Anthologies have a long history in storytelling as they gather seemingly disparate narratives into a singular collection. In cinema, the connection between the parts can remain thematic, leaving the stories individual (The Ballad of Buster Scruggs (2018)); may be through… Read More ›
Trigger Warning: Like Father Like Son utilizes frequent use of unexpected fast cuts with visual imagery accompanied by white flashes which may disturb photosensitive viewers. What makes a killer a killer? For centuries, this question has been asked by plebs… Read More ›
When 2022 was happening and the announcement that Quentin Tarantino’s first feature ever was going to be released in 4K, everyone was foaming at their mouth with anticipation that not only was this going to be a *good* release but… Read More ›
“The Bride: You and I have unfinished business. Bill: Baby, you ain’t kidding.” – Kill Bill, Vol. 2 (2004) It’s 2025 and filmmaker Quentin Tarantino is actively developing his 10th, and rumored final, film. Though incredibly divisive for the dialogue… Read More ›
Remakes and adaptations are constants in entertainment. For one, they offer safety for skittish executives worried more about their bottom line and upsetting stockholders than taking risks with an unvetted intellectual property (IP). For two, sometimes there are stories that… Read More ›
I stand by that title. Reagan (2024) is an astonishingly incompetent and cynical attempt to pass off pseudo-religious myth as history. Written by Howard Klausner (Space Cowboys) based on the book The Crusader: Ronald Reagan and the Fall of Communism… Read More ›
While every person on Earth has their own crop of favorite filmmakers, there are those who stand as an almost objective list of the most influential to ever live: Alfred Hitchcock (Rope), Akira Kurosawa (Hidden Fortress), Federico Fellini (8 ½),… Read More ›
“The blood of the covenant is thicker than the water of the womb.” – Proverb of unclear origin. In our lives, there are those who are family by DNA and those by relationships. When those who sired us, grew up… Read More ›
When I was just a wee lad, 11 years old to be precise, I had two fears: frogs (still do to this day) and home invasion. For some reason, I figured that I was a special enough little boy to… Read More ›
By the nature of social norms, each country includes a specific view in their art. When it comes to movies, this is very noticeable within the subgenre of action. Whereas American films almost always feature a stalwart protagonist who survives… Read More ›
At the peak of the DVD/VHS era, studios would often release worse, extended, “unrated*” cuts of films with more boobs and cursing to trick a few customers into purchasing the film a second time. That’s what Francis Ford Coppola (The… Read More ›
There are many reasons films get adapted. Sometimes it’s because a film wasn’t received well or, confusingly, because a film was received extraordinarily well. Adaptations aren’t necessarily a bad thing. Because someone sought director Roger Corman’s 1960 Little Shop of… Read More ›
Welcome to a special double dose of Open Dialogue as EoM Partner Noel T. Manning sits down with Unsung Hero co-director/co-writer/actor Joel Smallbone and producer Luke Smallbone in one segment and actor Kirrilee Berger and inspiration for her role Rebecca St…. Read More ›
Guy Ritchie has become something of a young Ridley Scott lately, not in any stylistic choices he’s making as a filmmaker, not at all, but merely in the sheer quantity of his output. In the past five years alone, Ritchie… Read More ›
Thomas Manning offers an Open Dialogue interview with Oscar-winner Hillary Swank (Million Dollar Baby) and Alan Ritchson (Reacher) about the Lionsgate/Kingdom Story Company release Ordinary Angels. Swank and Ritchson chat about small towns, family, friends and the ordinary angels that have… Read More ›
The purpose of a movie trailer is to get an audience intrigued in seeing the movie, however, when the trailer paints the movie as something it absolutely is not, it does a disservice to the movie itself and sets up… Read More ›
Writer and first-time feature director Leah McKendrick (Pamela & Ivy) taps into the millennial’s primal fear of being alone in her debut feature, Scrambled. When 30-something Nellie (Leah McKendrick) is sick of being an eternal bridesmaid, she goes on an… Read More ›
Are we the family we’ve come from or the family we create? This is the major question at the center of the Graham and Parker Phillips-helmed Rumble Through The Dark, a drama adapted from the Michael Farris Smith March 2018… Read More ›
“We regulate any stealing of his property. We’re daaaamn good, too. Mr. Tunstall’s got a soft-spot for runaways, derelicts, vagrant types. But you can’t be any geek off the street. You gotta be handy with the steel, if you know… Read More ›
2003, director John Woo unleashed the sci-fi action thriller Paycheck starring Ben Affleck (Air), Uma Thurman (Kill Bill: The Whole Bloody Affair), Aaron Eckhart (Rumble Through The Dark), and Paul Giamatti (The Holdovers) unto the world. It should have been… Read More ›