How many successful action franchises do we have now? That’s a more complicated question to answer than one may think. That is, especially after the surprise 2014 revelation of a film that was John Wick. Besides revitalizing Keanu Reeves’s career,… Read More ›
“I am an unfortunate and deserted creature; I look around and I have no relation or friend upon earth. These amiable people to whom I go have never seen me and know little of me. I am full of fears,… Read More ›
In the brief and brand-new featurette “Physical Media Kicks Ass,” writer/director Matthew Vaughn (Layer Cake; Kingsman series) discusses his longtime love of physical media, referring to it at one point as “romantic,” the context being that owning a physical version… Read More ›
When someone, anyone, adapts a George A. Romero film, there is usually a deep amount of worry and concern because remaking something that a master has already done effortlessly and perfectly is never an easy task. While screenwriters Scott Kosar… Read More ›
Seventeen years ago, writer/director Lucky McKee’s May released and has since built up an ecstatic following. So much so that Lionsgate Limited, through their Vestron Video boutique label, has released a collector’s edition of the title on Blu-ray. Having found ourselves… Read More ›
When one sits down to watch a Nicolas Cage, movie there is a certain expectation and mood that is set. You know you’re in for a ride of potentially ridiculous proportions that is simply insane or you’re getting a performance… Read More ›
Anthologies have a long history in storytelling as they gather seemingly disparate narratives into a singular collection. In cinema, the connection between the parts can remain thematic, leaving the stories individual (The Ballad of Buster Scruggs (2018)); may be through… Read More ›
Trigger Warning: Like Father Like Son utilizes frequent use of unexpected fast cuts with visual imagery accompanied by white flashes which may disturb photosensitive viewers. What makes a killer a killer? For centuries, this question has been asked by plebs… Read More ›
When 2022 was happening and the announcement that Quentin Tarantino’s first feature ever was going to be released in 4K, everyone was foaming at their mouth with anticipation that not only was this going to be a *good* release but… Read More ›
“The Bride: You and I have unfinished business. Bill: Baby, you ain’t kidding.” – Kill Bill, Vol. 2 (2004) It’s 2025 and filmmaker Quentin Tarantino is actively developing his 10th, and rumored final, film. Though incredibly divisive for the dialogue… Read More ›
Remakes and adaptations are constants in entertainment. For one, they offer safety for skittish executives worried more about their bottom line and upsetting stockholders than taking risks with an unvetted intellectual property (IP). For two, sometimes there are stories that… Read More ›
I stand by that title. Reagan (2024) is an astonishingly incompetent and cynical attempt to pass off pseudo-religious myth as history. Written by Howard Klausner (Space Cowboys) based on the book The Crusader: Ronald Reagan and the Fall of Communism… Read More ›
While every person on Earth has their own crop of favorite filmmakers, there are those who stand as an almost objective list of the most influential to ever live: Alfred Hitchcock (Rope), Akira Kurosawa (Hidden Fortress), Federico Fellini (8 ½),… Read More ›
“The blood of the covenant is thicker than the water of the womb.” – Proverb of unclear origin. In our lives, there are those who are family by DNA and those by relationships. When those who sired us, grew up… Read More ›
When I was just a wee lad, 11 years old to be precise, I had two fears: frogs (still do to this day) and home invasion. For some reason, I figured that I was a special enough little boy to… Read More ›
By the nature of social norms, each country includes a specific view in their art. When it comes to movies, this is very noticeable within the subgenre of action. Whereas American films almost always feature a stalwart protagonist who survives… Read More ›
At the peak of the DVD/VHS era, studios would often release worse, extended, “unrated*” cuts of films with more boobs and cursing to trick a few customers into purchasing the film a second time. That’s what Francis Ford Coppola (The… Read More ›
There are many reasons films get adapted. Sometimes it’s because a film wasn’t received well or, confusingly, because a film was received extraordinarily well. Adaptations aren’t necessarily a bad thing. Because someone sought director Roger Corman’s 1960 Little Shop of… Read More ›
Welcome to a special double dose of Open Dialogue as EoM Partner Noel T. Manning sits down with Unsung Hero co-director/co-writer/actor Joel Smallbone and producer Luke Smallbone in one segment and actor Kirrilee Berger and inspiration for her role Rebecca St…. Read More ›
Guy Ritchie has become something of a young Ridley Scott lately, not in any stylistic choices he’s making as a filmmaker, not at all, but merely in the sheer quantity of his output. In the past five years alone, Ritchie… Read More ›