Photosensitivity Warning: There is a brief flashback sequence near the start of the film and a longer sequence during the climax wherein lights flash quite frequently. There’s no strobing and it’s somewhat predictable, but may still be triggering for photosensitive… Read More ›
Patton Oswalt
Documentary “Chain Reactions” shares the voices of five pop culture pillars discussing the on-going impact a 1970s film has had on their lives and careers. [BUFF]
If you’re a fan of the cultural zeitgeist documentaries, then the name Alexandre O. Philippe should mean something to you. Philippe has directed such projects as The People vs. George Lucas (2010), Doc of the Dead (2014), Lynch/Oz (2022), William… Read More ›
“Absolute Dominion” washes out.
Absolute Dominion (2025), when pitched, sounds like the left-wing equivalent of an evangelical Lionsgate film that’s obviously a money-laundering scheme, but its impressive direction, a great concept, and a more cohesive politic leave you knowing that it could have been… Read More ›
Capsule Review: Alexandre O. Philippe’s documentary “Chain Reactions.” [BUFF]
Alexandre O. Philippe has directed such projects as The People vs. George Lucas (2010), Doc of the Dead (2014), Lynch/Oz (2022), William Shatner: You Can Call Me Bill (2023), and now Chain Reactions, a documentary about the cultural and personal… Read More ›
Beat the summer heat with the latest “Ghostbusters” adventure, “Frozen Empire,” now on home video.
A sequel is a tricky proposition. Audiences who enjoy one story are keen to want more, yet the follow-ups aren’t always as strong or long-lasting as the initial outing. When you add in the complaint of feeling like nothing new… Read More ›
“Weird: The Al Yankovic Story” is mandatory fun you can have while running with scissors at home during a bad hair day thanks to Shout! Studios.
“Life is like a parody of your favorite song. Just when you think you know all the words: surprise, you don’t know anything.” – Grizzled Narrator, Weird: The Al Yankovic Story It’s so incredibly easy to take a musician like… Read More ›
“A Disturbance in the Force” offers tidings to the “Star Wars” holiday special everyone loves to hate.
If you’re a cinephile, then you are probably aware of some of the most mind-boggling features and/or creators that exist. If you’re not a cinephile but just enjoy movies and entertainment, you may not know some of these infamous works… Read More ›
“I Love My Dad” is cringeworthy in the worst ways and worth it in the best ways. [SXSW Film Festival]
Writer, director, and actor James Morosini delivers one of the strongest movies of 2022 thus far that will certainly be a conversation starter for award season. I Love My Dad is one of the most uncomfortable viewings audiences will experience… Read More ›
“Eternals” arrives on home video with a new mission, win your hearts before the next adventure.
After 10 years of blockbusters which all led to the box office-shattering Avengers: Endgame (2019), Marvel Studios had two major choices: go bigger or rebuild. In that rebuilding is an opportunity to start fresh and, for the most part, they… Read More ›
Chloé Zhao’s “Eternals” is a somber, thoughtful, and frequently intimate adventure which heralds a more mature MCU.
Since the start of the Marvel Cinematic Universe (MCU) in 2008 with Jon Favreau’s Iron Man, the once indie studio Marvel Studios went on to create possibly the most elaborate series in cinema history as it slowly built up a… Read More ›
The unique benefits of “The Spine of Night” outweigh its sometimes impenetrable downsides. [SXSW Film Festival]
Of the nominations for Best Animated Film at this year’s Academy Awards, Onward, Over the Moon, Shaun The Sheep: Farmageddon, Soul, and Wolfwalkers, not a single one of them was made for anything but family audiences in mind. It’s a… Read More ›
Surreal & darkly satirical, “Sorry To Bother You” is an explosive feature debut from director Boots Riley.
Nothing can prepare you for the feature debut of Boots Riley’s Sorry To Bother You – a darkly hilarious, richly layered, head trip of a social-economic satire that will lure audiences in with its clever jokes and fine cast before… Read More ›