When it was announced that contemporary cinema’s most interesting enfant, Ari Aster, was developing a COVID-19 western, it did more than turn a few heads. Tackling one of the most uncertain and anxious times in recent memory seemed like an… Read More ›
Joaquin Phoenix
“Joker: Folie à Deux” steps out with a vibrant 4K home release.
2024 has been a banner year for movies (despite what social media and some people may have you think) and a strange one for Warner Brothers. Before diving into the home release of Joker: Folie à Deux, I want to… Read More ›
Believe. “Signs” in 4K is happening.
In 2002, two-time Academy Award nominated writer and director M. Night Shyamalan was still trying to live up to the hype from The Sixth Sense (1999), a massive success and guarantor for a career that would become one of the… Read More ›
It’s no shared delusion that “Joker: Folie à Deux” may be one of the best recent DC properties.
As a huge fan of Batman, I can confirm and say confidently I thought Todd Phillip’s Joker was good, but that’s about it. It certainly was not the Clown Prince of Darkness we’ve come to see on screen or really… Read More ›
“Napoleon” smells like a good time.
“Please don’t wash, will arrive in three days” wrote Napoleon Bonaparte to his wife Josephine once upon a time. The man liked a strong smell, and that’s part of the historical record. Reactions to Ridley Scott’s (Alien, The Last Duel)… Read More ›
“Beau is Afraid” and I am perplexed.
Perhaps my favorite movie-going story is how right after graduating college I went on a long-awaited trip to Europe with my mother and, at the same time, Ari Aster’s debut film, Hereditary (2018) was released into theaters. My Twitter timeline… Read More ›
A Conversation with “C’mon C’mon” writer/director Mike Mills.
EoM contributor Thomas Manning recently had the opportunity to submit a question in a virtual Q&A with writer and director Mike Mills about his new film C’mon C’mon, starring Joaquin Phoenix, Gaby Hoffmann, and Woody Norman. Read below as Mike… Read More ›
Mike Mills’s “C’mon C’mon” meticulously delves into the subtleties and complications of human life. [Film Fest 919]
I’m not really sure at what point Joaquin Phoenix became a “weird” actor. My best guess lies in his strange publicity stunt of retiring from acting and becoming a rapper for the Casey Affleck “documentary” I’m Still Here, or maybe… Read More ›
The Cine-Men, Special Episode: 92nd Academy Awards – Part II
As we near the 92nd Academy Awards, The Cine-Men co-hosts brave to discuss the big six categories: Supporting Actor/Actress, Lead Actor/Actress, Directing, and Best Picture. To tackle this mighty feat, the duo broke each category into its own minisode with… Read More ›
Is it real? Or is it just fantasy? Dig into the bonus features of “Joker” on home video to find out.
At the time of this writing, director Todd Phillips’s Joker is the highest grossing R-rated film of all time, has earned two Golden Globe wins for Best Actor in A Drama Motion Picture and Original Score with two individual nominations… Read More ›
“Joker” is an absolute mind-screw in the best and worst ways.
Since director Todd Phillips’s Joker premiered at the 76th Venice Film Festival in August 2019, it’s been mired in controversy. Some hailed the film as an absolute masterpiece of filming, evoking elements of director Martin Scorsese’s Taxi Driver. Others called… Read More ›
IFC Film’s “Mary Magdalene” offers a challenging, thought-provoking film exploring the themes of humanity, society, and faith.
The story of Jesus of Nazareth may very well be the most famous biblical narrative of all time. Billions of people throughout the generations, across a wide array of races, religions, and cultural backgrounds are familiar with the essential elements… Read More ›