Working at the box office of an independently owned arthouse cinema gives you insight to a lot of things, mostly that not many people want to come to the movies anymore, which is a damn shame. However, there are still… Read More ›
Odessa Young
Deceptively cutting and mesmerizingly mad, director Josephine Decker loses no momentum in her second feature “Shirley.”
Director Josephine Decker’s feature debut Madeline’s Madeline (2018), a tale centered on a young woman whose grip with reality slowly weakens as she finds her imagination being made real, continues to entrap my mind. The film itself is an experimental… Read More ›