In March 2020, Sony Animation released a trailer for Connected, a film centered on a family attempting to survive a robot apocalypse. It mostly focused on the relationship between the luddite dad and techno daughter before shifting gears to revealing… Read More ›
Don’t Look Up is, by far, the strongest, most searing piece of cinema writer/director Adam McKay (The Big Short; Vice) has put before us. Unlike his last two films which presented real-world events through a comedic lens, Don’t Look Up… Read More ›
Lin-Manuel Miranda’s “tick, tick…BOOM!” adaptation is a love-letter to both a lost artist and the medium he so loved.
Your musical theater tastes are all but defined by when you were first introduced. It doesn’t mean that you can’t shift or grow in tastes, but there certainly comes a heavy influence or leaning based upon your start. While I,… Read More ›
It’s perfectly natural to want to find ways to grow in your craft. Someone who starts as an intern likely has their eyes on a manager’s seat, wanting to absorb as much as possible in order to get there faster…. Read More ›
Don’t blink. Don’t move. Writer/director Jane Campion’s western thriller “The Power of the Dog” compels you to heel.
Director Jane Campion’s (The Piano) latest project is an adaptation of author Thomas Savage’s 1967 novel The Power of the Dog. Her film, a taunt western-drama, chronicles the intersecting lives of two families across several months in Montana 1925. Each… Read More ›
“Fear Street Part 3: 1666” sticks the landing as it ends the trilogy where the core narrative began.
“I get knocked down, but I get up again. You are never gonna keep me down” – Chumbawumba The first installment in the Fear Street trilogy of Netflix films was a loving, if not sometimes heavy-handed homage to the resurgence… Read More ›
Coming off the heat of “Part 1,” “Fear Street Part 2: 1978” cools the intensity as the middle of the trilogy.
After a strong, but not mind-blowing first installment with Fear Street Part 1: 1994 last week, Leigh Janiak and Netflix’s unique approach to a horror trilogy based on R.L. Stine’s young adult novels adapted as hard-R slashers had decent-sized shoes… Read More ›
“Fear Street Part 1: 1994” may be a YA adaptation at its core, but that doesn’t stop it from getting buckwild.
There are some things that just work better on Netflix. For as much as some films like The Old Guard and The Midnight Sky practically beg to be seen on a big screen, the streaming giant does offer films and… Read More ›
Anachronistic historical revisionist animated action comedy “America: The Motion Picture” delights on first viewing with plenty to appreciate upon repeated indulgences.
Ordinarily, listing out who produced a film is never a promise of quality. It lets you know who helped create and shape the project, sure, but it’s not a guarantee that the new thing is as good as the previous…. Read More ›
Zack Snyder’s latest film, zombie/heist flick Army of the Dead, represents the best and worst of the auteur. It’s bombastic with copious amounts of gore while also containing heartrending philosophical notions regarding survival amidst nihilistic horror; however, it’s also a… Read More ›
Though magnetic and fascinating, “Things Heard & Seen” is ultimately a harmless a slow-burn haunted house tale.
Horror films are like snowflakes. Some may look incredibly similar to each other, but at their heart, each one has something unique and new to bring to the table different than anything before (unless you’re Gus Van Sant remaking Psycho…that… Read More ›
There are certain films that feel as if they were made for a particular time in history. The Trial of the Chicago 7 is one of those. It is also a film that almost didn’t happen. In 2006, film legend… Read More ›
“The Mitchells vs. The Machines” is a wonderfully unexpected catalyst for personal and social examination.
Trigger Warning for light, yet frequent strobing. There’s something familiar about every aspect of new animated family adventure sci-fi comedy The Mitchells vs. The Machines. The animation style is complex and layered, which is to be expected from Sony Pictures… Read More ›
Given the option of choosing a Melissa McCarthy-led drama or comedy, the former is near-guaranteed to be stellar while the latter can be hit/miss. She’s a fantastic actor and one whose willingness to embrace physical comedy is something akin to… Read More ›
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Usually, studios will offer talent connected to films who are being pitched for awards’ consideration. During the pandemic, these events (film junkets) have transitioned… Read More ›
Phedon Papamichael is a master cinematographer working with the likes of James Mangold, Alexander Payne, Gore Verbinski, Jon Turteltaub and more. On this episode of Open Dialogue, Papamichael offers an in-depth look into the making of Aaron Sorkin’s The Trial… Read More ›
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Usually, studios will offer talent connected to films that are being pitched for awards consideration. During the pandemic, these events (film junkets) have transitioned… Read More ›
During awards season, there are multiple opportunities for filmmakers and journalists to engage in cinema dialogue. Usually, studios will offer talent connected to films that are being pitched for awards’ consideration. During the pandemic, these events (film junkets) have transitioned… Read More ›
Beautiful, painful, hilarious, & uncomfortable, Sam Levinson’s “Malcolm & Marie” is a declarative statement of artistic talent.
It’s 1 a.m. and Malcolm (John David Washington) and Marie (Zendaya) return home from the premiere of Malcom’s film, a film which left the audience in tears and the critics raving. This should be a time of celebration for the… Read More ›