Actress Georgina Campbell (Lovely, Dark, and Deep) has been on a quiet but undeniable hot streak over the past couple of years, carving out a strong presence in the indie horror scene, most notably with her standout performance in Barbarian… Read More ›
“Kia whakatōmuri te haere whakamua (I walk backwards into the future with my eyes fixed on the past).” – A Māori proverb. There’s this strange belief coursing through some in the United States that European culture is being threatened by… Read More ›
The Yeti feels like a lost midnight movie discovered in a vault and somehow rebuilt for modern audiences without losing any of the raw, unpredictable energy that made grindhouse creature features so memorable in the first place. It plays like… Read More ›
If you were to take The Shining (1980) and replace the psychosis with a completely different trip of mental anguish, then you’d get Eugeino Mira’s The Birthday (2004). It focuses on Norman (Corey Feldman) who’s hopelessly in love with his… Read More ›
Having *never* seen Tobe Hooper’s adaptation of Stephen King’s Salem’s Lot (1979) prior to the Arrow 4K UHD release, I was surprised to notice that disk 1 (disk A) featured the miniseries versus the movie itself, so I changed disks… Read More ›
Co-directors/co-writers Gene Gallerano and William Pisciotta join EoM Contributor Joel Winstead for a brand-new episode of EoM Presents to discuss their creature feature The Yeti, a film the filmmakers refer to as “The Revenant in a box.” In this brief… Read More ›
Trigger Warning: Kill Me features explorations of mental health and suicidal ideation, as well as depictions of attempted suicide that may be difficult for sensitive viewers. If you or someone you know is struggling with suicidal ideation (active or passive),… Read More ›
“Sly fox, dumb bunny.” Just when you think that storytellers have mined all they can from the odd couple trope, co-writers Jared Bush (Encanto) and Phil Johnston (Wreck-It Ralph series) found a way to invigorate the concept by not only… Read More ›
What do Gilda Radner (Saturday Night Live), Gene Wilder (Young Frankenstein), and Sidney Poitier (Sneakers) have in common? Well, outside of arguably being three of the best to ever do it, Poitier directed the two aforementioned comedy legends (after directing… Read More ›
There are some filmmakers for whom audiences will show up simply by their name being attached to a project. Universal Pictures has turned the latest Christopher Nolan film, The Odyssey, into an event by selling tickets a year in advance… Read More ›
While it’s safe to presume that political ideologies have often led to disagreements and hard lines between classmates, colleagues, and family members to the point that countless stories will feature “black sheep” liberal relatives in conservative families or conservative characters… Read More ›
Chris Stuckmann is a YouTuber, author, film critic, and filmmaker, who started his career posting short-form movie reviews on YouTube called “Quick Movie Reviews” in 2009. He eventually began making longer movie reviews as well as reviews of television shows,… Read More ›
If you’ve never seen a Jonathan Glazer film before, his second feature may be his most accessible in terms of content and execution. Birth (2004) is weird and unsettling, but not in the same ways as Under the Skin (2013)… Read More ›
Born in Paris, French filmmaker Rebecca Zlotowski initially planned to be a teacher and graduated from École Normale Supérieure before earning an Agrégation higher degree in literature. Then she joined the screenplay department of La Fémis and met several students… Read More ›
Asking me to describe my relationship with the Silent Hill franchise is opening a Pandora’s Box of epic proportions. The series, centered around a cursed ghost town in rural Maine, has haunted, compelled, comforted, entertained, frightened, and shaped me in… Read More ›
What makes a killer and what defines them as good or evil? One could argue that anyone can be a killer and that the taking of a life immediately diminishes one’s purity, but there is goodness is absorbing the malignant… Read More ›
Those who follow sports, who watch *their* teams battle *your* teams, participate in a form of tribalism that extends beyond one’s immediate borders, beyond country, beyond cultural, and, sometimes, beyond time, as said fandom gets passed down through the generations… Read More ›
Director Paul Feig has come a long way from the comedic musings of Bridesmaids (2011), The Heat (2013), and Spy (2015). Starting in 2018, he pivoted into a campy thriller territory with A Simple Favor. The result of which delivered… Read More ›
Photosensitivity Warning: There is a brief sequence of strobing that may trigger migraine or other neuro reactions from sensitive viewers. Be advised that it’s well into the film and occurs only once in the back half of the adventure. Less… Read More ›
When people say that art should be political, what they really mean is that they don’t want to ingest films that might challenge their political views. They want to be entertained, not preached to. This is a childish perspective because… Read More ›