When it comes to modern Korean horror (Parasite doesn’t count), there’s really a “before The Wailing” and “after The Wailing” period going on currently. Sure, there are still some fast-moving, breakneck horror being made in South Korea, but there has… Read More ›
It’s showtime! Warner Brothers Home Entertainment is dropping not one, not two, but four new 4K UHD editions from their vast catalogue: Richard Donner’s The Goonies (1985), Tim Burton’s Beetlejuice (1988), and Guy Ritchie’s Sherlock Holmes (2009) and Sherlock Holmes:… Read More ›
The word “nightmarish” is one of those terms frequently thrown around when describing horror films. While the jump-scares, villains, and gore of the horror genre can certainly haunt us in our sleep, oftentimes, the plots of horror movies are quite… Read More ›
When considering a short film such as director Nour Wazzi’s project Baby Mine, we are reminded that the cinematic potential of any project is not limited by its runtime or distribution range. This 20-minute narrative short possesses many of the… Read More ›
In film criticism, there’s a guiding light that I try to stand by: review the film in front of you, not the film you wish you’d seen. That doesn’t mean that you can’t, don’t, or shouldn’t discuss a film’s failings…. Read More ›
When most think of indie films, they think of something like The Peanut Butter Falcon, Room, or Overcomer. They think of One Cut of the Dead or Tigers Are Not Afraid. They think of It Follows or Swiss Army Man…. Read More ›
Adapted from Damon Galgut’s 1995 novel of the same name, director Scott Teems’s film The Quarry comes to you as a gritty, grim, and bleak Neo-Western thriller. With a screenplay co-written by Teems and Andrew Brotzman, this feature exemplifies shades… Read More ›
There’s been a lot of trash tossed around on writer/director Rian Johnson since his Star Wars film hit theaters in 2017. It’s wonderful that audiences feel such ownership for a film series, but there comes a point where the community… Read More ›
From director D.C. Hamilton and screenwriter Brinna Kelly, The Fare is a film that almost defies categorization. At times, if feels like a science-fiction mystery, with shocking and striking narrative shifts. At other points, it appears as a romantic dramedy,… Read More ›
Throughout the centuries there’s been one constant: women get the short-end of everything. They’re expected to be virginal, yet sexual; wise, yet naïve; knowledgeable, yet silent. They are instructed through social norms on how to comport themselves publicly and privately…. Read More ›
Given his roles in Slumdog Millionaire, Chappie, and HBO’s The Newsroom, the last person audiences would picture as a methodical badass is Dev Patel. That’s bound to change after audiences get a glimpse of him in writer/director Michael Winterbottom’s The… Read More ›
Representing EoM as press, contributor Hunter Heilman attended the first annual Film Fest 919 in Raleigh, NC, to review several films that are either in limited release now or are yet to be released. For a filmmaker, at least from… Read More ›
Athleticism and cinema go hand-in-hand. Whether it’s Harold Lloyd appearing to climb the side of a building in 1923’s Safety Last!, Sylvester Stallone in the Rocky series, or Dwayne Johnson in anything from the last 23 years, actors continuously find ways… Read More ›
There’s a moment in writer/director Mitzi Peirone’s Braid where you’re either all in or all out. When the mayhem’s rising, the blood flowing, and the veil of reality’s so thin it’s barely perceivable, a choice has to be made: embrace… Read More ›
An alternate version of this review, originally published for CLTure, was posted on their site on October 14th, 2016. There is nothing better than watching an actor – any actor – melt into a roll so completely that you forget what you’re watching is mere shadow… Read More ›