At Fantastic Fest 2023, writer/director Francis Galluppi made his feature-length directorial debut with The Last Stop in Yuma County, a tense thriller involving bad timing, worse luck, and oh so much greed. By May of 2024, it was released in… Read More ›
Santa Barbara International Film Festival
Generational trauma, cultural horror, and the persistence of healing converge within James Takata’s “California Scenario.” [SBIFF]
Trigger Warning: California Scenario includes depictions of self-harm and sexual material that may be difficult for sensitive viewers. “Art is our weapon. Culture is a form of resistance” – Shirin Neshat, Iranian photographer and visual artist Regardless of the generation… Read More ›
“All of the Above” demonstrates the significance of embracing curiosity while creating space for multiple answers. [SBIFF]
“When the student is ready, the teacher appears.” – Tao Te Ching The concept of religion never quite seemed like a casual topic of conversation, but it has grown to be quite the sticky wicket. It often seems that around… Read More ›
Documentarian Rustin Thompson’s “The Last Picture Shows” explores what’s lost when local picturehouses disappear from communities. [SBIFF]
Photosensitivity Warning: In one of the later segments of archival photos, they are stylized like old film footage with light blips and visible scratches which may prove triggering for photosensitive individuals. The evolution of the movie-watching experience is fairly straight-forward…. Read More ›
Documentary “Mockbuster” or how the process of making a low-budget feature made me enjoy what I love without guilt. [SBIFF]
Of all the terms to be used to describe media consumption, “guilty pleasure” should be stricken from the record. The phrase implies that, regardless of perceived quality, the thing itself is not good in some way and that the enjoyment… Read More ›
13 Santa Barbara International Film Festival 2026 films I’d like to cover.
After taking a year off, EoM returns to cover Santa Barbara International Film Festival 2026 edition! This festival features a number of world and U.S. premieres, several of whom have ended up on my year-end favorites list. Time will tell… Read More ›
Sci-fi dramedy “O Horizon” seeks to examine what analog grief looks like in a digital space. [SBIFF]
There is no one way to grieve. There are certainly customs and traditions within communities and cultures, but there’s no single way in which each person is meant to process loss. With the digital age, though, the manner in which… Read More ›
How can you plan “To Kill a Wolf” when foe and friend share the same traits? [SBIFF]
Trigger Warning: The narrative of To Kill a Wolf grapples with difficult topics involving sexual abuse. The two earliest written versions of the Little Red Riding Hood story come from author Charles Perrault (1697) and from The Brothers Grimm (1800s), each providing… Read More ›
Family documentary “Lili” explores parental separation from the perspective of a child in the fallout. [SBIFF]
Divorces are hard. Rarely is there an instance where both parties walk away satisfied, happy, or otherwise ok. Divorce is the resolution of a relationship ending and there’s often regret at what could have been or sadness over what is… Read More ›
Kate Cobb’s feature directorial debut “Okie” asks audiences what they owe to their homes. Its answer may unnerve you. [SBIFF]
My therapist introduced the idea of “the story we tell ourselves.” What they mean by this is that individuals have a tendency to create a version of the truth that fits within the framework of information that they have. Someone… Read More ›
“Lucha: A Wrestling Tale” captures the ways lessons work on and off the mat. [SBIFF]
In American high school sports, for most schools, it’s football, basketball, and maybe soccer as the big three. Sure, you can run cross country, maybe play tennis, but down on the lower rungs of high school competition (in terms of… Read More ›
Grief-based horror short “Above & Within” captivates with its storytelling, performances, and cinematography. [SBIFF]
Death, grief, isolation, and the horrors within them all are universal. The question of what gives life meaning when it all comes crashing to a halt, sometimes, unexpectedly, tends to send a chill running down our spines at the mere… Read More ›
Documentarian Dan Partland’s “God & Country” deftly lays out the historical evidence that explains the current rise of Christian Nationalism. [SBIFF]
E Pluribus Unum. This brief Latin phrase meaning “one from many” was first added to United States coins in 1795. It’s a motto that speaks to all citizens of the United States of America, even in an era when those… Read More ›
Documentary “The Movie Man” deftly reminds that filmgoing is a social experience that requires social responsibility to maintain. [SBIFF]
Though the first moving pictures were shown in the 1800s and began as a sideshow, they transformed into a main event with the advent of the movie theater. No longer having to go into a tent or side space, people… Read More ›
New Disney+ documentary “Madu” breaks tradition as it follows a gifted dancer from Nigeria to England. [SBIFF]
Photosensitivity Warning: There are a few scenes of refracted light that may be triggering for sensitive viewers. In August 2020, a video of 11-year-old Anthony Mmesoma Madu dancing outside of his ballet school went viral, garnering attention not just from… Read More ›
Documentarian Christine Yoo’s “26.2 to Life” has you running a marathon in a few inmates’ shoes. [Santa Barbara International Film Festival]
“Running is good punishment.” – 1000 Mile Club volunteer Well into writer/director Christine Yoo’s documentary 26.2 to Life, one of the interviewees comments that running is the thing that all other sports use as punishment. Miss a basket? Screw up… Read More ›
“Everybody Wants to be Loved (Alle wollen geliebt warden)” explores different types of love, the good and the bad/toxic. [Santa Barbara International Film Festival]
“Love is a many splendid thing. Love lifts us up where we belong. All you need is love.” – Christian, Moulin Rouge! Generally speaking, there are four types of love: Eros (erotic), Philia (friends/family), Storge (parents for children), and Agape… Read More ›
Sinéad O’Loughlin’s short film “Lamb” is a calling card of homegrown terror in a single chamber. [Santa Barbara International Film Festival]
The only right length to tell a story is the length required to tell it completely. This is why a story can be constructed with as few as three words or as much as a 90-minute or more screenplay. It… Read More ›
If you vibe with drama “The Young Arsonists,” you’re in for a powerful exploration of feminine adolescent independence. [Santa Barbara International Film Festival]
Memories are a strange thing. They are flickers of the past, like embers of a long burnt out flame riding the strands of neuropathways until they can be inflamed once more, waiting to come billowing into the present. The problem… Read More ›
Director Kei Ishikawa’s dramatic thriller “A Man (ある男)” explores the value of self and identity. [Santa Barbara International Film Festival]
Who are you? Stop for a moment. Read not a line further, and think on that. Are you one thing or are you many? Are you your thoughts and fears? Your anxieties or successes? Your actions? Are you your present… Read More ›