Photosensitivity Warning: The climax features flashing lights in a strobing pattern that may prove triggering for sensitive viewers. Folklore surrounding zombies is varied between culture and time, but always tied to fear of the undead. At some point, it wasn’t… Read More ›
Margaret Cho
Short film “A Family Guide to Hunting” bags its prize with its talent on and off screen. [Tribeca Film Festival]
There is nothing more encouraging than someone wanting to introduce you to their family, especially when you’re dating. Now, that is not to say that is the premise to Zao Wang’s (Full Moon Club) short A Family Guide to Hunting,… Read More ›
Dramedy “All That We Love” is a tender story of self-reclamation. [Tribeca Film Festival]
Loss comes for all of us. Doesn’t matter how solitary a life we try to lead, we will lose something — an item, a memory, even ourselves. With each loss, there’s a transition period in which we come to terms… Read More ›
“The Listener” enthralls with Steve Buscemi’s direction and Tessa Thompson’s performance. [Tribeca Film Festival]
Steve Buscemi (Interview) directs his first feature in 15 years (originally played Venice 2022) and somehow, without ever having seen anything Buscemi has directed, The Listener was not at all what I was expecting, but something much more grounded and… Read More ›
“Fire Island” is far from your run-of-the-mill gay-friendly rom-com.
The biggest gift I was ever given in life was being gay. Sure, a significant percentage of the world hates me and thinks I’m going to burn in Hell, and the other part really only shows up for Pride Month… Read More ›
Documentary “Hysterical” is a showcase of the sheer fearlessness and tenacity of female comics. [SXSW Film Festival]
There is a lot to take away from the official SXSW selection, Hysterical, a documentary feature directed by Andrea Nevins, which examines the culture of women in stand-up comedy. Just to set the scene, I am a straight, white male… Read More ›
Commodity, not religion, is played for laughs in satirical comedy “Faith Ba$ed.”
There’s been a strange trend of late where, one after the other, the films reviewed on EoM are trending toward satire. Additionally, each one has or will court some kind of controversy by premise alone and nothing else. A few… Read More ›