Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. Today we’ll be discussing an independent horror film from the festival circuit that… Read More ›
When it comes to a certain kind of film, audiences almost always know what they’re in for based on who’s distributing it. Arthouse drama or fantasy? The mind goes to A24. Family-friendly in live-action or animation? First thought: Walt Disney… Read More ›
It all begins with a story. A young man (Will Cassayd-Smith) is sharing a smoke with his Russian neighbor, Roman, who unexpectedly asks if Will could watch a package for him for about two weeks while he leaves town. The… Read More ›
“During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heaves, I had been passing alone, on horseback, through a singularly dreary tract of country; and… Read More ›
By the end of Akira Kurosawa’s 1949 detective drama, Stray Dog, there is not a character that escapes the fray without rolling around in the mud, figuratively and literally. Every decision has consequences, and every action has a reaction. Some, more… Read More ›
The deconstruction and evaluation of superheroes in cinema and television didn’t begin with Zack Snyder or Eric Kripke, though they are the ones most widely known for it at the moment. Their stories take a darker look at the notion… Read More ›
Kourosh Ahari’s psychological thriller, The Night, is a stellar example of a film that may not have the next best original ideas within its genre, but is so well done that it is nonetheless entertaining and worthwhile. Despite a handful… Read More ›
Sometimes, writers get a tad bit lazy with their narratives and throw in a character with amnesia as a cheap and easy way to wiggle themselves out of plot holes and avoid the extra work of coming up with a… Read More ›
Writer/director Adam Egypt Mortimer is developing a very specific artistic aesthetic after only three full length features. The first, Another Kind of Hate (2015), appears to explore bullying with a supernatural bend. The second, Daniel Isn’t Real (2019), is an… Read More ›
Werewolves. Vampires. Zombies. Each of these monsters of the dark owe their origins to legends and myths, to a time before science when fear ran roughshod over reason. That part of ourselves remains present even now and yet we find… Read More ›
When it comes to modern Korean horror (Parasite doesn’t count), there’s really a “before The Wailing” and “after The Wailing” period going on currently. Sure, there are still some fast-moving, breakneck horror being made in South Korea, but there has… Read More ›
It’s showtime! Warner Brothers Home Entertainment is dropping not one, not two, but four new 4K UHD editions from their vast catalogue: Richard Donner’s The Goonies (1985), Tim Burton’s Beetlejuice (1988), and Guy Ritchie’s Sherlock Holmes (2009) and Sherlock Holmes:… Read More ›
The word “nightmarish” is one of those terms frequently thrown around when describing horror films. While the jump-scares, villains, and gore of the horror genre can certainly haunt us in our sleep, oftentimes, the plots of horror movies are quite… Read More ›
When considering a short film such as director Nour Wazzi’s project Baby Mine, we are reminded that the cinematic potential of any project is not limited by its runtime or distribution range. This 20-minute narrative short possesses many of the… Read More ›
In film criticism, there’s a guiding light that I try to stand by: review the film in front of you, not the film you wish you’d seen. That doesn’t mean that you can’t, don’t, or shouldn’t discuss a film’s failings…. Read More ›
When most think of indie films, they think of something like The Peanut Butter Falcon, Room, or Overcomer. They think of One Cut of the Dead or Tigers Are Not Afraid. They think of It Follows or Swiss Army Man…. Read More ›
Adapted from Damon Galgut’s 1995 novel of the same name, director Scott Teems’s film The Quarry comes to you as a gritty, grim, and bleak Neo-Western thriller. With a screenplay co-written by Teems and Andrew Brotzman, this feature exemplifies shades… Read More ›
There’s been a lot of trash tossed around on writer/director Rian Johnson since his Star Wars film hit theaters in 2017. It’s wonderful that audiences feel such ownership for a film series, but there comes a point where the community… Read More ›
From director D.C. Hamilton and screenwriter Brinna Kelly, The Fare is a film that almost defies categorization. At times, if feels like a science-fiction mystery, with shocking and striking narrative shifts. At other points, it appears as a romantic dramedy,… Read More ›
Throughout the centuries there’s been one constant: women get the short-end of everything. They’re expected to be virginal, yet sexual; wise, yet naïve; knowledgeable, yet silent. They are instructed through social norms on how to comport themselves publicly and privately…. Read More ›