Director David Cronenberg (A History of Violence) is known to many as a director of “body horror” stories. Underneath that horror, those stories remain riddled with deeper, more profound themes. His latest film, The Shrouds (2024), now available via Criterion… Read More ›
There is something inherently interesting and thought-provoking from Charles Williams’s first time feature, Inside (not to be confused with the Willem Dafoe movie from a few years back), but the longform execution of this seems to be where it slightly… Read More ›
Clocking in at a whopping 215 minutes and being filmed in VistaVision (a high-resolution format once used for classic films such as Vertigo (1958) and The Ten Commandments (1956)), it is not hard to understand why someone would be quick… Read More ›
When we think of directors who are famous for what they’ve done in a specific genre, it’s weird to see a movie from them that is so enriched by their personal life and feels like an incredibly personable film. That… Read More ›
If you’re interested in a World War II period mystery, thriller, courtroom drama with a bit of art history, you may want to check out this Quick Take movie review of the Tri-Star pictures flick The Last Vermeer. This based-on… Read More ›
On the surface, legendary director Brian de Palma’s latest project, Domino, looks like it has solid potential to be a successful under-the-radar crime drama. With a cast including Nikolaj Coster-Waldeau and Carice van Houten of Game of Thrones fame, as… Read More ›
Lockout is both exactly the kind of action movie you like (violence, humor, a cool hero facing immense odds) and the kind of action movie you want it to be (there’s a “no gun” policy for a reason). Unfortunately I… Read More ›
Tomorrow’s screening and review will be of James Mather and Stephen St. Leger’s Lockout. Based on the trailer, the premise appears to be that one man is hired to save the president’s daughter from a prison riot in progress…in space…. Read More ›