In 2021, the world got to see Guillermo del Toro’s (Frankenstein) newest feature, Nightmare Alley, which he co-wrote with Kim Morgan (Seances) and adapted from William Lindsay Gresham’s novel of the same name. While there was some divide on this… Read More ›
A little word of advice, my friend. Sometimes you gotta let those hard-to-reach chips go. – Dante Hicks (Brian O’Halloran) in Clerks. One night, while attending a youth group function, someone decided, for reasons lost to the annals of time,… Read More ›
If anyone knows me, then you know I champion Criterion and their releases. They’re usually some of the best of the best, bar none to any other release in terms of quality of release (and quality control) and features. While… Read More ›
In a world in which streamers rarely release their films on physical formats and legacy studios are beginning to delete finished films (either for tax purposes or to just remove from servers), there’s something truly wonderful about the relationship developed… Read More ›
I was almost 11 years old when Michael Bay’s first Transformers film came out in the summer of 2007, and while I was never a fan of the toys (I was severely gay, and therefore loved my sister’s Barbies), I… Read More ›
Since its publication in 1883, Italian author Carlo Collodi’s The Adventures of Pinocchio has been adapted on paper and for stage and screen many times. The most well-known, of course, being the 1940 Walt Disney animated adaptation. It’s a story… Read More ›
Few directors can have a small body of work and yet feel so pervasive, so integral, so inspiring as writer/director Guillermo del Toro. When he’s not writing or directing one of his own projects, he’s producing or raving about someone… Read More ›
“Is he man or beast?” barks Willem Dafoe’s Clem, the man who runs the oddities exhibit at a carnival, enticing people to look down upon an enclosure where a figure is hidden. These people have come to see something horrendous… Read More ›
Don’t Look Up is, by far, the strongest, most searing piece of cinema writer/director Adam McKay (The Big Short; Vice) has put before us. Unlike his last two films which presented real-world events through a comedic lens, Don’t Look Up… Read More ›
I’m a recent convert, but I love me some Monster Hunter videogames. They’re simple on the surface, but nearly impossible to truly master without pouring countless hours grinding and studying the habits and weaknesses of each bit of prey assigned… Read More ›
There’s something intriguing about good assassin films. These stories have been used as fodder for buddy comedies (The Hitman’s Bodyguard), romantic comedies (Grosse Pointe Blank), coming of age stories (Leon: The Professional), revenge thrillers (John Wick), or just straight up… Read More ›