More ›
Shssssh! “A Quiet Place Part II” continues the Abbott family story on home video.
2018’s horror thriller A Quiet Place is one of the bigger surprises of 2018 not because it was actor John Krasinski’s second time in the director’s chair, but because it used the conventions of horror to tell a compelling and… Read More ›
Nicole Kidman is the best part of director Karyn Kusama’s “Destroyer”. [Film Fest 919 Review]
Representing EoM as press, contributor Hunter Heilman attended the first annual Film Fest 919 in Raleigh, NC, to review several films that are either in limited release now or are yet to be released. Every actor has that one role… Read More ›