Photosensitivity Warning: The climax of the film includes an extended sequence of flashing that may prove triggering for photosensitive individuals. Take precautions. Spoon boy: Do not try and bend the spoon. That’s impossible. Instead … only try to realize the… Read More ›
Oscar-winning filmmaker Gore Verbinski joins EoM Senior Interviewer Thomas Manning for a discussion on Good Luck, Have Fun, Don’t Die. This is Verbinski’s first film as director since 2016, and his signature kinetic energy is back and better than ever…. Read More ›
Photosensitivity Warning: The climax of the film includes an extended sequence of flashing that may prove triggering for photosensitive individuals. Take precautions. “Information devours its own content. It devours communication and the social.” – Jean Baudrillard’s Simulacra and Simulation from… Read More ›
Sometimes a film ends up at a boutique Blu-ray distributor because the conditions of its theatrical run rendered it forgotten and misunderstood. Other times, it’s because the film is an odious facsimile of a good film, and it tricks a… Read More ›
The year was 2013, and David O. Russell continued to prove that he was the director that was going to change things. No matter what one thought of his films, there was no denying they had something special about them…. Read More ›
Dr. José Hernández, born in August 1962 in French Camp, California, is not the first Hispanic astronaut (that title belongs to Chang Diaz with mission STS-61C), but he is the first astronaut whose origins begin with migrant farming, both for… Read More ›
It’s fair to say that by 2007 Mark Wahlberg had established himself beyond the musician that captivated audiences with his good vibrations. He’d terrified us as obsessive boyfriend David McCall (Fear), dazzled us as a big bright shining star as… Read More ›
An alternate version of this review was published by CLTure on their site on January 19, 2018. September 11th, 2001 is a day that everyone in the U.S. remembers; a day of great pain and sorrow which inspired men and… Read More ›
Tis the season and that means cinemas are soon to be flooded with Dickensian tales of heartbreak and redemption. Collateral Beauty, the latest holiday offering, teams director David Frankel (Marley & Me) and writer Allan Loeb (The Space Between Us)… Read More ›