Whether the films work for you or not, there’s no denying that an M. Night Shyamalan film is going to provoke a reaction; we’re not talking heavily divisive so much as generating conversation with audiences heralding the best parts and… Read More ›
Josh Hartnett
4K Home release of “Oppenheimer” explodes with special features as it flies off the shelves.
Honestly, what is there to say about Oppenheimer that hasn’t been plastered all over Twitter (currently rebranded to X) and Letterboxd ad infinitum? The last movie Christopher Nolan did without involvement from Warner Bros. Pictures was 1999’s Momento. During the… Read More ›
“Halloween H20: 20 Years Later” celebrates 25 years with a limited-edition 4K UHD Blu-ray steelbook.
I think it’s important to start by stating that, until recently, the only Halloween movies I’d seen prior to this first-time watch had been the original and the David Gordon Green trilogy. In the past few years with the Shout!… Read More ›
Fission accomplished! “Oppenheimer” more than delivers on the anticipation and hype.
With the exception of one film of his in recent years, and regardless of your opinion on him as a filmmaker, a new Christopher Nolan film releasing in theaters always feels like an event the scale of which we simply… Read More ›
Absent special features to enhance it, Guy Ritchie’s “Wrath of Man” remains a solid experience on a rewatch.
May 2021 saw the release of a new Guy Ritchie-directed thriller, Wrath of Man, with actor Jason Statham in the lead role. It’s the first time this duo had worked together since 2005’s Revolver and both offer some of their… Read More ›
Guy Ritchie’s “Wrath of Man” is mean, gritty, and surprising in its restraint.
Writer/director Guy Ritchie last dazzled audiences (or, at least this reviewer) with the fairly up-tempo 2019 Matthew McConaughey crime-thriller-comedy The Gentlemen. A film which, despite a few faults, reminded audiences how much of a good time they can have exploring… Read More ›
Lech Majewski’s “Valley of the Gods” possesses high concepts which never coalesce.
There is, perhaps, nothing more frustrating for a cinephile than to finish a film wherein the pieces are stronger than the whole. Where you can understand the intent of a project, yet, whether by style, structure, or some other technical… Read More ›