We all love a good World War II movie. Saving Private Ryan, Hacksaw Ridge, heck, you could even count Captain America: The First Avenger as a great World War II movie. World War II movies have a great way of striking so much emotion,… Read More ›
horror
Unless you’re in the mood for incredible frustration, stay out of “The Room.”
In film criticism, there’s a guiding light that I try to stand by: review the film in front of you, not the film you wish you’d seen. That doesn’t mean that you can’t, don’t, or shouldn’t discuss a film’s failings…. Read More ›
The Breathtaking Melancholy of “Relic” (or How I Learned to Stop Panicking and Trust the Aging Process).
Both of my grandfathers died before my grandmothers (one of whom, my mother’s mother, is still with us), and what remained following their deaths was a peculiar phenomenon that I had never considered before. As women of the 1940s, they… Read More ›
New streaming horror film “Yummy” is anything but.
What’s so wonderful about horror is that there’s truly something for everyone. Do you find yourself compelled most by fear of the unknown? Try some supernatural horror. Scared of a violent apocalypse? There are tons of zombie films at your… Read More ›
There is no controversy to be found in “The Hunt.” Only assholes.
“There’s no such thing as bad publicity.” This phrase is commonly attributed to Phineas T. Barnum, the circus owner and renowned asshole. Despite what you’d believe from the wondrous and heartfelt The Greatest Showman, Barnum was more likely to take… Read More ›
Etheria Film Festival 2020 Shorts Program streaming on Shudder for a limited time.
In the art of filmmaking, short films aren’t the films you make for widespread acclaim and global distribution, but rather for the cinephiles and short-form entertainment enthusiasts that might just have the pull to get your foot in the door… Read More ›
Sadly, it may be best to heed the title on “Warning: Do Not Play.”
Since its commodification, Asia has capitalized on the horror genre perhaps more fiercely than any other continent. From early Japanese tales of feudal terrors like Ugetsu (雨月物語), Kwaidan (怪談), and Kuroneko (藪の中の黒猫), to more modern tales of turmoil like Ringu… Read More ›
Surprise hit of 2017, “One Cut of the Dead,” now out on physical release.
In the middle of shooting a zombie film, the cast and crew find themselves fighting off an actual zombie attack. This is the premise for the 2017 release One Cut of the Dead from director Shin’ichirô Ueda adapted from the… Read More ›
To make heaven a place on Earth, “We Must Summon the Darkness.”
Released on VOD and digital April 2020, horror-comedy We Summon the Darkness is making its way to home video and is coming straight for your living rooms. Directed by Marc Meyers (My Friend Dahmer) from a script by Alan Trezza… Read More ›
Surprise, Leigh Whannell’s “The Invisible Man” is a masterwork of tension.
When the words “remake” or “reboot” get thrown out, the reaction online is often filled with a great deal of righteous indignation. Along these cries of “you’re destroying my childhood!” often comes a strange forgetfulness that a new version doesn’t… Read More ›
ASMR short “Tingle Monsters” is a chilling slice of internet horror with an important message.
For those who enjoy the soft whispering, feather-like brushing, and light tapping of ASMR videos, the idea of “ASMR horror” may be especially unsettling. Horror works extremely well when it invades our safe spaces, and directors often succeed by setting… Read More ›
“Time Warp: The Greatest Cult Films of All-Time, Vol 2 – Horror and Sci-Fi” fails to coherently focus on its own subject matter.
Depending on who you ask, the term “cult classic” in regard to filmmaking may be applied as a compliment or an insult. Motion pictures acquire this status based on a variety of factors. Perhaps the film flew under the radar… Read More ›
The Cine-Men, Episode 29: Cult Films
We’ve got something really special for everyone on this, the 29th episode of The Cine-Men. This time around, co-hosts Douglas and Darryl are joined by Adam Frazier to discuss their favorite cult films. That doesn’t sound special for you? Frazier… Read More ›
“The Wretched” is a nuts and bolts monster movie, and it delivers.
The horror genre is arguably the most diverse genre in Hollywood when you take into consideration of all the sub-genres that it offers. Slasher, zombies, paranormal, and psychological are all prime examples of sub-genres of horror movies, but one should… Read More ›
Thriller “Sea Fever” unsettles, yet is somehow optimistic.
When writer-director Neasa Hardiman originally crafted the new suspense-thriller, creature-feature hybrid Sea Fever, it is highly unlikely that she could have forecasted its remarkable relevance to the current state of the world. With the pandemic of COVID-19 impacting the daily… Read More ›
Feminist folktale horror film “The Other Lamb” is resonant and memorable, but loses itself in symbolism.
If Céline Sciamma’s recently-released Portrait of a Lady on Fire paints a picture of female community and camaraderie at its best, honing in on the lives of women as they create space for each other outside of patriarchal society, then… Read More ›
Animated horror flick “To Your Last Death” only feels like murder.
Within the horror genre, there are countless sub-genres that exist to define the genre as a whole: slasher, ghost stories, torture porn, revenge thrillers, psychological horror, etc. However, one area that doesn’t really seem to have any sort of traction… Read More ›
Before “Part II” hits theaters, return to the Abbott farm with the beautiful Mondo X Steelbook special edition of “A Quiet Place.”
In the last decade or so, steelbook variants have become their very own subculture for cinematic home releases. In the beginning, it was the packaging that stood out, the sturdy material being a touch more protective than the typical blue… Read More ›
“Swallow” physically manifests the psychological act of piled-on abuse. [Final Girls Berlin Film Festival]
Horror being used as a social allegory is a tale as old as time, even if less informed audiences might try to convince you that it is an entirely new phenomenon. From the earliest days of Mary Shelley’s Frankenstein to… Read More ›
Final Girls Berlin Film Festival Brings attention and exposure to many horror niches. [Final Girls Berlin Film Festival 2020]
We can pretend like Greta Gerwig not receiving an Oscar nomination for Best Director for Little Women is the end-all, be-all of discrimination against women in the film industry, but the misogynistic practices of this massive industry stretch much further… Read More ›