With recent releases like The Naked Gun (2025) and The Fall Guy (2024), one might possess a false presumption that the adaptation or transition from broadcast programming to theatrical is a recent feature of modern entertainment. Even if the ‘90s… Read More ›
There are dueling sentiments in the cinephile community: not everything needs a new edition and film preservation on physical media matters. Given the shift toward digital consumption which removes ownership from the viewer and keeps it steadily in the hands… Read More ›
The best small-town dramas welcome the viewer back to a place they remember but never visited. The town itself has nothing and everything to do with this film, serving as a setting, a cage, and a refuge depending on who… Read More ›
If there’s anything that cinema has taught us, don’t be a camp counselor. Either they have to build morale for a rag-tag group of kids coming from disparate backgrounds in order to help defeat an opposing camp, have to play… Read More ›
I could spend hours ruminating on all of the ways the Final Destination franchise shaped me as a lover of film from childhood, but eventually I would bore you with my stories of being afraid of the Final Destination 3… Read More ›
Warfare is now available on physical media thanks to A24, and it’s a release that absolutely deserves a place in any serious film collector’s library. As a film, Warfare is one of the most heart-stopping, emotionally jarring war movies in… Read More ›
Trigger Warning: Thunderbolts* includes depictions of suicidal ideation and an exploration of depression. Phase Five of the Marvel Cinematic Universe (MCU) is official over and Six is set to kick off with The Fantastic Four: First Steps; but, before we… Read More ›
On April 5, 1994, the lead singer of the alternative rock band Nirvana, Kurt Cobain, died by suicide at the age of 27. His body was discovered three days later in a greenhouse above the garage in his home in… Read More ›
“Education is the silver bullet. Education is everything.” – Sam Seaborn (Rob Lowe) on The West Wing Affirmative stories are nothing new. Stories that try to uplift audiences through the overcoming of adversity have brought about films like Brian’s Song… Read More ›
Sometimes movies fly under the radar for viewers, and some of those movies get branded as favorites or classics. When one of those movies has escaped my viewing experience one way or another and the 4K gets announced, my curiosity… Read More ›
Mike Nichols can be described as one of the best 21st century directors with titles under his belt like Who’s Afraid of Virgina Woolf? (1966), The Graduate (1967), Working Girl (1988), Charlie Wilson’s War (2007), and Carnal Knowledge (1971), so… Read More ›
If someone is asked to identify their favorite war-related films, most likely they’ll name American-made films, not because they’re inherently better but because they are often more prolific. The truth is that war is one of the few concepts that… Read More ›
It only takes one person’s moment of greed to poison the lives of countless others. This isn’t to suggest that individuals aren’t in control of their choices, but, if one ascribes to Chaos Theory, there’s a strong inclination that our… Read More ›
Comic book heroes are filtered through the eyes of the creatives before reaching the reader, empowering our heroes to shift, change, and experience adventures that are unique to the storyteller. Sure, it may create places for readers to argue and… Read More ›
Eephus (2024), now out on Blu-ray, is a great American movie because, like America’s Favorite Pastime, it captures the ways we can be and have forgotten how to be — communal, patient, and honorable, surprisingly loud, and sometimes surprisingly quiet… Read More ›
“See, white folks, they like the blues just fine. They just don’t like the people who make it.” – Delta Slim (Delroy Lindo) Xenophobes exhibit a strange cognitive dissonance. They own iPhones, but hate the people who make them. They… Read More ›
Absolute Dominion (2025), when pitched, sounds like the left-wing equivalent of an evangelical Lionsgate film that’s obviously a money-laundering scheme, but its impressive direction, a great concept, and a more cohesive politic leave you knowing that it could have been… Read More ›
Warning: The following review will include discussion of violent imagery, infanticide, and genocide. If you read my piece last year on Hayao Miyazaki’s modern masterpiece The Boy and the Heron (君たちはどう生きるか) (2023), then you know that the Ghibli studio head… Read More ›
The Amateur is that rare remake that not only justifies its existence but surpasses its source material in nearly every way. In an era overflowing with soulless sequels and shallow reboots, this film reminds us what a remake should be:… Read More ›
If you’ve never seen F. Gary Gray’s Law Abiding Citizen, then stop reading this right now, go find a copy (this new snazzy steelbook is now available), and sit down and watch it (preferably the unrated cut as it has… Read More ›