It would be silly to think that in the year 2022 life wouldn’t somehow become an imitation of that childhood trauma (or, for the very few, memory) of playing Monopoly and realizing you never were the one with the gazillion… Read More ›
Richard Brake
Sci-fi drama “Vesper” is a richly constructed dystopian fairy tale with a prescient resonance. [Fantastic Fest]
Not all fairy tales begin with “Once upon a time.” Sometimes it’s a date/location with a brief setup and a rewinding of time (Pan’s Labyrinth). Sometimes it’s a voiceover that establishes a premise of wonder and awe (Stardust). In the… Read More ›
Failing to live up to its promise, “Offseason” feels more like a pale imitation to other works. [SXSW Film Festival]
If you ever even mutter the words “silent” and “hill” within seven words of each other in a sentence within a 10-meter radius of me, buckle in because I’m going to tell you everything I know about the Silent Hill… Read More ›
Ready for home viewing, “The Rhythm Section” is an interesting twist on the spy thriller whose sum is rarely as strong as its parts.
Sometimes, no matter how many strong pieces a story has or how fantastic of a cast and crew, it doesn’t gel as expected. This is the case with The Rhythm Section, a film starring Blake Lively (All I See Is… Read More ›
Claustrophobic thriller “Feedback” skips the airwaves and heads home.
Eddie Marsan is an actor whose face you might recognize, but he’s not at the level of someone like a Russell Crowe or Gary Oldman. Over the history of his career, Marsan has popped up in smaller roles in some… Read More ›
Director Panos Cosmatos’s second feature “Mandy” is an epic tale of heavy metal, demons, and blood.
Some films need to be seen and experienced to be believed; where rumor becomes hype and gives way to the possibility of a false god or a new revelation. As with all things, where you fall depends on how well… Read More ›