Music is a significant part of the oral tradition. Even if we lack words for our feelings or experiences, we can always chant, using the power of our lungs to vibrate our breath into song and story. This is why… Read More ›
LGBTQIA+
“The Dads” is a moving and galvanizing feature that expands on Luchina Fisher’s original short. [SXSW]
8% of U.S. adults identify as lesbian, gay, bisexual, or transgender according to an Oct 2025 Pew Research Center article based on a summer 2024 survey. There are reportedly over 342 million people living in the United States, which means… Read More ›
“The Old Man and the Parrot” intermingles comedy and drama in a story of love and loss that may just soothe the soul. [Slamdance]
There are many ways to process grief. Some of them are beneficial, accompanied by a sense of healing and the ability to move on from the pain and loss, while others are like an anchor, prohibiting one from moving on… Read More ›
The voices too loud in your head? Need some positive affirmation with surreal art and zany songs? “Lesbian Space Princess” to the rescue!
There’s nothing wrong with a safe space. There’s nothing wrong at all with wrapping yourself in the things that make you feel at peace and serene; unless, of course, the energy spent maintaining said serenity comes at the cost of… Read More ›
“Steal Away” with actors Mallori Johnson and Angourie Rice. [TIFF]
Clement Virgo (Brother) is back with another powerful drama while, again, pulling double duty as director and as part of the co-writing team with newcomer Tamara Berger. Steal Away balances a multitude of themes, ensuring that the film cannot get… Read More ›
Want to survive Tina Romero’s “Queens of the Dead”? Touch. Grass.
Photosensitivity Warning: The climax features flashing lights in a strobing pattern that may prove triggering for sensitive viewers. Folklore surrounding zombies is varied between culture and time, but always tied to fear of the undead. At some point, it wasn’t… Read More ›
Glenn McQuaid’s “The Restoration at Grayson Manor” is an alchemical mixture of melodrama and body horror which asserts some rehabs are best treated with napalm. [Fantastic Fest]
Names mean something. They hold power. Names withheld can create mystery and names known can open doors. They are the things that can be passed down from generation to generation — be it a surname, a given name, a middle… Read More ›
Rowan Haber’s comedic exploration into the character proudly proclaims “We Are Pat.” [Tribeca]
A lot of people say, “What’s that?” It’s Pat! A lot of people ask, “Who’s he? Or she?” A ma’am or a sir, accept him or her or whatever it might be. It’s time for androgyny. Here comes Pat! –… Read More ›
A dreamlike odyssey of sex, drugs, and self-discovery, Luca Guadagnino’s “Queer” is available on home video from A24.
The Beat Movement was a literary alliance started by a group of authors in the 1950s which included William S. Burroughs (Naked Lunch), Allen Ginsberg (Howl), and Jack Kerouac (On the Road). The Beat subculture focused on dismissal of standard… Read More ›
Pavli Serenetsky’s coming of age tale “More Beautiful Perversions” explores the importance of discovery through transient, ephemeral love. [ATLFF]
Content Warning: Adult nudity is present in the film. Nothing explicitly sexual, but not discrete. Not every relationship we have is meant to last. This is a painful realization, whether it occurs as a child, a teen, a young adult,… Read More ›
“The Wedding Banquet” invites you to find your seat at the table.
The Wedding Banquet (2025) is one of those rare films that functions more as another swing at bat than as a remake, and returning screenwriter James Schamus (The Wedding Banquet (1993); Crouching Tiger Hidden Dragon) scores at least a double… Read More ›
Daniel Minahan’s adaptation of “On Swift Horses” delivers a compelling melodrama.
The beauty of film lies in its ability to evoke a specific era or environment. Whether in a quiet character drama or a large-scale spectacle, film can help transport an audience to a different time. Even if the quality (story,… Read More ›
“She’s the He” turns the bathroom panic in today’s political landscape into a hilarious and heartfelt coming-of-age sex comedy. [SXSW]
Coming-of-age tales are fairly commonplace in cinema with explorations of self and sex in semi-recent films like Porky’s (1981), A Goofy Movie (1995), and The People’s Joker (2024). These stories feature young adults getting into a variety of hijinks either… Read More ›
Kahane Corn Cooperman’s “Creede U.S.A.” is a surprisingly heartfelt and hopeful documentary about the power of empathy. [SXSW]
“Empathy is about finding echoes of another person in yourself.” – Mohsin Hamid In the late 1800s, when silver was found by Nicholas C. Creede in the mountains of Southwest Colorado, the rush of people led to the boomtown known… Read More ›
In an era of hypernormalization, Geremy Jasper’s musical opera “O’Dessa” may just be the seed for revolution. [SXSW]
Trigger Warning: Photosensitive viewers should take precautions before viewing as they are several brief sequences and two longer sequences involving flashing lights. “… to comfort the disturbed and disturb the comfortable …” There’s a long tradition of using stories to… Read More ›
A Conversation with “Big Boys” writer/director Corey Sherman.
In this edition of EoM Presents, Senior Interviewer Thomas Manning talks with writer and director Corey Sherman about his debut feature film Big Boys. This queer coming-of-age comedy has been nominated at the GLAAD Media Awards in addition to the… Read More ›
“Studio One Forever” is a “Celebration of Life” for historic West Hollywood club.
It’s an important rite of passage for each generation to mourn the loss of the cultural norms and trends that defined its youth. Unfortunately, this mourning usually manifests as some iteration of the tone-deaf and demeaning phrase, “Kids today will… Read More ›
Beware the creature of the night who promises peace in “Touch Me.” [Sundance]
Trigger Warning: The narrative of Touch Me grapples with difficult topics involving sexual abuse and addiction. Additionally, there are a few brief sequences of light-strobing that might be difficult for photosensitive viewers. “And crawling on the planet’s face, some insects,… Read More ›
Crime drama “Eat the Night” seeks to explore real versus digital existance.
The real world is a mess. Just about everywhere you look there’s something to be despondent about, whether it’s the state of the global climate, the power grab by nationalist parties within global governments, or the general vibe of “get… Read More ›
“Emilia Pérez” dazzles with its operatic style and frustrates with its masked hollowness.
Redemption stories come in a great many forms. Time loops stories utilize the constriction created by a repeated day(s) to force introspection and change, the loop broken in comedies (Groundhog Day), dramas (The Map of Tiny Perfect Things), and horror… Read More ›