Body horror is a fascinating subgenre and one that tends to make a lot of people particularly squeamish. With films like The Fly (1986), about a scientist who becomes a human fly hybrid, and Crimes of the Future (2022), where… Read More ›
NEON
Mike Flanagan adapts one of Stephen King’s non-horror works with great aplomb in “The Life of Chuck.” [TIFF]
If you’ve ever read, listened to, or watched an interview with Stephen King about the adaptations of his works, he typically hates them for one reason or another, but usually because they stray enough from the source material to make… Read More ›
Jessica Chastain and Anne Hathaway shine in the gorgeous-but-forgettable “Mothers’ Instinct,” now home on Blu-ray.
Benoît Delhomme’s directorial debut Mothers’ Instinct (2024), a remake of Olivier Masset-Depasse’s French-language thriller of the same name (2018), feels like it was born out of a cinephile’s (or actor-phile’s) dreamboard. Oscar-winners Jessica Chastain (It: Chapter Two) and Anne Hathaway… Read More ›
“Longlegs” reaches your home viewing space in Blu-ray and 4K UHD via DECAL Releasing.
For a film as cold and icy as Longlegs is, the world really ran a fever for it in the heat of a climate-change ridden summer. The crime horror film from Osgood Perkins (The Blackcoat’s Daughter), financed independently at C2… Read More ›
“Presence” unsettles with its unique on-screen perspective and haunts long after. [TIFF]
While some audiences may think that Steven Soderbergh (Kimi; Ocean’s Eleven) may have lost the spark he once had, one thing is for certain — the choices of what he decides to partake in creatively in some capacity are all… Read More ›
“Anora” writer/director Sean Baker does what he does best in bringing out incredible performances from his cast. [TIFF]
I want to preface this with the fact that I am a fan of Sean Baker (writer, director, producer, editor). I think his last three movies (Tangerine (2015), Florida Project (2017), and Red Rocket (2021)) are all incredible pieces of… Read More ›
Apocalyptic musical “The End” is both chaotic and balanced to mixed results. [TIFF]
Musicals about the apocalypse or the end of the world are certainly not new territory, but they all succeed to various mileage. While there is no world where a Mad Max-type movie is going to put to song, Joshua Oppenheimer’s… Read More ›
“Cuckoo” loudly calls its shot and still hooks its audience with mystery and plagues them with horror. [Fantasia International Film Festival]
In 2019, writer/director Tilman Singer made an enormous splash with his possession thriller Luz. It’s as much an homage to the horror films of the ‘60s and ‘70s, evoking the look via cinematography and art direction, while telling a unique… Read More ›
The Criterion Collection captures those “Perfect Days” in its 4K UHD release.
Perfect Days (2023) is the title of Wim Wender’s (Paris, Texas) newest film, which has entered the illustrious Criterion Collection, but, at the same time, it almost perfectly describes the ambiance and sentiments of the movie, as well. Perfection is… Read More ›
The skills of Oz Perkins are on full display in the audience-dividing “Longlegs.”
When you think of the scariest films you’ve ever seen, what is it about them that truly scares you? Is it the immediate fear of being gutted by a silent, masked killer? Is it the ethereal impermanence of a ghostly… Read More ›
“Handling the Undead” fumbles its selected genres of arthouse drama and zombie horror.
From a modern-day perspective, zombies come in one of two flavors: they’re either creatures of chaos or walkers fueled by wacky circumstances. Yet, in the new film Handling the Undead (based on the book of the same name by Let… Read More ›
A stunning Blu-ray, “La Chimera” lives up to its name leaving the audience chasing absent special features
If you have been following my writing and my thoughts on things when it comes to media, it should be apparent that my stance is, and always will be, physical media is king. It is really hard to make the… Read More ›
“Anatomy of a Fall (Anatomie d’une chute)” releases a beautiful Criterion Blu-ray with special features.
Awards season has come and gone once again, like another overblown, overwrought, overlong thief in the night, spanning an impressive seven months from the beginning of the Venice Film Festival to that of the Academy Awards. Though, unlike other years,… Read More ›
The home release of “Eileen” is skin and bones, unlike its lead performances.
Certain films slipped through the cracks in the heat of the 2023 awards season. Everything released at that time was not going for the gold. Those smaller films attempt to achieve other successes. Outside of the awards season rush, some… Read More ›
Brett Morgen’s exciting and cerebral journey with the Star Man, David Bowie, “Moonage Daydream,” joins The Criterion Collection.
David Bowie was one of the music industry’s most eclectic voices. Songs such as “Life on Mars,” “Starman,” and the classic “Moonage Daydream,” let the musician craft a unique voice for himself. His unique style would prove challenging to adapt… Read More ›
Intriguing concepts are diluted by abandoned threads in Paul Duane’s folklore horror “All You Need is Death.” [Beyond Fest]
Before the written word carried the words of the present into the future, the oral tradition was used to safeguard family and cultural histories. This method, though reliant on the memory of the custodian, still remains a valued part of… Read More ›
“It Lives Inside” utilizes horror to explore the schism of cultural identity via the immigrant experience. [Fantasia International Film Festival]
Immigrant stories are connected to the fabric of America as it exists today. Whether they are just arriving, first generation, second, or beyond, what binds the majority of immigrants together is that they (including myself) are not from here and… Read More ›
“How To Blow Up A Pipeline”: The Teen Hero Reborn.
“You’re an orphan now, that’s like, origin story shit.” From the first shot of a hooded hero, you’re all in on Daniel Goldhaber and Ariela Barer’s How to Blow Up a Pipeline. Co-written by both, directed by one, and starring… Read More ›
Despite its weaknesses, there’s no part of “Saint Omer” which won’t linger after credits roll. [Film Fest 919]
As I type this intro, the verdict to the Darrell Brooks trial has just been read, ending a weeks-long shitshow of an abuse of a public system of representation for someone who was clearly guilty (I can say that now,… Read More ›
A Conversation with “Pig” actor Alex Wolff.
EoM contributor Thomas Manning recently took part in a virtual roundtable Q&A with actor Alex Wolff to discuss his performance in the NEON production Pig, written and directed by Michael Sarnoski. Wolff talks about working with Nicolas Cage and Adam… Read More ›