When Gravity came out in 2013, it physically changed me as a person, as I have not breathed the same since. I saw the film five times throughout its theatrical run, all five times in IMAX 3D, taking a different… Read More ›
Marking their 18th feature, The Ballad of Buster Scruggs feels like the epitome of the Coen Brothers. It’s as if someone might want to introduce the Coens’ work to someone who’d never seen a single one of their films before… Read More ›
Brutal & harrowing, “22 July” explores the violence perpetrated within a single afternoon. [Film Fest 919 Review]
Representing EoM as press, contributor Hunter Heilman attended the first annual Film Fest 919 in Raleigh, NC, to review several films that are either in limited release now or are yet to be released. This review of 22 July is merely… Read More ›
Netflix’s latest original film, Like Father, marks the feature directorial debut of Lauren Miller Rogen. It’s a dramedy addressing the detrimental impact of a life dissociated from others. A concept like this requires a balancing act of writing, acting, and… Read More ›
Netflix’s Martin Freeman-led zombie apocalypse feature ‘Cargo’ meanders narratively, reducing tension and emotion along the way.
For years now, zombie-related stories have been the rage on screens big and small. Whether telling the on-going story of a group of survivors (AMC’s The Walking Dead) or a one-shot of a father protecting his daughter (Train to Busan),… Read More ›
There’s a common misconception that if a movie premieres on Netflix it’s somehow not worthy of a theater run; as though only films shown in a cinema house are somehow the only ones worthy of an audience. If films like… Read More ›