“Empathy is about finding echoes of another person in yourself.” – Mohsin Hamid In the late 1800s, when silver was found by Nicholas C. Creede in the mountains of Southwest Colorado, the rush of people led to the boomtown known… Read More ›
LGBTQIA+
In an era of hypernormalization, Geremy Jasper’s musical opera “O’Dessa” may just be the seed for revolution. [SXSW]
Trigger Warning: Photosensitive viewers should take precautions before viewing as they are several brief sequences and two longer sequences involving flashing lights. “… to comfort the disturbed and disturb the comfortable …” There’s a long tradition of using stories to… Read More ›
A Conversation with “Big Boys” writer/director Corey Sherman.
In this edition of EoM Presents, Senior Interviewer Thomas Manning talks with writer and director Corey Sherman about his debut feature film Big Boys. This queer coming-of-age comedy has been nominated at the GLAAD Media Awards in addition to the… Read More ›
“Studio One Forever” is a “Celebration of Life” for historic West Hollywood club.
It’s an important rite of passage for each generation to mourn the loss of the cultural norms and trends that defined its youth. Unfortunately, this mourning usually manifests as some iteration of the tone-deaf and demeaning phrase, “Kids today will… Read More ›
Beware the creature of the night who promises peace in “Touch Me.” [Sundance]
Trigger Warning: The narrative of Touch Me grapples with difficult topics involving sexual abuse and addiction. Additionally, there are a few brief sequences of light-strobing that might be difficult for photosensitive viewers. “And crawling on the planet’s face, some insects,… Read More ›
Crime drama “Eat the Night” seeks to explore real versus digital existance.
The real world is a mess. Just about everywhere you look there’s something to be despondent about, whether it’s the state of the global climate, the power grab by nationalist parties within global governments, or the general vibe of “get… Read More ›
“Emilia Pérez” dazzles with its operatic style and frustrates with its masked hollowness.
Redemption stories come in a great many forms. Time loops stories utilize the constriction created by a repeated day(s) to force introspection and change, the loop broken in comedies (Groundhog Day), dramas (The Map of Tiny Perfect Things), and horror… Read More ›
Thanks to The Criterion Collection, “All of Us Strangers” receives a proper physical release.
We live in a world, it seems, where every single thing anyone ever does gets criticized and argued about no matter how absolutely fantastic and incredible things are. No matter what a company or someone does, there’s always going to… Read More ›
Drama “Really Happy Someday” captures how the process of becoming your true self is far from linear. [TIFF]
Having been a fan of musical theatre practically my entire life, I can only assume the trepidations, hardships, and sheer determination and power one needs to go through being a live performer and dealing with the day-to-day challenges. There is… Read More ›
Dramedy “All That We Love” is a tender story of self-reclamation. [Tribeca Film Festival]
Loss comes for all of us. Doesn’t matter how solitary a life we try to lead, we will lose something — an item, a memory, even ourselves. With each loss, there’s a transition period in which we come to terms… Read More ›
Criterion adds the Lana and Lilly Wachowski erotic noir “Bound” to its 4K collection.
Having never seen Lana and Lilly Wachowski’s second feature, I was immediately intrigued when I saw it was being added to the Criterion Collection. Knowing quite literally nothing about the movie other than the fact that it was a Wachowski… Read More ›
Dramedy “Griffin in Summer” is a story of first love that stands out by being ordinary. [Tribeca Film Festival]
Coming-of-age stories come in all shapes and sizes. The term refers to a story of someone going through a particularly age-specific moment of growing up, but it doesn’t always lean toward the light-hearted. Films like The Young Arsonists (2023) or… Read More ›
Filmmaker Tom Nesher beckons audiences to lean in in her semi-autobiographical dramedy “Come Closer.” [Tribeca Film Festival]
**Photosensitivity Warning: A club sequence includes a prolonged sequence of flashing lights that may prove triggering for sensitive viewers.** Shared joy is double joy; Shared sorrow is half a sorrow. – Swedish proverb Just about everywhere one looks, there’s a… Read More ›
“The People’s Joker:” And the Emancipation of One Vera Drew.
Yellow Smiley offers me X Like he’s drinking 7-Up I would rather drink six razor blades Razor blades from a paper cup He can’t understand, I say too tough It’s just that I’ve seen the future and boy it’s rough… Read More ›
Andrew Haigh’s nostalgic and tone-driven fantasy, “All of Us Strangers,” arrives on digital.
All of Us Strangers is about memories, grief, and love. It’s about reconciling the past with the present and navigating the space in between. If you missed the U.S. theatrical release in December, you can stream All of Us Strangers… Read More ›
Dynamic ensemble shines as director Guiseppe Fiorello sets a romantic mood in LGBTQ+ drama “Fireworks.”
Italian actor, writer, and producer Giuseppe Fiorello (The Talented Mr. Ripley, Terraferma) makes his feature directorial debut with Fireworks (Stranizza d’amuri), an aspirational LGBTQ+ romance that successfully imitates its predecessors in mood and visual style. Set in Sicily in the… Read More ›
Charming play-turned-film “Inky Pinky Ponky” is a star-making vehicle for co-writer/lead Amanaki Prescott-Faletau. [imagineNATIVE]
As children, there’re all kinds of games available to entertain and to instill a little competition. The trick is that some of those games can end up with some players feeling a little left out, especially when the point of… Read More ›
“Biosphere” is fertile ground for a good time.
It’s always strange when a film, its release date set months or years in advance, syncs up with current events. Of course, a writer’s job is often to synthesize their experiences and see how they will evolve down the road,… Read More ›
In a period of uncertain times, “Nimona” celebrates the rejects.
“Fear makes the wolf bigger than he is.” – German proverb. In the stories we tell, if there’s a hero, there’s a villain, someone for the bold and courageous to conquer; otherwise, how are they to be bold and courageous?… Read More ›
With delicacy and care, Jane M. Wagner’s “Break the Game” presents a tale of an adventurer on one last quest. [Tribeca Film Festival]
February 21st, 1986, an action/fantasy RPG-like game released on the Nintendo Entertainment System (NES) called The Legend of Zelda. Unlike the console’s mascot, the Italian plumber Mario, who jumped, stomped, and power-uped his way through one obstacle or another on… Read More ›