Ready for a trauma dump? Because unfortunately, it’s necessary for me to properly explain why I did not like Parker Finn’s Smile very much. One week before Smile dropped into theaters in September of 2022, my best friend killed themself… Read More ›
Raúl Castillo
“Cold Wallet” is a home invasion thriller that lacks any strength in the teeth it tries to bare. [SXSW]
Capitalism is great when you’re rich and the worst when you’re poor. Or, in the case of current economic insecurities in the U.S., middle class. Capitalism functions off the premise that trade and industry are better off when private owners… Read More ›
Writer/director Elegance Bratton’s “The Inspection” signals a talent to keep an eye on. [Film Fest 919]
A lot of (not all, don’t swarm me) these new kids like to think everything is peachy keen and hunky dory in the world of queerness in the modern world. Unlike so many generations before them, there are actual chances… Read More ›
Cooper Raiff continues to deliver strong crowd-pleasing stories in his second feature, “Cha Cha Real Smooth.” [SXSW Film Festival]
There’s always *that* Sundance film each year that comes out the festival the most triumphant one way or another, whether it be from the awards it won or the stars it has within it or the amount of money a… Read More ›
Absent special features to enhance it, Guy Ritchie’s “Wrath of Man” remains a solid experience on a rewatch.
May 2021 saw the release of a new Guy Ritchie-directed thriller, Wrath of Man, with actor Jason Statham in the lead role. It’s the first time this duo had worked together since 2005’s Revolver and both offer some of their… Read More ›
Bodies will hit the floor and rise again when the “Army of the Dead” mobilizes.
Zack Snyder’s latest film, zombie/heist flick Army of the Dead, represents the best and worst of the auteur. It’s bombastic with copious amounts of gore while also containing heartrending philosophical notions regarding survival amidst nihilistic horror; however, it’s also a… Read More ›
Guy Ritchie’s “Wrath of Man” is mean, gritty, and surprising in its restraint.
Writer/director Guy Ritchie last dazzled audiences (or, at least this reviewer) with the fairly up-tempo 2019 Matthew McConaughey crime-thriller-comedy The Gentlemen. A film which, despite a few faults, reminded audiences how much of a good time they can have exploring… Read More ›
“We the Animals” explores family dynamics through the perspective of a child.
In a cinematic landscape filled with large, loud options, sometimes it’s the quietest ones that make the boldest impact. Such is the case with director Jeremiah Zagar’s We the Animals, an adaptation of Justin Torres’s 2011 award-winning novel of the… Read More ›